Author Archives: 1926Rudy

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About 1926Rudy

The world of silent films is a fascinating place to explore. There is one actor who stands out the most and that is Rudolph Valentino. The words in this blog are copyrighted by law.

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1926 – Carl Raswan, Stunt Double for Rudolph Valentino Son of the Sheik

In 1893, Carl Raswan was born in Dresden. At the age of five, Carl Raswan started on a pony and through the years his interest in horses grew. In 1911, while on a trip to Greece he starts searching for the perfect horse by viewing art works and statuary. In 1921, he moves to Oakland California to make his living there. In 1926, The Kellogg-owned stallion Jadaan was ridden by Raswan in April when he served as a stunt double for Rudolph Valentino during shots requiring fast or dangerous riding in the film Son of the Sheik. In 1966, Carl Raswan died in Santa Barbara of silicosis. He was married twice and had one son and five daughters.

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1926 – Last Year in the Life of Rudolph Valentino

The final year of Rudolph Valentino’s life, spanning late 1925 to his death on August 23, 1926, was a period marked by professional triumph, personal turmoil, and the intense public scrutiny that accompanied his status as Hollywood’s first great male sex symbol. Valentino stood at the height of his fame, yet his final months revealed the pressures and vulnerabilities that came with being the “Latin Lover” of the silent screen.

Though he succeeded in film, his personal image was in disarray. In late 1925, his second wife Natacha Rambova filed for divorce and he was technically free from shackles of a woman not easy to please. On 13 December 1925, Valentino arrived at Paris’ Gare du Nord and stayed at Plaza Athenee. During his time in Paris, celebrating in Montmartre nightclubs, gambling in Casino de Paris, or participating in Charleston Dance Contests. It was all something of a whirlwind. On 30 December, travelled by car to South of France. In early February, Valentino departed France for New York and arriving back on 14 February. From April – May, Valentino was in Yuma filming “Son of the Shiek.”  On 6 May, Valentino, celebrated his 31st Birthday at United Artists Studio, Hollywood. This was a studio function, and many Hollywood stars were in attendance and one item on the menu was a pink ice cream sandal served to guests. On 19 June, Valentino travelled to Constance Talmadges Beach Party, 1020 Beach Road, Santa Monica. The party was a belated birthday celebration for actor Richard Barthelmess. In late June, Mabel Sykes found out Valentino would be stopping through Chicago. She wanted him to have updated photographs taken. Valentino was now on nation-wide tour San Francisco, Chicago, New York promoting his final film. On 9 July, “Son of the Sheik” premiered at Million Dollar Theater, Los Angeles, California and ran for 4 consecutive weeks. On 18 July, a Pink Powder Puff newspaper article was published in the Chicago Tribune. On 18 July, Valentino arrived in Chicago and was met by favourite photographer, Mabel Sykes, who took a photograph of him on the train. On 20 July, Valentino travelled to Mabel Sykes Studio for more formal photographs. In early August, Valentino arrived in New York City and stayed at the Ambassador Hotel. On 14 August, Valentino dined at the Colony Restaurant. Later he arrived at the Apollo Theater for George Whites Play “Scandals” and from there attended a small gathering at 925 Park Ave, New York, Barclay Warburton’s home. On 15 August, he collapsed in his New York City Hotel room and rushed to the hospital, only to develop peritonitis and died on 23 August. His last movie was released across the country on September 5, earning more than $1,000,000 at the box office.  In December, there was an estate auction of all personal assets, he died totally broke.

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Happy 2026

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1920’s – Christmas Celebration Valentino Style

The 1920’s was a time where globally everyone was still recovering from a world war that took many lives and reeked devastation everywhere. Yet a new century was in full swing and it was still a time where the traditional family unit gathered around the table each night and observed the Sabbath each Sunday. Holidays were a time in life where relatives gathered together during the holiday season to remember and reflect on the true meaning of Christmas and celebrate together with joy. People from all walks of life coming as one upholding traditions passed down thru the generations.

Hollywood a community globally looked on with awe and the Christmas holidays, comes to a city filled with flaming red poinsettias, manicured green lawns, electric lighted Christmas trees. Beautifully decorated streetlamp posts with tinsel decorations and glitter festooned store fronts to let visitors and local citizens alike the holiday season has arrived. Major movie film studio cars, chauffeured town cars, and taxi cabs alike rushing around delivering flowers, baskets of food, beautifully wrapped packages from address to another. These same movie film studios are sending Christmas cards from their favourite star to the fans and newspaper writers who support the industry, all year long. Also, there are the industries workers to consider from the prop boy, hairdresser, tailor, secretaries, grip boys whose valuable contribution to the film making industry. Silent film stars like Lila Lee, Leatrice Joy, Nita Naldi, Buster Keaton, Monte Blue, Gloria Swanson, Mary Miles Minter, Ricardo Cortez, Harold Lloyd, Rudolph Valentino and his wife, Ramon Navarro, Lupe Velez, will gather with their respective family and friends to celebrate in a most festive way. Rudolph Valentino’s family and Natacha Rambova’s family are in Europe wrapped up cozy warm in front of the respective fires celebrating in their own ways. While our couple are remaining in California due to film commitments and a wave of homesickness in the air. They felt Christmas should traditionally be spent where they would put a fire in the fireplace to roast nuts and cook a meal together. Rudy would thoughtfully present Natacha with a new jewel or another dog to add to their growing menagerie. The day would end with them reading poetry to each other and discuss their plans for the upcoming year. However, Rudy would often think about his family back home and miss the wintry weather, mulled wine, and the rich dinner. This was a time of celebrating and the evening would see the churches packed with people looking forward to altars bathed in candlelight and voices joyously singing songs willed with meaning. Sometimes Rudy would take a drive down to Palm Springs dessert where the nights were genuinely like those near Bethlehem where once upon a time, three Wise Men would follow a star. On the other side of the world, Italians would celebrate the Christmas season starting with 8 December with the feast of Immaculate Conception and end on 6 January with the feast of Epiphany. Their trees would be quietly decorated with cherished ornaments passed down through the family and the base of the tree would feature a nativity scene. Italians are a traditional people, and their Christmas eve meal would not have meat and of course a lavish dessert of Christmas cake or Panettone is served. An old saying goes “Christmas with your family and Easter with anyone you wish.” The most characteristic Italian Christmas sound is the one of bagpipes, played by pipers called zampognari. Stockings would be filled with fruit and simply carved toys for children and the adults would exchange home-made gifts. Times with family had special meaning and there was a festive spirit that was in everyone. A courteous greeting was extended to all while the New Year was looked upon with a certain relief it was a simple time where family and friends were more important.

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17 Dec 1925 – Natacha will marry again

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13 Dec 1925 – Valentino Mobbed in Paris

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6 Dec 1925 – Mae Murray date with Rudy

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5 Dec 1923 – The Young Rajah Production

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22 Nov 1925 – Valentino done with Marriage

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17 Nov 1925 – Views on Children

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16 Nov 1925 – Mae Murray Won Court Suit

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Rudolph Valentino Tango Music for Film

https://archive.org/details/78_rudolph-valentino-tango_e-warner_gbia3024008b

https://archive.org/details/78_rudolph-valentino-tango_e-warner_gbia3024008b
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29 Sep 2025 – Silent Movie Day

On this day, celebrates a film era that is slowly being depreciated.

Silent film era marked the beginning of cinematic art influencing multi- generations. Many of today’s youth do not appreciate beauty and expressionism brought to the big screen. To quote Norma Desmond “we didn’t need words we were faces on the screen”..💓❤️‍🔥🩷❤️☮️

Take time to watch a silent film or support a silent film restoration project.

http://www.silentmovieday.org

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9 Sep 1951 – A Ukulele and a Memory

A vamp of the former silent movie days, who acted with Rudolph Valentino and also unleashed her feminine wiles in that mighty pictorial epic “Ben Hur” is now working as a television glamour girl. Because Carmel Myers has aged in appearance far less rapidly than the years have passed, she is able to compete in the charm sweepstakes on an equal basis with young newcomers, thus bolstering the vitality move men initiated by Gloria Swanson. One prop and one routine are the mainstay routines in Miss Myers television show a ukulele she has used since she was 13 years old. It was her ukulele that led her into television. At a party in New York, she was strumming and singing, and a friend told her she should be on television. Miss Myers took the suggestion seriously and looked up Robert Kintner President of ABC. He turned her over to the program department and they put her on the air. Movie fans who are acquainted with Miss Myers have noticed her hair colour is a radiant blond and she admits her natural hair colour is brunette. She further explains she looks much better with a lighter hair color in a television studio. Last week’s episode she recalled Charleston Contests held at the famed Coconut Grove a place talent scouts would gather.  One night a scout told a young dance to report to a certain movie studio and the next day she did arrive, but nothing happened with her career until later after she did a name change to Joan Crawford. Miss Myers recalls working with Rudolph Valentino during one movie scene filmed in Santa Monica. He was supposed to rescue her but, in her version, she is the one to rescue him out of the water. 

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8 Sep 1925 – HORSE INJURES VALENTINO.

Rudolph Valentino, silent-film actor, was scratched and bruised at Lankershim, near here, today when he was dragged some distance by a galloping horse.  The scene which Valentino was making for the screen required him to halt a running horse.  He grabbed the animal by the bridle, but the horse, entering the spirit of the act, kept going, bumping the actor along the road. Valentino must appear in Justice Court here Friday and stand trial on a speeding charge.  Such was the response of Justice Joseph Marchetti yesterday to Valentino’s plea that he moves his court temporarily to his studio.  Valentino had declared that if he should have to leave the studio and go to court the wheels of production would stop and much money would be lost while the cameras waited for his reappearance.

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1953 – Director Adolph Zukor on Valentino

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2 Sep 1922 – Idol of Fans

In an exclusive interview with a representative with the NY Times yesterday Valentino announced he will not return to Hollywood pending the outcome of his litigation with Famous Players-Laskey. Papers in the legal action will be filed early next week and yesterday the company retained Guggenheim, Untermyer and Marshall in an attempt to force Valentino to continue the program outlined in his long-term contract. All day yesterday, the idol of thousands of film enthusiasts sat in a rear room of the office of his counsel, Arthur Butler Graham, at 23 West, 43rd Street, New York City in preparation of Valentino. It is understood that Sim Untermyer will be arraigned by Graham in the courts. To prevent Valentino with another production Guggenheim, Untermyer appealed to Hays, High Chief of the affidavit stating the actor’s case will be forwarded today by Valentino’s counsel.  Although the fact is generally known Valentino far less compensation the players of equal import pictures. His salary is to be $1200 a week. Valentino contends Paramount netted more than $1,000.00 in “The Sheik” his first star vehicle, and that “Blood and Sand” his current picture will nearly double that amount he says, is not commensurate with these profits and furthermore, he insists Famous Players-Lasky abrogated its part of the contract by failure to provide the publicity agreed upon. After Valentinos marked success in “Four Horsemen of the Apocalypse” Metros dramatization of the Ibanez novel he was called to NY by Famous Players-Lasky and offered a contract at a sum that to the theater gods and goddesses is nominal. He refused at first, but when the company agreed to augment the salary with extra publicity he signed for a period of several years. Sleek of hair as always and with a ring of beaten silver on earth has his little fingers Valentino smoked innumerable cigarettes as he discussed his case yesterday for the first time since his arrival in NY.  For days, he has been incognito refusing interviews and remaining in complete obscurity.  “I will not return to Hollywood at the present time: he said. The reports that I will desert America and return to Italy are ridiculous. I have made great success in America and shall remain here. “If I return to Italy it will be only for the purpose of visiting my parents whom I have not seen in 10 years. I have no plans for contracts with other companies. I do not intend to make any until this matter has been legally settled satisfactorily. I would like to have it understood, that I will stand by any contract I make, as long as the other party does likewise. He refused to discuss his private affairs and ignored mention of the name of “Miss Hudnut”, whom he married to in Mexico before the interlocutory degree from Jean Acker had become final. But from another and no less authoritative source the Times learned the Valentinos will not live under the same roof until Jean Acker has passed legally of Rudolph’s life forever. Along Broadway in the motion picture offices, Valentino is known as the “gold mine of the screen” according to his counsel. When his case is called Graham expects to introduce as witnesses the editors of film magazines, who will testify that 70 to 80% of the “fan letters” about screen players received by these publications concern Valentino. Since her marriage to Valentino and return to New York, Miss Hudnut has evaded reporters. She remained for several months at the Hudnut summer camp Foxlear, at North Creek, NY and at one time was said to have booked passage to Europe which for some unexplained reason was cancelled. No she has moved into the Biltmore Suite of her foster parents. She will not return this season to the employ of Nazimova, whose art director she was. Although the Valentinos are living apart, there has been no break in their happy relations. It was admitted yesterday they have been together frequently and will continue to see one another at intervals until the California law permits them to take up their life together.

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Sep 1925 – Other Endeavors

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31 Aug 1916 – DeWolfe Divorce

Mrs. Winfred DeWolfe, interior designer, mother of debutante and dancer Miss Winifred De Wolfe, who created a sensation by disappearing from New York six months ago, yesterday filed suit for a divorce from Edgar De Wolfe, former manager of the Granada Hotel, charging neglect and cruelty.  DeWolfe, brother to Elsie DeWolfe, actress left this city for New York in 1914 and wrote to his wife, according to her complaint, that he did not intend to return.  Mrs. De Wolfe declares he did not support her from the time of their marriage in January 1907. Mrs. DeWolfe alleges her husband during their married life caused her to suffer ‘great bodily and mental injury: but she does not state in what manner other than he began living beyond his means shortly after the marriage and squandered all her money.  Mrs. DeWolfe who has a large clientele among society folk of the pennisula (San Francisco) says in her complaint that she has been swamped with bills contracted by her husband.

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1926 – Frank E. Campbell Funeral Home, NYC, NY

Quietly (and how!), Frank E. Campbell, ”The Funeral Chapel Inc.,” the city’s undertaker to the stars, is celebrating its 90th anniversary this year. It is a hushed affair. There will be, according to an official, ”no formal celebration, no formal acknowledgement” outside the building at 81st and Madison – and not much within. That is the place where, at the end, one could find Rudolph Valentino, Elizabeth Arden, George Balanchine, Bernard Baruch, James Cagney, Terence Cardinal Cooke, to alphabetically name-drop but a few.

”To create a service so sublimely beautiful, in an atmosphere of such complete harmony as to alleviate the sorrow of parting, is to render a service to mankind,” Frank E. Campbell himself said an exceedingly long time ago. Mr. Campbell got his start at age 12, in 1884, at a funeral home in Camp Point, Ill., helping to make caskets. By 1893 he was earning $10 a week in New York at the Stephen Merritt Undertaking and Cremation Company.

By 1898 he was in business for himself on West 23d Street. The rest is the stuff of mortuary legend.  According to an in-house history of the concern, it was the founder’s business genius to recognize a need peculiar to New York and fill it. The custom at the time was to have funerals at home. That may have played well elsewhere in the land, but the majority of New Yorkers lived in apartments or residential hotels. This made for a cramped, to say nothing of crabby, funeral. Mr. Campbell ”combined the facility of viewing with the atmosphere of the church” and set the industry on its ear. Most funeral parlors of the period were simply basic storefronts. Mr. Campbell’s place was a showcase of mellow light, decorative furniture, potted palms, and art. By the time he buried Enrico Caruso, in 1921, the parlor had been moved to Broadway and 66th Street. By the time he buried Rudolph Valentino, after a riot at the bier, in 1926, his reputation was writ in stone, after a fashion. The parlor outstripped the competition for celebrity trade. By the time the business moved to 81st and Madison in 1938, Mr. Campbell was dead and buried four years (solid bronze sarcophagus placed in the family mausoleum in North Bergen, N.J.). His widow, Amelia Klutz Campbell, ran the business until she died in 1948 (cremation, ashes in the mausoleum) and it was sold off.  There have been three owners since, but the name has remained, because of the reputation. Long after his death, Frank E. Campbell was quoted widely, particularly after Jessica Mitford’s savagely witty 1963 expose, ”The American Way of Death,” helped shore up a national assault on undertakers by clergymen. Writing about these critics in The New York Times, Homer Bigart said: ”They demand a curb on what they call the neo-pagan corpse worship of the modern funeral. Never keen on embalming, cosmetology, fancy coffins and other frills of funerary art, they want a return to simple, inexpensive, and austere rites.” Eventually the din died down, and funerals got neither cheaper nor less elaborate – they are still the third biggest-ticket purchase for most Americans, after homes and cars – but not before one president of Frank E. Campbell told the press: ”These dames that write these books – they do not want to hear anything good. If you kill sentiment, you are a dead pigeon. The world runs on sentiment.”

Today the business is owned by a Houston outfit, Service Corporation International, the largest funeral parlor operator in the country, whose chairman has characterized it as ”the True Value Hardware of the funeral service industry.” The chain, according to Eugene Schultz, assistant regional manager of the funeral division, considers Campbell the jewel in its crown. Having said that, Mr. Schultz offered a tour of the facility, volunteering that the 90th anniversary has been duly marked with a $500,000 restoration. Mr. Schultz walked somberly, at a loss for anecdotes, saying the famous dead are brought here because of quality and service and the knowledge that ”we will do everything possible to carry out any family request.” Asked if he could recall any extraordinary requests, he said, ”Not offhand.” The five-story funeral home was cool, with air-conditioners humming on each floor, quiet, and lovely, even though the elevator was exceptionally narrow, given its depth.

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Aug 2025 – 98th Annual Valentino Memorial Service Review

On every 23 August, 1210 hours, the Valentino Community comes together as one, in order to pay their solemn respects, in tribute to a great silent film actor, who still garners admirers and attention, in the 21st Century.

This year’s tribute program, was even more impressive than in years past. From the audio and visual tributes to the speakers, music selections, singing, to most of all a memorable salute to our beloved Donna Hill, everything was done reverently and beautifully.

There was something poignant about knowing how much of a compassionate person Donna Hill was. While I did not personally know her. Everyone within the Valentino community, felt as though she was a friend, someone they could go to for questions about Valentino. Her legacy will be remembered for years to come.

The music selection and the vocal talent of Ms. Katy Jane Harvey was once again, superb. I thoroughly enjoyed listening to my favourite “Ave Maria”.🎶🎤🎧🎼

It’s always sad when the Memorial Service ends🥲. But next year, I will be there physically to embrace the memories and see familiar faces once again.

One more thing, a big thank😇you to Tracy Terhune and Zachary Jaydon.✌️

Until next year. 😍🎥🎞️🪦

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13 Aug 1925 – Rudolph Valentino Productions 7200 Santa Monica Blvd, Hollywood, CA

On 13 Aug 1925, Rudolph Valentino filed articles of incorporation at the Los Angeles County Clerk Office to form Rudolph Valentino Production, INC. of Los Angeles.  At the time of filing, this was not considered national news since Valentino as company director signed article papers as Rudolph Guglielmi versus his on-screen name.  Rudolph Valentino formed his own production company to give him creative control over any future motion pictures made.  Besides motion pictures, personal appearances, musical compositions, general phonographic, music reproduction apparatus were added. The corporation has $25,000 of capital stock and out of this money $300 has been subscribed for by the directors.

Rudolph Valentino Productions was located at 7200 Santa Monica Blvd, Hollywood, CA. This address was where you could write to Rudolph Valentino. At one time, this location was home to Pickford-Fairbanks Studio, King Vidor Productions, United Artists, Norma Talmadge Productions.  Two of his pictures were made under his production company and George Ullman was listed as both secretary and treasurer. In 1930, it showed they made $500,00 for the Valentino estate. In 1933, his production company was sued by the federal government for back taxes for years 1926, 1927, 1928. The amount totaling was $67, 500.

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2025 – Annual Valentino Memorial Service

Next month, marks the saddest event on the Valentino Calendar, anniversary of the death of Silent Film Actor Rudolph Valentino. This annual event is held on 23 August 1210 p.m. Hollywood Forever Cemetery, LA, CA. This year author Tom Slater is speaking on his brand-new June Mathis book. At the conclusion of the memorial, he will hold a book signing. Rachel Skytt from the Los Angeles Breakfast Club will speak. The Breakfast Club was founded in 1925 and this marks their 100th anniversary. Rudy was a member, and when he died the Breakfast Club held one of the very first memorial services for Rudy, held just four days after his passing. Also, the 100th anniversary of the Valentino film “The Eagle” and a special remembrance of everyone’s beloved author Donna Hill.  If you cannot make it the event will be broadcast live on Facebook Group “We Never Forget”. Also, I would love to hear from you – How will you spend 23 August?

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