Monthly Archives: March 2025
31 Mar 1925 – Newly Formed Hollywood’s Sixty Club
“I really belie…
“I really believe i was happier when I slept on a park bench in Central Park than during all the years of the `perfect lover` stuff.` – Rudolph Valentino
21 Mar 1920 – Wanda Hawley In the Film Firmament
Wanda Hawley has become a star. The Realart Pictures Corporation has decided to launch her in her own pictures, with her own name printed above the name of her production, in larger letters, and that sort of thing. To her, naturally this is important, and to some others it maybe impressive-but, after all, a star by any other name would shine as brightly, and Miss Hawley, so far as shining goes, has been a star for some time, ever since 1918, in fact, when, after some experience with Fox and select forces, she became Douglas Fairbanks heroine in “Mr. Fixit”. From this picture she went to Cecil B. De Mille, who featured her in “Old Wives for New” and “We Can’t Have Everything.” She was with William S. Hart “The Border Wireless” and with Rudolph Valentino “Virtuous Sinners” and with Bryant Washburn in “The Way of a Man with a Maid”. In the Spring of 1919, she was on Broadway in 2 pictures. She was leading woman for Wallace Reid in “You’re Fired” The Lottery Man” “Double Speed,” and Robert Warwick in “Secret Service,” “Told in the Hills” and “The Tree of Knowledge.” She had the role of Beauty in “Every Woman” and was most recently seen again on Broadway with Bryant Washburn in “Six Best Cellars.” Invariably, Miss Hawley has been such a heroine as to make whatever her hero might do for her seem reasonable, or, at least, justifiable. She would probably be classed as an ingénue, but that only shows how inadequate in description are simple classifications, for while she is usually ‘artless, ingenuous and innocent’ as ingénues are suppose to be, she is also intelligent, genuine and substantial which ingénues seldom are. She smiles, but does not simper. She doesn’t become silly trying to be cute, and she succeeds in being pleasant without appearing unnatural. The records assert that Miss Hawley was born in 1897, and she looks it. According to one record, her birthplace was Seattle. But another has it she was born in Scranton, PA, and moved to Seattle as a child. At any rate, she was educated first in Seattle and then in Brooklyn, where she studied music. It is said that she is an accomplished pianist and was successful as a singer until throat trouble compelled her to give up the concert stage, from which she went to the screen.
1975 – The Legend of Valentino TV Movie
I recently came across a made for television “movie” that I had not seen before and thought I would watch it and provide a review. This is a heavily fictionized story of silent film actor Rudolph Valentino, and Metro Pictures screen writer June Mathis. June Mathis is finishing the script for “The Four Horsemen” and Valentino was caught robbing her home. It was then, she realized the potential this young man had to become a great actor. Through her mentorship June guides her discovery into becoming one of the screens most gifted actors of his time.
The movie’s casting players were all wrong for the roles they played. For example, Franco Nero was a bad choice for the starring role in playing Valentino. Both his look, mannerisms and speech are over dramatic and exaggerated. Susanne Pleshette’s look for the movie was too glamourous and nothing like June Mathis. While she was semi-believable the make-up artists and wardrobe needed to downplay her appearance into a more semblance of what June Mathis might have looked like. Both Yvette Mimieux as Natacha Rambova and Alicia Bond as Nazimova are not even close to the original stars.
I read the original reviews of this made for television trash and I agree this is one that should have never been made a complete waste of both time and money.
1923 – Norm Kerry 910 N. Bedford Drive, Beverly Hills 90210
Silent Film Actor Norm Kerry owned a home of historical significance and recently his home was listed for sale and even made the local LA periodicals. Norm Kerry was more than a silent film actor he was also a fan about architecture and this home clearly shows.

In 1909, L.A. based architects Greene & Greene designed and built a craftsman style home for L.A. Packard Car Dealer Earle C. Anthony. Mr. Anthony was a forward-thinking achiever who brought numerous innovative ideas from the automotive field to L.A. Also, he was acknowledged as the first person to drive a car and he was noted for helping the Hollywood elite by providing cars and support to movie studios. This was all done to garner free publicity that helped promote his dealership on a large scale.
In late 1922, because of a massive property boom with more people moving to the area where he lived Earle Anthony decided to demolish the house and put apartments on the land. In 1923, the fate of the house was saved by silent Film star Norm Kerry who fell in love with this uniquely styled home. He engaged the original architects, and the home was dismantled and moved to its current location of Beverly Hills and is known as the Anthony-Kerry House. The house’s size is 4 bedrooms, 5 bathrooms total 4565 square feet of living space. The home features an oversized living room with fireplace, formal dining room, kitchen, office/library, sleeping porch, clinker-brick garden walls, detached garage with living quarters above, swimming pool, mature landscaping.


In 2013, this house was designated as a local Beverly Hills historical landmark and is the only house designed by Greene & Greene left and this is because of greedy property developers who go and buy up historical homes in order to tear them down and build modern structures inorder to flip them for a higher price. In recent years, there has been an ongoing battle between Hollywood Heritage and property/business developers and trying to save history versus losing them.











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