Monthly Archives: August 2019
17 Aug 1927 – Hysteria and Home Truths — An Interesting Comparison— Of Extreme English and American Opinion
Tommorrow is the 57th anniversary of film idol Rudolph Valentino’s death a doubly sad day for the town of Harmony, population 28 located hear San Simeon. For years, an unusual monument to Valentino there was accompanied by a sign that read “In the early 1900’s and in the company of W.R. Hearst and Pola Negri, Rudolph Valentino had a call of nature”. Guilda Williams, who lived here, was kind enough to let him use her bathroom. When the little house was remodeled, the potty was converted into an outdoor planter that disappeared earlier this year. “We heard it had been found by police in Clovis” said Jim Lawrence, who owns the town. But when I called the ID didn’t seem to match up.
Three hundred women and girls, In deep mourning, attended a special Man at St. Orrvals Church to-day. In memory of Rudolph Valentino. Scores of girls waited outside the Late Rudolph Valentino church. The Mass was arranged by a mysterious woman, reputed to be im mensely wealthy, who Is frequently seen al Uie church. She does not reveal her name, but often goes to the church to request a Mass for the repose of the soul of Valentino
Each year, during the months of August and September, the Valentino community comes together mourning the life of Rudolph Valentino. When Rudolph Valentino died everyone was grieving for him. While back at Falcon Lair, Rudolph Valentino’s personal home where all of his horses and dogs lived were daily waiting the return of their beloved owner and friend. Who gave any thought or consideration to the horses and dogs left behind. The answer to these questions is no one gave thought or consideration or reassurance of their feelings of grief or they would be okay and taken care of not to be sold but remain in a familiar place remembered where they were loved and treasured. The animals mourned the loss but one felt that more than the rest Kabar a Doberman Pincher, Valentino’s favorite and constant companion. Kabar was born in Alsace, France on 20 June 1922, given to Valentino during a trip to Europe. Kabar was only a few months old, when he was sent to the French estate of the Hudnut family to be specially trained there. Over time, he was seen constantly at Valentino’s side to even sleeping in his chamber at night. Natacha Rambova often accused Valentino of favoring Kabar and hating on her Pekinese dogs. Not so said Valentino”shes the one I hate”. On 23 Aug 1926, when his best friend died Kabar instinctively knew something was wrong and started howling so loudly that all of the other pets picked up the signal and started howling as well and could not be appeased. Beatrice Lillie was so frightened of what she was hearing that she ran her car off the mountain road and fainted when on her way home from a party nearby at John Gilbert’s house. When Alberto Valentino arrived back at the estate the dog’s grief somewhat subsided but he was constantly sick since Valentino’s death. On 3 Feb 1929, Kabar passed away from a broken heart. Senator Vest of Missouri immortalized Kabar in one of his speeches. The death of Kabar, brought up the question what to do with his remains. Because this was newsworthy he was the first famous pet to be buried in a pet cemetery. Alberto Valentino buried Kabar with a marker that read “Kabar My Faithful Dog” Valentino. To this day, the Valentino community talks about the love and friendship between Kabar and his best friend.
In less than 12 days, generations of fans of the great silent film legend Rudolph Valentino will come from parts all over to the Cathedral Mausoleum, Hollywood Forever Cemetery to celebrate and mourn the life of a talent that lives on in our minds, hearts and celluloid.
The memorial service comes to serve us all as a reminder to pause and remember that he has never been forgotten. The purpose of this blog has always been to give the viewer a glimpse into a yester-year. A bygone era of photos, newspaper headlines, articles that give us something new and different to savor and perhaps bring us all a little closer as a community should. But its important to know there are dedicated and humble people who work behind the scenes each year to ensure the Annual Rudolph Valentino Memorial Service is done in a fitting and respectful manner in tribute to one we all come together and celebrate and mourn the passing of a wonderful silent star whose light will never dim. To Mr. Tracy Terhune, Ms. Stella Grace and others, I wanted to take a moment to thank you for the hard work all that you have done and continue to do. On 23 Aug, 1315 PST, Los Angeles California, Hollywood Forever Cemetery 92nd Memorial Service physically and virtually the Valentino Community will once again come together.
The 92nd Valentino Memorial Service
“Before leaving London Valentino went into the Wykham Studio in Victoria Street to have a passport photograph taken when he gave his name, the assistant exclaimed, ‘Oh! My God’, to which remark Valentino replied ‘No not a God, only a mortal’–Rudolph Valentino
Rudolph Valentino gets up at five o’clock and his himself to the beach for a swim before going to work in “The Eagle” which Clarence Brown is directing. When he was making “Cobra” he used to get up at the same hour and box or ride horseback. Rudy changes his sports and hobbies regularly and thus keeps a fresh interest.
Speaking of screen premiers in Los Angeles, the opening performance of the “Four Horsemen of the Apocalypse” was an affair of importance. All the principal players from the cast were there, including Rudolph Valentino, Alice Terry, Derek Ghent and Virginia Warwick. The tango was to have been danced by Rudolph Valentino and Beatriz Dominguez who played the Argentinian dancer in the picture, but she, poor girl, passed away following an operation for appendicitis a few days before the picture was shown. The presentation was somewhat marred by the introductory remarks of a gentleman from Brazil, who although an American, had a limited vocabulary, and a distressing originality of pronunciation. “My friends” he began, “we are about to witness the great dramatically spectacular “The Four Horsemen of the Apocalypse” the –“business of consulting the program) the Apoc-al-ypse–..A titter from the audience checked him and he tried it again. After the roar of laughter had subsided he let the matter of pronunciation go hang, and contented himself with referring to the feature as the greatest “dramatically spectacular”.
According to Beulah Livingstone, who writes publicity for a company sponsoring the revival of “Son of the Sheik” the name of Rudolph Valentino will remain a magic one as long as romance flourishes on the movie screen. “It was the late Valentino”, declares Miss Livingstone “who set the hears of the nation thumping wildly with his forthright technique of love-making, and his rugged he-man characterizations set another precedent in screen acting. Those who remember and love him for his screen contributions, as well as the newer generation who have never had the opportunity to see the great idol of filmdom, will be happy to learn that his last and greatest picture has been booked for local presentation. We have known Beulah Livingstone since back in the good old silent days, when we were young and innocent and the brain-storms that flowed so profusely from her sturdy typewriter were eagerly accepted and passed on without blue penciling to our readers. But a lot of water has shot over the Chaudière since “Son of the Sheik” was produced and released to a clamoring public, and we confess that Beulah’s effusive if well-turned, phrases anent the current revival of Rudolph Valentino productions from the dimly-passed silent days leaves us as cold as one early morning last winter when the radiator on the old bus froze stiff and we bravely ventured forth to walk the two miles to our office. For the information of those who might be interested, and just to keep the record clear, we might add that the rejuvenated “Son of the Sheik” contains sound effects and a newly arranged musical score. Acting, directing, technical effects, and camera work have come a long way, however, from the days when every other girl of teen-age sent in a quarter for her idol’s photograph and mounted it on the boudoir table.