Monthly Archives: August 2025

31 Aug 1916 – DeWolfe Divorce

Mrs. Winfred DeWolfe, interior designer, mother of debutante and dancer Miss Winifred De Wolfe, who created a sensation by disappearing from New York six months ago, yesterday filed suit for a divorce from Edgar De Wolfe, former manager of the Granada Hotel, charging neglect and cruelty.  DeWolfe, brother to Elsie DeWolfe, actress left this city for New York in 1914 and wrote to his wife, according to her complaint, that he did not intend to return.  Mrs. De Wolfe declares he did not support her from the time of their marriage in January 1907. Mrs. DeWolfe alleges her husband during their married life caused her to suffer ‘great bodily and mental injury: but she does not state in what manner other than he began living beyond his means shortly after the marriage and squandered all her money.  Mrs. DeWolfe who has a large clientele among society folk of the pennisula (San Francisco) says in her complaint that she has been swamped with bills contracted by her husband.

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1926 – Frank E. Campbell Funeral Home, NYC, NY

Quietly (and how!), Frank E. Campbell, ”The Funeral Chapel Inc.,” the city’s undertaker to the stars, is celebrating its 90th anniversary this year. It is a hushed affair. There will be, according to an official, ”no formal celebration, no formal acknowledgement” outside the building at 81st and Madison – and not much within. That is the place where, at the end, one could find Rudolph Valentino, Elizabeth Arden, George Balanchine, Bernard Baruch, James Cagney, Terence Cardinal Cooke, to alphabetically name-drop but a few.

”To create a service so sublimely beautiful, in an atmosphere of such complete harmony as to alleviate the sorrow of parting, is to render a service to mankind,” Frank E. Campbell himself said an exceedingly long time ago. Mr. Campbell got his start at age 12, in 1884, at a funeral home in Camp Point, Ill., helping to make caskets. By 1893 he was earning $10 a week in New York at the Stephen Merritt Undertaking and Cremation Company.

By 1898 he was in business for himself on West 23d Street. The rest is the stuff of mortuary legend.  According to an in-house history of the concern, it was the founder’s business genius to recognize a need peculiar to New York and fill it. The custom at the time was to have funerals at home. That may have played well elsewhere in the land, but the majority of New Yorkers lived in apartments or residential hotels. This made for a cramped, to say nothing of crabby, funeral. Mr. Campbell ”combined the facility of viewing with the atmosphere of the church” and set the industry on its ear. Most funeral parlors of the period were simply basic storefronts. Mr. Campbell’s place was a showcase of mellow light, decorative furniture, potted palms, and art. By the time he buried Enrico Caruso, in 1921, the parlor had been moved to Broadway and 66th Street. By the time he buried Rudolph Valentino, after a riot at the bier, in 1926, his reputation was writ in stone, after a fashion. The parlor outstripped the competition for celebrity trade. By the time the business moved to 81st and Madison in 1938, Mr. Campbell was dead and buried four years (solid bronze sarcophagus placed in the family mausoleum in North Bergen, N.J.). His widow, Amelia Klutz Campbell, ran the business until she died in 1948 (cremation, ashes in the mausoleum) and it was sold off.  There have been three owners since, but the name has remained, because of the reputation. Long after his death, Frank E. Campbell was quoted widely, particularly after Jessica Mitford’s savagely witty 1963 expose, ”The American Way of Death,” helped shore up a national assault on undertakers by clergymen. Writing about these critics in The New York Times, Homer Bigart said: ”They demand a curb on what they call the neo-pagan corpse worship of the modern funeral. Never keen on embalming, cosmetology, fancy coffins and other frills of funerary art, they want a return to simple, inexpensive, and austere rites.” Eventually the din died down, and funerals got neither cheaper nor less elaborate – they are still the third biggest-ticket purchase for most Americans, after homes and cars – but not before one president of Frank E. Campbell told the press: ”These dames that write these books – they do not want to hear anything good. If you kill sentiment, you are a dead pigeon. The world runs on sentiment.”

Today the business is owned by a Houston outfit, Service Corporation International, the largest funeral parlor operator in the country, whose chairman has characterized it as ”the True Value Hardware of the funeral service industry.” The chain, according to Eugene Schultz, assistant regional manager of the funeral division, considers Campbell the jewel in its crown. Having said that, Mr. Schultz offered a tour of the facility, volunteering that the 90th anniversary has been duly marked with a $500,000 restoration. Mr. Schultz walked somberly, at a loss for anecdotes, saying the famous dead are brought here because of quality and service and the knowledge that ”we will do everything possible to carry out any family request.” Asked if he could recall any extraordinary requests, he said, ”Not offhand.” The five-story funeral home was cool, with air-conditioners humming on each floor, quiet, and lovely, even though the elevator was exceptionally narrow, given its depth.

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Aug 2025 – 98th Annual Valentino Memorial Service Review

On every 23 August, 1210 hours, the Valentino Community comes together as one, in order to pay their solemn respects, in tribute to a great silent film actor, who still garners admirers and attention, in the 21st Century.

This year’s tribute program, was even more impressive than in years past. From the audio and visual tributes to the speakers, music selections, singing, to most of all a memorable salute to our beloved Donna Hill, everything was done reverently and beautifully.

There was something poignant about knowing how much of a compassionate person Donna Hill was. While I did not personally know her. Everyone within the Valentino community, felt as though she was a friend, someone they could go to for questions about Valentino. Her legacy will be remembered for years to come.

The music selection and the vocal talent of Ms. Katy Jane Harvey was once again, superb. I thoroughly enjoyed listening to my favourite “Ave Maria”.🎶🎤🎧🎼

It’s always sad when the Memorial Service ends🥲. But next year, I will be there physically to embrace the memories and see familiar faces once again.

One more thing, a big thank😇you to Tracy Terhune and Zachary Jaydon.✌️

Until next year. 😍🎥🎞️🪦

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13 Aug 1925 – Rudolph Valentino Productions 7200 Santa Monica Blvd, Hollywood, CA

On 13 Aug 1925, Rudolph Valentino filed articles of incorporation at the Los Angeles County Clerk Office to form Rudolph Valentino Production, INC. of Los Angeles.  At the time of filing, this was not considered national news since Valentino as company director signed article papers as Rudolph Guglielmi versus his on-screen name.  Rudolph Valentino formed his own production company to give him creative control over any future motion pictures made.  Besides motion pictures, personal appearances, musical compositions, general phonographic, music reproduction apparatus were added. The corporation has $25,000 of capital stock and out of this money $300 has been subscribed for by the directors.

Rudolph Valentino Productions was located at 7200 Santa Monica Blvd, Hollywood, CA. This address was where you could write to Rudolph Valentino. At one time, this location was home to Pickford-Fairbanks Studio, King Vidor Productions, United Artists, Norma Talmadge Productions.  Two of his pictures were made under his production company and George Ullman was listed as both secretary and treasurer. In 1930, it showed they made $500,00 for the Valentino estate. In 1933, his production company was sued by the federal government for back taxes for years 1926, 1927, 1928. The amount totaling was $67, 500.

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