Monthly Archives: May 2014
In honor of the birthday of Rudolph Valentino, I will be publishing an article from 1924 about the secrets of Valentino’s life.
It is all very well, but there is just something special about Rudolph Valentino. Oh no, dear messieurs he is not effeminate, not a particle. Thus do you console yourselves upon an error, condone your envy and misjudge the ladies. None go quick as my sex to resent effeminacy in the male. Not thus can our enthusiastic admiration be aroused. There is no gainsaying that the gentleman has a compelling fascination for me, and should I say it in largely because of his agreeably self-confident masculinity, just as men adore agreeably self-confident femininity. My visit, coincided with the removal of the famous beard, and I met him direct from the hands of his barber. Alas I did not obtain a precious lock thereof. He oozed relief, that pesky beard, grown for the leading role of “The Red Power” had ruined his European vacation. Even a Valentino shudders to be seen in the unlovely early stages of chinful growth. He had the thing for four solid months. His wife had actually grown to like it. But today, Valentino was himself again. A very easy man to talk to is Valentino and to listen to. “Who really found you I asked?” “I have heard so many claimants.” “For seven long years, working hard, playing small parts in sometime atrocious pictures. I labored to be found,” he smiled. “But it was June Mathis who opened the door of opportunity for me. It was she who saw me for the part in the “Four Horsemen”. Ah yes, June Mathis. With Valentino speaking so gratefully of her I wanted to know how it happened that June Mathis had left his employ. Because you know directly he entered independent production he had hastened to attach June to his staff to write the scenario of his first picture. So he frowned unhappily. “I cannot tell you how sorry I was not to be able to accept her script. But it just would not do, and we were wasting too much time. So we just had to postpone that production. I shall make these modern picture Cobra sternly finely resisting Nita Naldi’s wiles. And we shall see him in ordinary modern clothes minus the allurement of the costume pictures. It is good to hear this man talking about his pictures. I too, had heard that Mrs. Valentino provided all the managing ability of the firm. But I don’t believe that now. You see, he met Natacha Rambova when he was earning only an uncertain and precarious $175.00 a week and she was getting $5000 a picture as an art director. Were he employing her now at that figure instead of being married to her he would be a foolish man not to give her full sway in her special department. And he has the shrewd business sense to do that now. “I made Monsieur Beaucaire without interference he said. And was allowed my own way in everything under my contract with Famous Players. But I did not cut the picture myself my wife did that. “She made an exquisite job of it.” I declared. And he accepted the compliment for both of them just as any producer would. “What sort of little boy were you”? “A very troublesome little boy, who occasioned his mother much sorrow, he admitted.” You would never, never, guess what kind of sorrow. His besetting sin, if you please, was falling in love with grown-up ladies as old as his own mamma. “You don’t mean that they fell in love with you that young, do you”? “No indeed, the ladies do not fall in love with me, he insisted modestly.” “That mountain of fan love letters, I reminded him.” Oh they are in love with the characters I play not with me the man.” That is why I do not like personal appearances. In Italy I felt I was in the soup or must fall out of the window, but I made it better by wearing my costume of the play, he explained. “he really managed to look thoroughly modest as he said this “Come tell me, what is your pet egotism’? I asked. “Oh, I have one. Very surely he admitted, laughing gaily, and affectionately stroking that recently revealed chin “and it is that my seven years of hard work and poor pay before June Mathis opened the door for me have been rewarded, that I have proved my ability that I can make good pictures, that I can act, and that I have some good artistic and business judgment are, I am not ashamed to show you my egotism he concluded. Well, maybe he was fascinating me, but he was wearing regular clothes and he says he isn’t fascinating in that way, but anyway I found myself agreeing with him. I think that is a pretty reasonable sort of egotism for him to indulge when he can do it as gracefully as he does. He sighed artfully at this point “Isn’t it dreadful to see those fine old trees being cut down in the street outside he said? Just to make a street wider and they take fifty years to grow to such beauty. Well I just felt as if I wanted to pet and comfort him about it. I asked him for an autograph and this is what he wrote on my picture. “Hoping to be kindly remembered.” Rudolph Valentino. Now wasn’t that modestly, artful and discreet and graceful bearing in mind that I am a newspaper woman.
“Just a packet of letters tied with a bit of blue. Just a packet of letters that once were read by you. To one who proved unworthy of the love inscribed within. The tiny packet of letters, a witness of my sin.”– Rudolph Valentino, 1924
The blog is all about Rudolph Valentino his life, his family, those who were affected by him and those countless of people who loved him for his craft. Through research and reading there is still a lot of information out there that is still unknown. In this blog, I hope you the reader enjoy through discovery the new and interesting things about Rudolph Valentino.
As a noted book collector on Rudolph Valentino one of my favorite authors is Mr. Tracy Terhune, Producer, Collector, Valentino Memorial Committee Member, and Author I recently reached out to him and he kindly granted me a short interview for which I humbly thank him.
You are a noted Valentino collector, author and authority. What is your favorite item out of your collection and why?Since day one of collecting on Rudolph Valentino I have enjoyed collecting personal items that had a direct connection to him. He had such lavish exquisite taste in his cars and homes and furnishings within the home. I have several favorites but I will say that the ring he wore in The Eagle is my favorite. It was actually worn by him in three films (Sainted Devil, Cobra & The Eagle) However in The Eagle the ring played a minor part of the plot of the story. It was owned by Margaret Strong of the Strong Museum in New York. In the early 1980’s the Franklin Mint created a limited edition semi replica made out of black onyx and silver. Last year the Strong Museum which specializes in dolls decided to put it up for auction to fund their acquisition account. I am glad to say that I won the auction for it in Beverly Hills.
Rudolph Valentino had many films. Could you please tell us what is your favorite Rudolph Valentino film and why?
My favorite is Son of the Sheik. It’s his best in my opinion. But I also enjoy The Eagle, Beyond The Rocks, Camille and Moran of the Lady Letty. The Four Horseman is also another favorite.
Tracy you are very active in the planning process with the yearly Valentino Memorial. Every year it is a monumental success and a true tribute to Rudolph Valentino. What inspires you to continue? What will be in store for this year’s Valentino Memorial Service?
I am very proud of my involvement with the Valentino Memorial. It’s the oldest continuing annual event in Hollywood History. It has taken place every year since 1927, the first anniversary of his passing. This year will mark its 87th occurrence. The thing that inspires me to continue is to keep this charming yet quirky at times service going in a dignified and respectful manor. Yet, at the same time we want it to be fun and enjoyable. We always strive for the right mix. I have never had anyone who actually attended one of the Valentino Memorials ever complain that we did something in poor taste or disrespectful to Rudy. I am pleased that in recent years two members of the Valentino family accepted the offer to be our guest speaker. They openly expressed gratitude and their praise for the Valentino Memorial Service. That meant a lot to me on a personal level.
Tracey why are you such a fan of Rudolph Valentino?The reason I am a fan is that he deserves to be remembered. The fact he had great sadness over him and was so mis-used throughout his life. By studio chiefs, by his wives, business managers. The fact that he became a star in 1921 and by 1926 he was gone. Truly like a comet blazing across the cinema screen. All at 31. That’s why I like the slogan first used at the 1928 Valentino Memorial – “We Never Forget”
Tracey will you be writing any future books on Rudolph Valentino? Or any other projects you would like to share?
I have a couple of projects in the works, but mainly my goal this year is to get my website back up and running again. Its’ been down for a couple years and I’d like to get that done. I have also talked very briefly with Kevin Brownlow’s company about releasing The Eagle on Blu ray. The original camera negative survives and the print from it is razor sharp. It’s almost a crime that it sits unreleased due to the funding it would cost for a high resolution scan and the Carl Davis score.
I hope you enjoyed this interview folks. I am hoping to feature future interviews in this blog of other noted Valentino authors.
“I do not care for money made easily. It is not lasting I know. I do not care for friends made easily. They are not lasting I know. I do not care for anything that comes easily. It is never lasts I know. But I fell in love with you easily. But not lastingly you know.”–Rudolph Valentino , 14 Jan 1924
Alberto Valentino, brother of the late Rudolph Valentino will appear as an Italian Opera Singer in Paramount Pictures “Enter Madame.”