Posts Tagged With: Son of the Sheik

1926 – Last Year in the Life of Rudolph Valentino

The final year of Rudolph Valentino’s life, spanning late 1925 to his death on August 23, 1926, was a period marked by professional triumph, personal turmoil, and the intense public scrutiny that accompanied his status as Hollywood’s first great male sex symbol. Valentino stood at the height of his fame, yet his final months revealed the pressures and vulnerabilities that came with being the “Latin Lover” of the silent screen.

Though he succeeded in film, his personal image was in disarray. In late 1925, his second wife Natacha Rambova filed for divorce and he was technically free from shackles of a woman not easy to please. On 13 December 1925, Valentino arrived at Paris’ Gare du Nord and stayed at Plaza Athenee. During his time in Paris, celebrating in Montmartre nightclubs, gambling in Casino de Paris, or participating in Charleston Dance Contests. It was all something of a whirlwind. On 30 December, travelled by car to South of France. In early February, Valentino departed France for New York and arriving back on 14 February. From April – May, Valentino was in Yuma filming “Son of the Shiek.”  On 6 May, Valentino, celebrated his 31st Birthday at United Artists Studio, Hollywood. This was a studio function, and many Hollywood stars were in attendance and one item on the menu was a pink ice cream sandal served to guests. On 19 June, Valentino travelled to Constance Talmadges Beach Party, 1020 Beach Road, Santa Monica. The party was a belated birthday celebration for actor Richard Barthelmess. In late June, Mabel Sykes found out Valentino would be stopping through Chicago. She wanted him to have updated photographs taken. Valentino was now on nation-wide tour San Francisco, Chicago, New York promoting his final film. On 9 July, “Son of the Sheik” premiered at Million Dollar Theater, Los Angeles, California and ran for 4 consecutive weeks. On 18 July, a Pink Powder Puff newspaper article was published in the Chicago Tribune. On 18 July, Valentino arrived in Chicago and was met by favourite photographer, Mabel Sykes, who took a photograph of him on the train. On 20 July, Valentino travelled to Mabel Sykes Studio for more formal photographs. In early August, Valentino arrived in New York City and stayed at the Ambassador Hotel. On 14 August, Valentino dined at the Colony Restaurant. Later he arrived at the Apollo Theater for George Whites Play “Scandals” and from there attended a small gathering at 925 Park Ave, New York, Barclay Warburton’s home. On 15 August, he collapsed in his New York City Hotel room and rushed to the hospital, only to develop peritonitis and died on 23 August. His last movie was released across the country on September 5, earning more than $1,000,000 at the box office.  In December, there was an estate auction of all personal assets, he died totally broke.

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8 May 2025 – “A Reality 20th Century Fairytale from the Silent Era, The Sheik & Son of the Sheik”

First, I would like to thank “Hometowns to Hollywood” for allowing the following contribution to their “Once Upon a Time Blogathon: Fairy Tales, Legends, & Myths”. 

Historically, books served as a main source of entertainment. They’ve helped distinguish between fact and fiction. Many began their literary journey with childhood fairy tales. A fairy tale is a narrative that depicts a series of dramatic events, culminating in a conclusion where all characters live happily ever after. These tales inherently possess a contradictory nature, blending moral lessons with social truths. Through these narratives, individuals can glean valuable life lessons from a blend of fiction and reality. As history progressed, a transition occurred, books eventually became alive on a moving picture screen and for filmmakers this concept presented a challenge to bring a story to life.

The silent film era began with the introduction of films without sound. According to the Chaplain Film Festival (2025), silent films are visual stories that convey melodramatic plots with themes such as romance, betrayal, good versus evil. The viewer has the freedom to interpret the movie’s outcome.

A perfect example is English writer E.M. Hull who wrote a series of desert romance novels, two (2) of which were adapted for the moving picture screen. Both “Sheik” & ”Son of the Sheik” featured actor Rudolph Valentino as a wealthy sheik rescuing a damsel in distress, inviting audience members to identify with the heroine. Cinemagoers frequently returned to theaters to watch a charismatic young actor. For some, the dream became a poignant reality, while for many others, it remained a mere fairytale.

Reference

Chaplain Film Festival (2025). Key Characteristics of Silent Films. Retrieved from: Silent Era – Definition & Detailed Explanation – Film History Glossary Terms – chaplinfilmfestival.com

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6 Oct 1934 – Royalties Still Paid on Films of Valentino

Heirs of Rudolph Valentino are still collecting royalties from his pictures more than eight years after his death it was revealed in court today. Two of the late actors’ greatest films “Son of the Sheik” and “The Eagle” are still shown in theatres throughout the world, the administrator of his estate informed Probate Judge Walton Wood. The court was asked to approve a compromise settlement of $6,093.75 with Art Cinema corporation as royalties due to the estate. The court concurred.

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Apr 2021 – This Month on Patreon Rudolph Valentino 1928

For Patreon Supporters – This month we are going to talk about Rudolph Valentino in 1928. 

For those wishing to become a supporter to this blog and view exclusive content here is the link below.

https://www.patreon.com/allaboutrudy

Email allaboutrudolphvalentino@eclipso.eu

Thank you & See You Next Month.

Dr. C.R.

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2 May 1926 Valentino has a Cold

On account of the cold with which Rudolph Valentino has been suffering for the last few weeks, he has hardly been able to talk and has practically had to halt work on his new picture “The Son of the Sheik”.

 

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1926 – Did Rudy die because of a fall?

June Knight said dancing led to my future work and my first tragedy. I was only twelve when I started to work in a prologue at the Million Dollar Theater, Los Angeles. I’ll never forget that Engagement because Rudolph Valentino was appearing there in connection with his picture “Son of the Sheik”. It was there that he had an accident that many claim was really responsible for His death. We were all on the stage, and Valentino started to go down the narrow stairs at the Edge of the stage. He lost his balance, half-turned, and fell into the
orchestra, right on top of the Big bass violin. I was one of the first to reach him. The sharp top of the big violin had 
pierced his Side. I helped pick him up and he quietly thanked me for my assistance. But I could tell that he still did not feel right and I quietly suggested he go to see a local doctor. But, Mr. Valentino was adamant he was fine.

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