Screen success is due not only to mental and histrionic qualities, but to physical culture and development. Rudolph Valentino, 1923
1997 – Crown Point, IN
Crown Point became the marriage mill of the Midwest because couples could obtain a license and be married immediately by justices of the peace with offices nearby, by the city’s mayor, clerk-treasurer or local judges. For example, on March 14, 1923, Rodolfo Guglielmi (AKA Rudolph Valentino) and art director Winifred de Wolfe (AKA Natacha Rambova) applied for a marriage license. They had traveled to Chicago to be married when his divorce from his first wife became final, then learned that Illinois law required a year’s wait for a remarriage. They traveled to Crown Point, where he took out a marriage license listing his birth name as Rodolfo Alfonzo Rafaelo Pierre Filbert Guglielmi de Valentine D’Antonguola, and his occupation as motion picture player. “As he left the (license) office, Valentino (and his bride) crossed the street and went to the second story of the building where Howard Kemp, the justice of the peace, performed the ceremony,” recalled Wilbur Heidbreder, now 92, who worked for the Lake County Title Co. and was at the Old Courthouse at the time of Valentino’s wedding. After the ceremony, the couple strolled by a few stores and stopped in a bakery, where the heartthrob bought a doughnut for his new bride, Heidbreder recalled.
27 Dec 1921 – Matinee Girls at the Movies
Four beautiful matinee girls enthralled by “The Sheik.” Deep down in her heart each Matinee Girl is thinking: “Oh, how lovely it would be if a big handsome sheik would only steal me away!” “The matinee girl on the extreme left has about made up her mind to look into it. “Dear Answer Man,” she’ll write to her favorite movie magazine, “is Rudolph Valentino married?” She will sign it “Sultana.”
17 Jun 1925 And Wedded Bliss Thrives On
Who said anything about divorces in the film colony? It’s perfectly proper of course, to make some remarks about the subject occasionally. The facts are, of course, that while there have seemed recently to be indications of an outbreak of domestic unhappiness, there are always and every equally plentiful examples of the prevalence of the joys of home life. Only, as a rule, they do not achieve quite as much notoriety as the disturbances. Rudolph Valentino and Natacha Rambova are notably devoted. They share their artistic interests, and of late Mrs. Valentino has assumed the role of producer of her own pictures.
12 Oct 1929 – A First Glance At New Books
Add to the horrors of house to house canvassing and the collection of bills and the threat of red-haired psychic woman, who calling upon her control, was seized with a superhuman strength and threw a fresh expressman down the stairs. And if you don’t believe it, there it is in print on page 111 of “A Curious Life” by George Wehner an interesting but doubtful book. Mr. Wehner in the book admits he is possessed of a familiar and so he ought to know whether a red-haired lady in possession of her favourite spirit could throw a big man down stairs like the gander descending upon the man who wouldn’t say his prayers. He says she can. Among Mr. Wehner’s spirits is Frank “who generally opens my séances by whistling very beautifully”. Leota, rechristened Lolita by Dorothy Benjamin Caruso is a guide frequently difficult to understand. She is a wise-cracker and apparently an Indian. Alestes reveals the hidden meanings of dreams and in no such manner as that of Dr. Sigmund Freud. Dr. Freeman is the guide who helps the author go into a trance, while Rudolph Valentino is breaking his heart trying to become one of Mr. Wehner’s guides. Black Hawk on the other hand has already succeeded and can tell what is ailing people with an uncanny precision not usually associated with a dead Indian Chief or an eight-cylindered motorcar.It is all very interesting and doubt less Mr. Wehner believes it is all very true. The reader, addicted perhaps in such material and non-occult matters as the march of Eli Yale through Georgia or the slaughter wrought by the Athletic batsmen on the Cubs pitching staff will be more likely to raise an eyebrow to ask how the author gets that way. It might be recorded however that Valentino told Natacha Rambova he knew she would come to the séance in New York. Which suggests that Mr. Banton, the District Attorney and Mr. LaGuardia, the candidate for Mayor, and Mr. Enright who didn’t solve the Dot King and Elswell murders, might better get into consultation right away with Mr. Wehner. Perhaps Black Hawk or Alestes or Lolita or Rudolph Valentino could tell them who really did shoot Arnold Rothstein.
17 Mar 1949 – Valentino Shrine Plans for Former Home Fade
Maybe the Sheik’s omnipresence is fading. At any rate, plans for converting Falcon’s Lair, Rudolph Valentino’s home until his death in 1926, into a shrine for the lovelorn have apparently gone awry. In San Francisco, the head of a Bay City Group of five women who purchased the fabulous hilltop mansion several weeks ago admitted disillusionment over the project. Robert T. LeFevre was quoted as saying people drop into the place “but only because they gotten lost in the hills”. The only ones who have shown any interest in the shrine idea were several old ladies, three Italians and a British spiritualist. In addition to which, he went on, the idea of firing a nightly red, white and blue rocket skyward was quashed by the law. The red incidentally was to be for passion LeFevre added. Even the idea of a wishing well on the grounds for Valentino worshippers fizzled when it was found that pennies killed the goldfish.
13 Jul 1922 – Commentary
I hate the Sheik, I think he’s a ‘he-vamp.’ and I hate the way he rolls his eyes, l know Sydney girls have got Rudolphitis and I know that my young wife sees the Sheik in everything – the grilling steak holds his image the wringer holds his spirit. But I hate him. I hate a man who rolls his eyes snd behaves like a Spanish senorita. I cannot understand the army of girls who have fallen to his cheap charms. Girls who see romance in the Sheik would see romance in the butchers boy. They represent decadent flapperitis in its most advanced stage. Give me a man like ‘B.J’ Hart, who represents manhood in its greatest sense. Why is It that the fair, frail flappers of Sydney have gone on about a man who rolls bis eyes and makes prisoner of a poor, pure pretty girl alone and defenceless. Do they approve of his lax morality? Is it an indication of degeneration! Do the girls of todays countenance a man who defies decency to compromise an Innocent woman?
2015 – Interview with Robert L. Harned
First off, I want to thank you for this opportunity to interview you for my blog. Mr. Robert L. Harned, a noted author, is going to be writing a future article for a publication yet to be determined about George Wehner who was a friend of Natacha Rambova in the mid to late 1920’s. Mr. Harned’s mother Ms. Sally Phipps was a silent film actress with Fox Pictures who personally knew George Wehner. However, Ms. Phipps never knew nor met Natacha Rambova.
1. Your mother must have led an interesting life. Could you please tell us a little about her and her connection to George Wehner?
My mother, Sally Phipps was only three years old and the veteran winner of several beautiful baby contests when she appeared as the Baby in the film “Broncho Billy And The Baby.” It was made at the Niles California Essanay Studio in late 1914. Her memories of the early years at Essanay include sitting on Charlie Chaplin’s lap and enduring a frightening stage coach accident. In her teens, she was a Fox Studio star appearing in 20 films, including a cameo in the classic “Sunrise.” There were bad times also. She was on the set of her Fox two-reel comedy “Gentlemen Prefer Scotch” in 1927 when word reached her of the tragic death of her father, a state senator. But in that same year, she was selected as one of the 13 Wampas Baby Stars, starlets that were considered destined for future success. Despite her popularity in Hollywood, she left for New York where she became the darling of gossip columnists, particularly Walter Winchell. She appeared in two Broadway shows, made a Vitaphone comedy short, and married and divorced one of the Gimbel department store moguls before she darted off for India and around the world travel. Back in New York, there was another marriage, two children, and later a stay in Hawaii. Earl Wilson wrote about her in 1938 when she was working for the Federal Theatre Project during the WPA period — headlining his column “Wampas Ex-Baby Lives On WPA $23 – And Likes It.” She received the Rosemary (for remembrance) Award shortly before her death in 1978. Her images — especially her pinup photographs — have become highly collectible. Although Sally may never have met Natacha Rambova, she claims to have rented an apartment previously owned by her, a fact corroborated in several contemporary newspaper articles. The unit was in an apartment building at 320 East 57th Street, near Sutton Place. Sally rented the apartment for a period during her September-May stint, playing the ingénue in the Kaufman and Hart comedy hit “Once In A Lifetime” during the 1930-1931 Broadway season. Sally Phipps was always attracted to the occult world and through it developed several close friends. One of these was George Wehner, whom she first met in 1933. They stayed friends throughout the 1930s, with an interruption in the fall of 1939 when Sally left for a one-year stay in India. After she arrived back in New York City in February 1941, Sally phoned Wehner to tell him she was in town. A man answered the phone — Alfred Marion Harned, my future father. He took Sally’s message, since Wehner was not at home. Several months previously, Wehner had hired Harned, a local New York City orchestrator, composer, copyist, and instrumentalist, to write out the orchestral parts for his new Piano Concerto No. 1 – for 27 different instruments of a symphony orchestra. Harned had consented to take up residence in Wehner’s house during the multiple month process, so that he and Wehner could work together intensively without interruption. Several days after Sally’s leaving the phone message and then having been welcomed back by Wehner, she was invited to a séance at his house where she met Harned in person. Within six months, Sally and Harned were married. They left New York in June, eloped to Mexico, and were wed there in August. As a final note, the Piano Concerto No. 1 did get premiered in August 1941 at the Sculpture Court of the Brooklyn Museum, performed by the New York City Symphony Orchestra, with soloist Greta Lederer.
2. As a son of a famous actress you must have enjoyed hearing about your mother’s life. Do you have a favorite story?
Sally loved talking about working on the film “Sunrise,” when she was only 15½. Director F.W. Murnau’s “Sunrise” (Fox — 1927), starring Janet Gaynor and George O’Brien, is one of the great feature films of the silent era and also a multiple Academy Award winner. Sally was particularly impressed with how Fox film studio built a replica of a large modern city on its back lot, with tall buildings, streets, running streetcars, and even an amusement park. Sally was cast in a minor part in two small but poignant scenes in the amusement park sequence. Sally, with her partner, Barry Norton, dances cheek-to-cheek across the screen, into a gradual close-up. The couple is first admiringly observed by Janet Gaynor, and a little later, during a pig chasing sequence, is discovered by George O’Brien in a kissing clinch. While watching the film, Sally loved pointing herself out to me in those scenes.
3. You recently wrote a book about your mother. Could you tell us about the book and where could it be purchased?
My book is a detailed biography of my mother’s personal and professional life from her birth in Oakland, California through to her death and burial in New York City. It took me four years to complete the work. The book includes 150 pictures, a filmography, a bibliography, and an index. It can be purchased in print edition ($14.99) or as an e-book ($9.99) from Amazon, Barnes & Noble, and CreateSpace. Below is the Amazon link:
4. This blog as you know is about Rudolph Valentino. Are you a fan?
I am definitely a fan, for many reasons. Besides Valentino’s obvious good looks and his ability to wear his costumes well, he has many other wonderful cinematic qualities. He has athletic grace and agility. Needless to say, he dances superbly, several times in his films. I love watching how he uses his hands so expressively. He is also a very good actor, particular when it is necessary for him to show his sensitive side. Take for example his tender scenes with his mother in “Blood And Sand.” In “Camille,” he subtly underplays throughout the film. In addition, for many of his films, you get the wonderful boon of Natacha Rambova sets and costumes.
5. Are there any future projects you are working on?
You have already mentioned that I will be writing an article about George Wehner in the near future.
Recently, I began writing for a new magazine, “Silent Film Quarterly.” Its first issue came out in the fall of 2015. I will have an article published in its second issue (winter 2015-2016), called “Sally Phipps Began Her Film Career At Essanay.” The article covers her work in late 1914 through early 1915 as a three-year old actress at Essanay, a Bay Area film studio. I have also submitted another article for the magazine’s third issue. This summer, I began a new book about my grandfather, Albert Edward Bogdon, my mother’s father. He was an amazing character. He was the son of poor Russian/Lithuanian immigrants and grew up in the Pittsburgh area. He began work as a magician in his adolescence and continued in this field until he joined the Navy after the U.S. entered World War I. He later earned a law degree, moved to Denver, got elected State Senator for the Denver area, but was then cut down by an assassin’s bullet at age 36 in June 1927. My grandfather Bogdon is only one of the many colorful characters in my family, many of which have already been touched upon in the already-published book about my mother, “Sally Phipps: Silent Film Star.” Their stories will keep me busy writing for many years.
18 Jun 1942 – Guess who wants to?
Miquelito Valdes wants to buy the late Rudy Valentino’s home, Falcons Lair and turn it into a night club, calling it “The Sheik”. He’s offered the present owner $125,000. Wonder what would happen to that secret shrine in the garden?
“I love children. And I would like, some day, to have a large family of them. People speak of romance… well, but the heart of romance lies, a lovely, tremendous bud, in the heart of a child, in the hearts of all the children of the world. Children are romance. they are the beginning and they are the end. They are romance, before the white wings are clipped, before ever they have trailed in the dry dust of disillusion”– Rudolph Valentino, His Private Diary
24 Nov 1924 – Rudolph Valentino Picture
Rudolph Valentino’s second starring vehicle under his new contract with Famous Players is “A Sainted Devil”. Rudy is seen as he was before he grew the famous Titian Van Dyke, and with him are Nita Naldi, Dagmar Godowsky and Helen D’Algy as pretty a trio of screen sirens any photoplay can boast.
26 Nov 1925- Rudolph Valentino A Rex Beach Story
Rudolph Valentino’s new picture, “A Sainted Devil” from the story Ropes End by Rex Beach. Nita Naldi, Louis Lagrange, George Siegmann are a few of the prominent names which appear in the supporting cast of this production. It is a story laid in the Argentine, and tells of the country-wide search of a young Spaniard of wealthy parents for his convent-bred wife who was stolen from him on their wedding night by bandits. “A Sainted Devil” is declared to be the greatest Valentino production up to the present.
27 Nov 1926 – Pola Scores Valentino’s Ex-Wife for Spirit Talk
Pola Negri, whose engagement to Rudolph Valentino was announced shortly before the actor’s death, today declared the making public of messages said to have been received from the astral plane by the actor’s ex-wife Winifred Hudnut, was “shocking, profane, and commercial”. The messages, Miss Hudnut declared, were received by her from Valentino through the mediumship of George Wehner, with whom she arrived in New York Thursday from Europe. The messages did not mention Miss Negri.
22 Sep 1926 The Envy of All
Brooklyn Eagle Reporter Grace Cutler had a hand in uncovering the pointless fraud perpetrated as an incident of the hysterical funeral of Rudolph Valentino, silent film star idol of decades ago. She had been there at the funeral herself and saw the strangely worshipful crowds that passed the movie hero’s beir, wrote all the details. When thereafter a statement was given out to the newspapers which they solemnly accepted at face value by Dr. Sterling C. Wyman, the late Valentino’s “supposed” physician she became suspicious. She recalled no Brooklyn doctor in connection with the funeral. She ran down Dr. Wyman in person and presently drew from him the pertinent facts that he was an imposter going by the names of Wyman, Weinberg and others. Already he had duped President Harding with a meeting between him and Princess Fatimah, Afghanistan. In the Valentino conscious era, the story she wrote was a “clean” report that was the envy of every star reporter the dominant sex envied.
“I cannot express my grief over the loss of Valentino. He was a friend.” – Marcus Lowe, President of Lowe’s Inc./MGM
Farewell Great Lover
The other day, I saw in the theater section of my favorite newspaper a headline “THE SHEIK RIDES AGAIN” over a story about the recent revival of interest in the late Rudolph Valentino. The story reminded me of my embarrassing embroilment in the riots which followed the movie idol’s sudden death in 1926. In fact, I was arrested at Valentino’s wake, after a brisk morning battle with the NY Mounted Police. Finally collared and jailed, I was dragged into court to face charges of 1 knew not what misdemeanors and felonies. It is a true story; yet it occurs to me that its details may seem to verge on the implausible. The death of the handsome young movie star was surely a sad event. And his wake—when his body lay in state in Campbell’s Funeral Home, so that his admirers might file by and pay their last respects to their hero—should have been a solemn occasion. Why then the riots and the clanging ambulances and the mounted police charging in at the gallop? Why should I, a reasonably respectable and peaceable young man, with no special interest in the late sheik of the silent screen, have become so entangled in his obsequies? And why should the mourners have ceased their keening to cheer my defiance of law and order? Obviously, if I am to emerge from this recital with my reputation to veracity intact, some explanation is in order. Note that my mishaps occurred during what Westbrook Pegler has termed the Era of Wonderful Nonsense. In the mid-‘2O’s Coolidge Prosperity was well under way. Another world war was inconceivable; serious depressions, according to eminent authorities, were a thing of the past. The public, having no major crises to worry about, concentrated its attention on what Frederick Lewis Allen called “a series of tremendous trifles” Millions worked up a head of emotional steam about whether Floyd Collins would escape from the cave where he was trapped, whether Gertrude Ederle would swim the English Channel, whether there would be acquittal or conviction in the gaudy Hall-Mills murder case. It was a time of contagious mass excitements. Crowds flocked to the Scopes trial in Tennessee to hear William Jennings Bryan and Clarence Darrow debate whether men were descended from monkeys. Others thronged to watch couples in a dance marathon totter toward exhaustion, or to see how long Shipwreck Kelly could perch atop his flagpole. Among these excitements, and longer lasting than most, was the Valentino craze. The nation’s more susceptible womenfolk, from flappers to grandmothers, were under the spell of the young Italian-American star who had brought a new torridity to cinematic amour. The mania began with the first showing of a silent film called The Sheik in 1921. Valentino played the lead: a romantic Arab chieftain, passionate, masterful, and irresistible. He snatched Agnes Ayres from her steed. “Stop struggling you little fool,” flashed the subtitle. Hot stuff. Overnight he became a star. Millions of women began to idolize him. The adoration increased with each succeeding film of the great lover. With the appearance of The Son of The Sheik in the summer of 1926, the Valentino worship became feverish. On the morning of August sixteenth came the shocking news, on the front page of even the staid New York Times, that the handsome thirty-one-year-old silent film star had been rushed to a hospital in New York for critical surgery—appendix and ulcers. In the next few days the bulletins were reassuring. Then, front page again: PERITONITIS FEARED, CONDITION ALARMING. On Monday, August twenty-third. huge headlines: VALENTINO DEAD THOUSANDS OUTSIDE HOSPITAL WEEP AND PRAY. The stories from Hollywood said that Pola Negri who recently had announced her engagement to Valentino, was prostrated by grief, with two physicians trying to control her hysteria. Valentino’s management said the body would lie in state for several days so that mourners could have another look at their hero. This announcement set off a saturnalia of sentimentality that lasted for two weeks, quieting down only after poor Valentino was at last laid to rest in an elaborate Hollywood Mausoleum. Many of the strange, typical celebrities of the day got into the act with lavish manifestations of grief. Among them were Mrs. Frances (Peaches) Browning, whose marital adventures with “Daddy” Browning had provided a field day for the artists of the Daily Graphic. Also, Mrs. Richard R. Whittemore, still in mourning for her husband, the bandit hanged for murder after a sensational trial. Strangest of all was a small, earnest looking man who introducing himself as Dr. Sterling Wyman, Miss Ncgri’s New York physician, bustled into the headlines as impresario of the complex funeral arrangements. He was gracious and accessible to the press. He discoursed learnedly on the details of Valentino’s fatal illness. The authoritative identified him as “the author of Wyman on Medico-Legal Jurisprudence.” A few days later he was exposed as a notorious impostor and fraud, with a long record of arrests and convictions, and fancy aliases such as Ethan Allen Weinberg and Royal St. Cyr. His proudest coup had been engineered in 1921 when, posing as an officer of the U.S. Navy, he had escorted the Princess Fatima of Afghanistan to Washington and introduced her to President Harding. (He drew eighteen months for that one.) 1 have sketched in this unlikely but authentic background of events with the hope that today’s readers, thus inured to the improbable doings of the 192O’s, will give credence to my own peculiar part in the proceedings. In that summer of 1926 I had paid only casual attention to the Valentino headlines. I was not one of his fans. Besides, I was preoccupied with my own concerns, which had reached a turning point. For nearly four years I had been practicing corporation law in Wall Street, with a pleasantly rising income but growing dissatisfaction. I suffered from a yearning to write, and the drafting of 200-page corporate mortgages was not my idea of vibrant prose. Early that spring I had met Grace Cutler. With a rare flash of good sense I fell in love with her immediately and permanently. She was a young newspaper reporter, doing modestly paid night assignments for the Brooklyn Daily Eagle. The only way I could pursue my courting was to accompany Grace on her assignments. This was a new and fascinating world to me. Why couldn’t I, too, be a reporter? Grace approved of the idea. After we were married on May twenty first, I became more cautious. Now I had a husband’s responsibilities. A cub reporter in those days got only twenty or twenty-five dollars a week to start. Had I not better delay my plunge into journalism until we had saved up SIO.OOO or so from my legal earnings? My bride was brave and wiser than I. She argued that if I really wanted to make the change, the sooner the better. We were young and could stand a spell of living on a shoestring. Each year, we put it off the decision would be harder, with new excuses for prudent delay. By the end of July she had so bucked up my courage that I applied for a job with the New York Herald Tribune. The city editor, after warning me of my folly agreed to give me a try as a reporter at twenty-four dollars a week, beginning at the end of August. Thus, when the news of Valentino’s death hit the headlines on Monday, August 23. 1926, I was serving my last week with the law firm of Chadbourne, Hunt, Jackson and Brown. It was still my custom to accompany Grace on her evening assignments, not only for pleasure but to learn something more of my new trade. On that Tuesday evening, Grace and I met for dinner in a small Italian restaurant in Greenwich Village. We had scaloppini, washed down with what was called “red ink.” This was supposed to be a wine of the Chianti family, but the kinship was not close. Cheered by the wine, I looked forward to an entertaining and instructive evening. “Well, Grace,” I said, “what’s the journalism lesson for tonight?” “I’m afraid it’s pretty gruesome,” she said. They’ve got poor Valentino laid out for public view in the Gold Room at Campbell’s Funeral Home—Broadway and 66th. They’ve rigged him up in full evening dress in a fancy silver casket. My city editor says the fans are putting on a regular mob scene outside, scuffling to get in. The pressure of the crowd pushed in one of Campbell’s big plate-glass windows. Three cops, a photographer and some of the women were cut so badly by the glass that they had to be taken to the hospital. It sounds kind of ghastly—I don’t want to drag you into this.” It also sounded kind of dangerous, I said. A girl could get hurt in a mob like that. This was the very time she needed a man’s strength and judgment. “I will protect you,” I said. On our way to the subway 1 remembered that the Aliens and the Fowlers were coming to our apartment for dinner the next evening. “They like rum swizzles. I reminded Grace. “Let’s drop by Henry’s joint and buy a couple of pints of his fine, five-day-old Bleecker Street rum.” We did, and I tucked a pint bottle of the potent stuff into each of my hip pockets. While we walked on toward the subway it began to rain, and I was glad I had brought my umbrella. We took the Inter-borough Line to Broadway and 72nd Street. As we came up from the subway, we saw a dense column of people, mostly women, shuffling southward along the cast side of Broadway toward the funeral parlor six blocks away. Police kept them in line. From the other side of the street an even larger crowd, straining against (he police lines, was struggling to dash across and break into the column which was approaching the Mecca of mourning. Every now and then a group of frantic women would elude the foot patrolmen and make a wild rush, only to be turned back by mounted police. With Grace holding aloft her reporter’s police card as a passport, we made our way southward down the cleared space. The rain had stopped, but the paving gleamed wet under the arc lights. It was 8:30 P.M. As we neared Campbell’s, the thwarted crowds on the west side of Broadway grew more turbulent. The cops were having a hard time. Here and there the street was littered with women’s shoes, trampled hats, and bits of torn clothing— evidence of forays which had failed. Now a veteran sergeant of foot police intercepted us. “Where you think you’re going?” he demanded. Grace showed him her reporter’s card. He softened. “The Brooklyn Eagle, huh? I was born and raised in Flatbush. Whole family used to read the Eagle. What can I do for you?” “The editors want me to go into the Gold Room where the casket is,” Grace said apologetically. “You know—get the atmosphere.” “It’s awful in there, miss,” said the sergeant gloomily. “Women screeching and fainting. No place for a nice young lady like you. But—well, seeing you’re from the Eagle, I guess I can slip you in. How about this guy—er—this gent’man with you. He a reporter?” “Not yet.” Grace said. “He’s my husband.” Then he can’t go in—sorry—not unless he goes back about ten blocks and stands in line three or four hours. Then you might not find him again all night, not in this mob. Tell you what, mister,” he said, turning to me. “You stand on the northeast corner over there, in that space we’ve cleared by the lamppost. You got my permission. Stay right there until your wife gets back.” 1 took my place as directed, and the sergeant escorted Grace toward the maelstrom around the entrance. That was the last I saw of the kindly sergeant. Alone on the corner 1 was in an exposed position, a sort of no-man’s land. On one side, ten feet away, trudged the south-bound column, silent now except for a subdued moaning as it approached its grim goal. Across the street the mob was bigger and noisier than ever. The weeping and wailing were mingled with shrill imprecations directed at the mounted cops. Hysterical women, foiled in every rush by the hard-working horsemen, regarded them as personal enemies. “Cowards!” they screamed. “Cossacks!” For ten minutes or so 1 stood on my corner, leaning on my umbrella and trying to look inconspicuous. Then the mounted patrolman guarding my sector, cantering back after helping repel another feminine charge a half block to the south, spotted me. He reined in his horse and glared. “Hey, you!” he shouted. “How’d you sneak over there? Get back across the street.” “I’m waiting here for my wife,” I yelled back, standing firm. The ridiculous excuse seemed to exasperate him. He touched the flank of his horse and rode straight at me. I dodged instinctively and dashed out into the street. The cop wheeled his horse and followed. I flourished my umbrella, feinted to the left, dodged to the right, and made an end run back to my corner. The cop rode at me again. “I got permission to stand here!” I yelled. “From the sergeant.” I’m not sure he heard me above the tumult. If he did, he paid no heed. Again I dodged, ran, feinted, ducked. As a former track man I was still fast on my feet, and the horse was more handicapped than I by the wet, slippery asphalt. As 1 once more sprinted safely back to my post, I heard a louder roar from the crowd. They were cheering me. There were cries of “‘Ray! . . . Attaboy! . . . That’s showing ’em. Mister!” They were all for me; I was the first person successfully to defy the hated “Cossacks.” There is something stimulating in the cheers of the multitude, however irrational. I caught my second wind and went on with the game. My triumph did not last long. As I dodged and weaved, 1 heard the ominous clop-clop of hoofs converging from north and south—reinforcements coming up. For perhaps another ten seconds 1 managed to out maneuver them all. Then just as I darted back to my corner, I felt the tap of a night stick across my brow. It didn’t hurt me, but it splintered the right lens of my horn-rimmed glasses and threw me off stride. A hand reached down and grabbed my coat collar, tearing the fabric halfway down the back. My original pursuer, whom I shall call Patrolman John Jackson of Troop B, vaulted down from his saddle and handed the reins of his foam-lathered charger to one of the fellow troopers who had helped in the roundup. He seized my arm. “You’re under arrest,” he growled. As he led me away, the crowd booed. At this moment Grace reappeared, justifiably concerned. “Oh, dear, are you hurt?” she cried. “Not a bit,” I reassured her. “Just rumpled. I feel fine.” Actually 1 did not feel fine at all. With the excitement of the chase over, I realized 1 was in a bad spot. 1 remembered now those two infernal pints of rum in my hip pockets. They would be discovered when I was frisked at the West 68th Street Police station. “Possession and transportation of intoxicating liquors ” The New York police were usually lenient toward liquor violations, but I had heard that if they were angry enough they would sometimes throw the book at a defendant. And the hand gripping my arm was trembling with rage. Fortunately the paddy wagon had not been summoned. Maybe on the walk to the station house I could talk my way out or out—or part way out—of the hole I was in. I began by politely asking the officer his name, which I jotted down. Then I handed him my legal card, showing me as an associate of the imposing firm of Chadbourne, Hunt, Jackson and Brown. Covertly mopping my brow, I began: “Mr. Jackson,” I said gravely, “I’m afraid you’ve got yourself in real trouble” “Trouble!” he snorted. “How about you? Disorderly conduct, resisting arrest, fugitive from justice, dangerous weapon—the spike of your umbrella might have put my horse’s eye out.” “Nobody hurt your horse,” I retorted. “I’m the one who’s been injured. I am a member of the bar in good standing. I was present on proper business, escorting my wife, who is an accredited newspaper reporter. A sergeant, your superior officer, gave me specific permission to stand on that corner until my wife returned. I told you that, but you tried to ride me down. Then you and your mounted pals took out after me, cornered me, tore my coat, clubbed me, and smashed my glasses. It’s a blessing I still have my eyesight. All this—and the terrible humiliation of public arrest—before thousands of people.” “I never heard you about the sergeant,” Jackson said in a low voice. “So you say now. You know what false arrest means? It means the arrest, without proper inquiry, of a citizen who you for damages and probably the Police Department besides. This was false arrest with bells on, and the damages, from what I know of juries, will be heavy.” As I held forth further in this vein I almost convinced myself that the arrest had been a travesty of justice, a blot on the proud escutcheon of New York’s Finest. Orating thus. I felt Jackson’s grip slackening. I looked at him as he strode beside me, his eyes fixed on the ground. He was a sandy-haired, well-built, nice looking man. But now he seemed dead tired, bewildered, and uneasy. He was sweating. I felt a twinge of sympathy. Maybe I was carrying my bombast too far. Grace, trotting along beside us, had also, noticed Jackson’s dejection. Speaking purely out of kindness, she struck what turned out to be the right note. “Now. Beverly,” she said, “Officer Jackson was only trying to do his duty. With all that mob of women screeching at him, anybody could make a mistake.” “That’s right, ma’am,” said Jackson eagerly. “It was enough to drive a man nuts. I was bucking those crazy women from nine o’clock this morning—twelve hours without a letup. It was the worst day I ever had on the force. Those women were clear out of their heads. All ages, schoolgirls to real old tough biddies about seventy,” “I saw some men there too,” said Grace, defending her sex. “All the less excuse for them,” said Jackson, “unless maybe their wives drug ’em there.” “That’s why my husband was there,” Grace said. “I got him into this. He came along to protect me.” “Protect you, huh?” Jackson started to grin. Then his face clouded as he remembered the serious situation. “Oh, my! If I’d only of known. Why did I have to stick my fool nose into this?” Sensing the friendlier atmosphere, I hastened to help it along. “Listen. Mr. Jackson,” I said. “I was just hot under the collar when I talked about suing you. I wouldn’t do that. You were doing the best you could under tough conditions. Forget it.” “You really mean that, Mr. Smith” Jackson asked. “That’s what 1 call decent. I didn’t mean any harm. You didn’t mean any harm.” He paused for a minute in thought. “Honest, I’d tum you lose now if I could. I turned in my horse. If I show up empty-handed at the station, there will be hell to pay. I got to take you in. But I’ll go easy on you, and you go easy on me, and we’ll both come through O.K. Don’t you and the Missus worry.” All three of us had been more tense than we realized. Now, with surging relief, we became as chummy as old friends. I complimented Jackson on his horsemanship. He told Grace her husband was the slipperiest eel he ever tried to catch, then improved the doubtful compliment by saying 1 was “a regular Red Grange for broken-field running.” “Red Grange with an umbrella,” Grace said. She and Jackson laughed. I didn’t join in because just then the green lamps of the police station came into sight. The incriminating pints grew heavy in my pockets. Time was running out. I decided to entrust my Fate to our new Friend. “Mr. Jackson,” I said. “I’ve got a little problem. We’re expecting guests, so I stopped off in the Village and bought a couple of little pints of rum to take home, I’ve got them in my hip pockets now. When they search me Patrolman Jackson stopped, frowned and pondered. “Well, now,” he said judicially, “1 don’t see anything so bad in taking a little alcoholic beverage home. For consumption strictly on the premises of your own domicile. Personally, that is. But some bluenose sour-puss—we got a Few of that kind on the Force—is liable to get technical on you. That could be bad. Tell you what. Right now—I’m not looking, see—if you was to slip those two pints to the little lady here, she can put them in that big handbag of hers no sooner said than done. At the police station I was booked and put through the routine. Patrolman Jackson hemmed and hawed and said he guessed there had been some disorderly conduct, but it was kind of complicated and maybe there was some sort of misunderstanding and the desk officer cut him short. “Never mind that now, Jackson,” he said. “Captain Hammill called up about this case ten minutes ago, from the scene of the disturbance. Says you should take your prisoner down to Night Court.” Uneasy again, Jackson, Grace and I caught a taxi to Night Court on West 54th Street. Grace waited in the courtroom for my case to be called. I was turned over to attendants who locked me in a room among a lot of other prisoners. They were the dregs of the city’s night life: pickpockets, panhandlers, canned heat derelicts, petty thieves. In this depressing atmosphere my apprehensions returned. Were Jackson’s superiors preparing to make a Fuss about the case? Would they sway Jackson’s had said, adding that he had had a trying day, and that the screaming of the mourners had evidently kept him from hearing my shouts about “permission.” “How did your coat get torn, sir?” asked the magistrate. (I was cheered by the “sir.”) “Just an incident of the general rioting. You’re Honor,” I said. He thought for a moment, evidently puzzled but amused. “An unusual case,” he said. “I don’t quite see how it reached this court. Apparently there was an honest misunderstanding. Charges dismissed, with no reflection on Mr. Smith or Patrolman Jackson.” Jackson, Grace and 1 left the courtroom and strolled down 54th Street, walking on air. “Some day!” exclaimed Jackson. “Now I better get home to the Family, but first, Mr. Smith, you got to let me pay for the broken glasses and the tailor repairs for your coat.” Grace and I joined in assuring him this was impossible; we would just charge it off to experience. On this cordial note, and with warm handshakes all around, we parted. Grace and I took the subway to Brooklyn and went into the Eagle; she still had her story to write. After a general lead about the riotous wake, she concocted an ingenious story. It told of a henpecked young husband—anonymous—who had been dragged into the rumpus by his foolish wife, a rabid Valentino Fan. Determined to see the body, she parked her spouse on a corner and fought her way into Campbell’s. On her return she found her husband being led away by the police. And so forth. Grace wrote the story discreetly. There was no mention of the Demon Rum, and there was a special tribute to the skill and patience of the mounted officer who had Jackson, Grace and 1 left the courtroom and strolled down 54th Street, walking on air. “Some day!” exclaimed Jackson. “Now I better get home to the family, but first, Mr. Smith, you got to let me pay for the broken glasses and the tailor repairs for your coat.” Grace and I joined in assuring him this was impossible; we would just charge it off to experience. On this cordial note, and with warm handshakes all around, we parted. Grace and I took the subway to Brooklyn and went into the Eagle; she still had her story to write. After a general lead about the riotous wake, she concocted an ingenious story. It told of a henpecked young husband—anonymous— who had been dragged into the rumpus by his Foolish wife, a rabid Valentino Fan. Determined to see the body, she parked her spouse on a corner and Fought her way into Campbell’s. On her return she found her husband being led away by the police. And so forth. Grace wrote the story discreetly. There was no mention of the Demon Rum, and there was a special tribute to the skill and patience of the mounted officer who had made the arrest. Evidently the editors Found it amusing: they gave it a big two column play under a fine photograph of the police struggling with the mob. The next day Grace got a call from thc city editor of the New York Daily News. He had been delighted with her story (which was exclusive) and offered her a job at twice her pay on the Eagle. She took it. And so we lived happily ever after.
14 Sep 1926 – Eagle’s Newsbeat Reporter Explained to Radio Fans By Reporter
An account of how “The Brooklyn Eagle” scored a beat on all the other metropolitan papers was the subject of the weekly current events talk last night by Marjorie Dorman over Radio Station WOR. Miss Dorman took her radio audience behind the scenes of a modern newsroom as she explained in detail how she had ferreted the story in detail of Dr. Sterling Wyman, the most chivalrous of imposters. Miss Dorman had personally covered all the details of the funeral of Rudolph Valentino. The story which came to her attention stated that Dr. Sterling C. Wyman, Brooklyn declared that Pola Negri was never affianced to Valentino. Her suspicions were aroused because out of all the details familiar to her when she covered the Valentino Funeral she could recall a Brooklyn Physician by that name or called in to give evidence. She told how from there on the whole story of the grandiose fraud by “Wyman of Many Aliases” was exposed
23 Aug 2015- 88th Annual Valentino Memorial Service Review
23 Aug 15, Hollywood Forever Cemetery, was the location for the annual memorial service that I attended for a second year. What a difference from last year to this year, I felt it was a meeting of old friends and with Mr. Tracy Terhune’s genius in putting together another memorable tribute.
This years tribute was the 90th anniversary of Rudolph Valentinos movie “The Eagle”. The montage and the clips from the movie were very moving. The featured singers the talented “The Wegter Family” were once again a true delight to listen to. Mr. Ellenberger spoke of Historical Valentino Sites was very interesting. However, hearing Mr. Zachary Kadin talk about the story behind the Valentino Eagle Coin was new and insightful.
I wanted to take a moment to give a personal thank you to Mr. Tracy Terhune for his continued kindness, Mr Christopher Riordan for being gracious to a fan of his, to Ms. Sylvia Valentino-Huber for taking time for a photo with me and especially to everyone else I had the pleasure of meeting for the first time. I will see you all again next year at the 89th.
2015 Valentino Memorial Service
It’s time for the 88th Annual memorial service… I’m here attending for the second year and I am quite excited to attend…
30 Aug 1926 – Valentino Commentary
It was with boiling indignation that I read the letter of “Disgusted”. It was full of disrespect to the late Rudolph Valentino, yet your correspondent stated, “Far be it from me to say anything disrespectful of one who has passed through the great divide.” We women know what was at the bottom of the letter – pure jealousy. then he states that the flapper must save some excitement. Let me tell him that if his life has been as clean as was that of Valentino then he has something to be proud of.
Marie Crossett, Adelaide.
18 Oct 1926 – Weinberg Imposter Sued on Forgery Charge
Posed as a personal friend at Valentino funeral is now mixed up in a civil suit involving a charge of forgery. Weinberg could not be located this morning. His wife answered the telephone, stated that she did not know where he was, and that he had told her nothing about his latest escapade. Weinberg, who passes as “Dr. Sterling C. Wyman” and lives at 556 Crown Street, Brooklyn, was served with a restraining order as he entered his home Thursday night. The papers restrain him from assigning to anyone a $10,000 mortgage on the beautiful $50,000 home of Mrs. Pierre Roos at New Rochelle. Mrs. Roos through her attorneys, Butchers, Tanner & Foster, asserts that she never signed Weinberg’s mortgage. She signed an application for a mortgage, according to her attorneys. But an actual mortgage bearing her signature was recorded at 9:00 a.m. on 23 July. Last at the Westchester County Clerk’s office, according to the attorneys. Two hours later a mortgage of $20,000 on the same property was recorded by Butcher, Tanner & Foster with the same clerk. The restraining order that was served on Weinberg on Thursday was granted by Justice Morschauser of the Worchester Supreme Court on Wednesday last. The injunction hearing is scheduled for 22 Oct in the Westchester Supreme Court.
2015 Valentino Still Appreciated
This year as the anniversary of the death of Rudolph Valentino approaches I am reminded that he is still adored by fans the world over. In these modern times, there is a true appreciation of his acting as an art form. During his lifetime Rudy dealt with many battles to show the world that he took his profession seriously. In 1923, he said “feeling and not acting is what lifts a love scene from commonplace to the realms of realism and romance”.
5 Sep 1926 – Dupe Shows Up Again – Acts as Manager for S. George Ullman, Former Manager of the Late Rudolph Valentino
Ethan Allen Weinberg, ex-convict and leading quick change artist has now added S. George Ullman, business representative of the late Rudolph Valentino to his long list of dupes. Mr Ullman believing Weinberg’s statement that he is both an M.D. and a member of the NY Bar, has permitted Weinberg to represent him at the offices of the Manhattan District Attorney where this Baron Munchausen of Brooklyn spent an hour yesterday discussing the demands of the anti-Fascist element for an autopsy on Valentino’s body. As one of Weinberg’s dupes Ullman is in excellent company. When not hob-knobbing with the representatives of the District Attorney’s Office the last few days, Weinberg has been issuing statements to the press explaining that he has been in charge of Pola Negri’s hysterics and denying that she and Rudy were affianced. A letter bearing the imprint of S. George Ullman and signed with his name in ink, reached the newspaper offices yesterday. Mr. Ullman thanked the press for its co-operation and asked that the diagnosis of Valentino’s preoperative condition made by Dr. Harold D. Meeker, be given publicity. This was made to offset the cause of death had been foul play of some sort. The letter was dated 23 Aug and apparently dictated by Ullman before he left for Hollywood. At the bottom of the letter was written, above Mr. Ullman’s initials: “This report was concurred in by three reputable surgeons who were consulted this a.m. together with the legal aspects by Sterling C. Wyman, medico-legal expert who was a dear friend of Valentino”. The last straw to break the camel’s back of “Dr.” Wyman’s identity was furnished by the man himself. His suspicion aroused by questions the writer had addressed to him over the telephone early yesterday, Wyman-Weinberg called up the office of “The Eagle” sometime later to assure the City Editor that really everything was quite as it should be. Of course, he said, he was a doctor, he was a lawyer also, and he combined the two professions by engaging in the legal or judicial aspects of medicine. But he certainly was a doctor, with a degree. Why, he was on staff of the Flower Hospital, Manhattan, from which he was telephoning at that very moment. No, he added, he would not remain at the hospital very long. He was going out of town would leave in a few minutes. Whereupon the hospital officials were questioned about him. Over the telephone, a minor clerk said, yes, there was a Dr. Wyman on the hospital staff, and only a few minutes ago he had left word he was going out of town and would not be back until Wednesday. But a personal inquiry at the hospital on E. 64th Street considerably modified this first bit of information. Hospital officials looked up their records and found no Wyman or Weinberg on their list of doctors. “He comes here frequently to visit with one of our interns” she explained. “Everybody knows him as Dr. Wyman and I suppose that’s why whoever answered the telephone was under the impression that he was on our staff. But he’s not on the staff. “Would you”, she was asked, “recognize him from a picture”? She thought she could and a photograph of Stephen Weinberg as he looked when convicted in the Brooklyn Federal Court for impersonating a Naval Officer was shown her. “That’s he”, she said. That’s Dr. Wyman. At 556 Crown Street, a 32 family apartment house a block from the Carson C. Peck Memorial Hospital, “Wyman” has been a man of mystery for the past two and a half years. He is known as Sterling Clifford Wyman to tenants of the house, but there are many residents of the section who recall him as the Ethan Allen Weinberg, whose gigantic hoaxes have kept him before the public ever since his peculiar abilities manifested themselves years ago. The man who has been so many times in the toils of the law is even buffaloing the Police Department at present. Posing as a physician and getting the necessary letters of introduction, he boasts a police card which permits him to sail past traffic signals in his three motor cars, when the coveted P.D. sign is attached. According to neighbors in the house ‘Wyman” advertised last autumn for a chauffeur, and engaged one only after he had kept 40 applicants for the job waiting all day in the lobby and on the sidewalk. “He went to the Valentino funeral looking like a million dollars” said one neighbor. “He hired a Rolls Royce for the occasion and was gotten up in the most expensive funeral attire he could secure”. This was done to impress Joseph Schenck, Ullman, Norma Talmadge, Douglas Fairbanks, Richard Dix, and all the other celebrities who gathered at the Actors Chapel St Malachy for the funeral services of Weinberg’s “dear friend” Valentino. The fact that Brooklyn’s indefatigable Baron Munchausen has popped up again in the self-styled role of dear friend of Valentino in the not to be wondered at. According to physicians, who have examined Weinberg on the many occasions of his clashes with the police, has “ideas of a grandiose nature” whenever a celebrity bobs into the limelight also. When the venerable Austrian surgeon Dr. Lorenz, came to NY Weinberg called on him, represented himself as Dr. Clifford Wyman, and said he called as the personal representative of Health Commissioner Copeland and wanted to co-operate at the clinics. Lorenz offered him a salary as his secretary. Acting as go-between in the clinic waiting room. It was an easy matter to extract a $5 dollar bill from a mother eager to get place and preferment for her crippled child. Copeland exposed the imposter and “Wyman” dropped out of sight. Calling at the Waldorf with his accustomed savoir faire, he presented himself as Lt. Com. Ethan Allen Weinberg to the Princess Fatima of Afghanistan. The lady with the emerald coquettishly set in her nose was delighted with the persuasive man in naval uniform. He offered her what appeared a perfectly good letter of introduction and said he could get her an audience with President Harding. If her credentials were satisfactory. In a flutter the lady offered them, as well as an expense account, to the ingratiating officer of gallant address. He actually introduced her to the President at a private three minute audience. As Weinberg was leaving the White House, however, he was nabbed by Secret Service Agents impersonating ordinary individuals may not be a jail offense if no fraud, larceny or forgery results, but impersonating an officer is a very different matter. Weinberg got 15 months in Atlanta Penitentiary and was released Feb 1924. One of is most amusing pranks with the press was when the Harold McCormickes returned from Europe a few weeks before they were divorced in Chicago. Weinberg got a pass for the revenue cutter which went down the bay, telling the ship news men he was attached to the McCormick retinue. This time he again used the first name of Sterling, dropped the last name of Weinberg and was Capt Sterling Wyman he was using with George Ullman. He told the ships newsmen he could officially deny the rumored McCormick divorce and was sure it would never take place. He told the McCormick’s he was a reporter. At the Manhattan Hotel where Harold McCormick stayed for 24 hours the Brooklyn fraud managed to stay for 24 hours before McCormick booted him out. Representatives of the Kings County Medical Society, reading in Manhattan newspapers of a “Dr. Sterling C. Wyman, of 553 Crown Street, who had been in constant attendance” on Pola Negri declared yesterday there is no physician by that name. In the telephone book Wyman fails to use his alleged medical title. Weinberg in duping his victims uses a long list of aliases. When he was sentenced in an Atlanta Prison for 18 months in 1922 for impersonating a naval officer he was charged by the Federal judge in Washington D.C. as Stephen Weinberg, alias Stephen Wyman, alias Ethan Allen Wyman, alias Clifford G. Wyman, alias Sterling Wyman. It was as Dr. Sterling C. Wyman, that he duped Ullman. It was as Capt. Sterling Wyman that he once rode for 24 hours in the rolls royce of Harold McCormick. Posing alternately as lawyer, physician, or officer of the Navy or Army this chameleon of Brooklyn has now gotten into the limelight again. His methods never vary. He is always interviewed by the press and enjoys for a time all the éclat of the limelight which his victims enjoy. Then he is discovered, he disappears and bobs up six months later under a change of alias, smiling and debonair, suave in a way really likeable. His nerve is truly great. “He has ideas of a grandiose nature” said the physician. This accounts for the fact that Weinberg never tricks anyone except a celebrity, swaggers up to reporters and gives out interviews which are sure to reveal his identity to anyone familiar with his case and maintains placidity when he is thrown out, only to bob up later in the society of some other notable. He remained in Dannemora from Oct 1917 to April 1919, having been sent there from Blackwell’s Island, to which he was committed on the charge of forging the name of Senator William Calder to a bank recommendation. Asked yesterday, if he were any connection of the man of the many aliases, Dr Sterling Wyman indignantly replied he was a Brooklyn M.D. in good standing and the author of “Wyman on Medical Jurisprudence”. At Kings County Medical Society, however, he stated that he certainly is nothing of the sort and that his name fails to appear in the directory of the American Medical Association as a doctor in good standing anywhere in the United States. Weinberg appears happy only when he is near the great. He forges and impersonates apparently for this reason only. He is in his own way a genius. He got himself before the Republican National Convention with a letter expressing the hope that his “efforts would meet with unrivaled victory” and he got a letter from Senator Pat Harrison which carried him before the Democratic National Committee. He knows nothing whatever about medicine. But he once convinced the Foundation Underpinning Co. that he did, and on his forged credentials that sent him to Peru where for three months he practiced medicine on the employees of the company before his deception was discovered. Weinberg was born in Brooklyn in 1893, the eldest of six children. He graduated from P.S. 18 and from Eastern District High School, from which he was graduated with honors in 1903. Somewhere he has acquired the Phi Beta Kappa Key sign of the honor of the fraternity to which only a few brilliant scholars are eligible. In November, of the same year Francis Cushman whose term expired in May 1903, appointed the young man as his personal page in the House of Representatives. Returning to Brooklyn, Weinberg blossomed forth as an orator in the cause of woman suffrage. He was made secretary of the Brooklyn Organization and was the only male delegate to the National Council of the American Woman Suffrage Association in 1909. At this time, he resided at 71-a Maurer Street and his mother was proud of him. The following year he was appointed Consular Agent to Port de Aubres, in Northern Africa, by the U.S. Minister to Morocco, who became acquainted with Weinberg when he was a page in the House. But Weinberg never got to Morocco, instead, at eh earnest request of his father, he was sent to Bellevue Hospital for observation. Employed as a demonstrator for airships in a Manhattan Department Store, living in a comfortable home, he had for some inexplicable reason taken a camera and flash powder from the store. From this time on Weinberg never again ran straight. In 1913, he was arrested for posing as “Lt Com Ethan Allen Weinberg, King’s Guard Consul General for Romania. In this capacity he tendered a dinner at the Hotel Astor to Dr. Alfonso Quinores, Vice President of San Salvador, and was arrested the next day for violating his parole from Elmira Reformatory, to which the man of many parts had been sent at earnest behest of his distracted parents. His next offense was the forging of former Senator Caider’s name. No man living has gotten away with the grand gesture more often than Weinberg, who in his way, is an artist. Impossible to cross his vivid trail again and again and no take off one’s hat to the man’s persistent nerve, audacity and aplomb. It is doubtful if there is anyone who under certain circumstances would not “fall” for the persuasive address of the man who in his own novel way is one of the famous personages of this borough.
New Yorks Greatest Imposter
Stephen Jacob Weinberg, otherwise known as S. Clifford Weinberg, Ethan Allen Weinberg, Rodney S. Wyman, Sterling C. Wyman, Stanley Clifford Weyman, Allen Stanley Weyman, C. Sterling Weinberg, and Royal St. Cyr, was the greatest impostor of the age. His feats seem breathtaking even today, and he became a true popular hero, the darling of the multitudes. Anyone who questions the extent of his fame can only reflect that a new feat of Weinberg’s got more space in the New York press of the day than the funeral ceremonies of Rudolf Valentino. Each article that will be posted here reveals a piece of his life. By the time, your finished reading all you will be amazed by how much he truly got away with.
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August 2015
The month of August will be dedicated to the passing of Rudolph Valentino.
Our month is going to start off with a series of articles that have to do with an imposter who portrayed himself as a friend/personal physician of Rudolph Valentino at the time of his death. The articles are going to start from 1910 and onward to show how this person used deception as an advantage to fool Rudolph Valentino, Pola Negri, Douglas Fairbanks, Norma Talmadge, George Ullman, Presidents, Princesses and more. Also, there will be articles from the various annual memorial services held over the years, and in memoriums dedicated to Valentino from his fans that were posted in their local newspapers from 1926 and on.
Later on in the month, I will be back in Los Angeles to attend the Valentino Memorial Service and write about my personal experience while there. I am thrilled to be going again because last years service was very moving and I was able to meet some truly wonderful people who I have the hope and privilege of seeing during my time back west.
9 Nov 1925 – Valentino Said….
” I am just beginning to feel that I was as well off single as I am married.” A more tempered expression could not have come from any married clergyman in America.
2015 – Annual Valentino Memorial Service, Hollywood Forever Cemetery
This year, marks the 90th Anniversary of Rudolph Valentinos silent movie “The Eagle”. There will be a special tribute during this year’s memorial service.
Tracy Terhune is the host for this annual memorial service and as he does every year will have a wonderful service that pays true homage to Valentino’s life. The Valentino Memorial Service started in 1927 and continues to this day. A moving tribute to one of the Silent Screens greatest actors. The annual service will be Sunday, 23 August 2015, 12:10 p.m. at Hollywood Forever Cemetery, Los Angeles, CA. Admission is free for this event.
“Real love, the kind that lasts and brings companionship and happiness to one’s old age, must be founded on mutual respect and trust – a sort of glorified friendship. Some of the finest love matches which I have seen among my married friends have begun as friendships and ripened into a truly beautiful love.” Alice Terry, 1924
13 Aug 1924 – The Story of Alice Terry
The story of Alice Terry has the same fairy tale quality as Valentino’s own. Like him, who had worked hard as an extra for many years and the hard work had resulted in little recognition. However, discouraging as had been her experience, it was not without results. For Rex Ingram happened to see her in NY when, as a girl, still in her mid-teens, she played with Bessie Barriscale in “Not My Little Sister”. The promise which she gave impressed the young director almost immediately. When indeed, he moved from NY to the coast, he welcomed the fact that she, too, had shifted from East to West. Had it not been for the war, in fact, Alice Terry would probably have been his leading lady some years before. When Ingram on his return from overseas service finally located the job which put a roof once more over his head and civilian clothes again upon his back, he was to resume his slight acquaintance with Miss Terry. For she came to his office then applied for a position as script girl, the functionary who, working on the set, chalks off the scenes as they are made and notes the new ones extemporized. He looked at her in amazement. “What”, cried he, “you don’t mean to say that you’ve given up acting do you?” She looked at him somewhat sadly, “Oh dear, yes,” she replied, “I did that sometime ago. It was too discouraging I wasn’t getting any place, you see. No matter how hard I worked nothing seemed to come of it. And of course being an extra or getting some bit now and then does not keep you. So I decided I’d just get a regular job.” “And what have you been doing since”? Inquired Ingram. “I’ve been working in the cutting room,” replied she, “and that was fine I mean it. Knowing just what you were going to get each week. But the ether commenced to get into my lungs that’s why I’m looking around for something else.” Ingram promised to give her the desired position in the picture following “Shore Acres”. However, something changed his plans and instead he case her for a wild and wooly Drury Lane melodrama called “Hearts are Trumps”. To his surprise she seemed loath to accept this chance of returning to the movie screen. “Oh no, I don’t want to try I’ve give it all up you see” she kept protesting in a way that showed how completely previous discouragements had shattered her self-confidence. But he finally succeeded in overcoming her fears, and since then she has been his leading lady in every story except “Piffling Women”. It was not, however, until the appearance of “The Four Horsemen” that Alice Terry, the girl who, heartsick from her discouragements on the set, had wanted to retire to the comparative obscurity of script work, won the wide recognition her beauty and her screen personality had so long deserved. All this I have just related I heard from Miss Terry now Mrs. Rex Ingram, on the same evening when Ingram told me of his experience working with Valentino. On this same occasion she and her husband mentioned that her next appearance will be in John Russell’s “Passion Vine”. In this her support will be Ramon Navarro, another dancer from whom Ingram predicts a success which may even duplicate that of Valentino. Both Valentino and Navarro, Ingram made an interesting observation. “A good dancer” he said, “frequently makes a good screen actor”. Why? Because he has both poise and repose, and I don’t know any better start than these. In this connection.
1942 – Camera Wise Is Baldy, 35
They led Baldy off the set and back to the ranch the other day, his chores ended in “George Washington Slept Here” the latest role in the more than 1,000 he has to his movie credit. Baldy is a horse, 35 years old, and as camera-wise as many of the human actors who surrounded him. Rudolph Valentino once rode him, and so have many other stars. His salary ranges from $25.00 a day upward, depending upon how many tricks he’s called upon to perform. In “George Washington Slept Here” Baldy wanders through the ancient house in the country which Ann Sheridan and Jack Benny have just purchased, adding to their misery. That role was easy for Baldy, so he worked for his minimum.
6 May 1922 – Valentino’s Latest Picture
Gloria Swanson in “Beyond the Rocks” with Rudolph Valentino in the lead supporting role, will be the feature film in local theaters during the week beginning Sunday, May 7, 1922. “Beyond the Rocks” was written by Elinor Glyn, author of “Three Weeks” and was directed by Sam Wood. The new Paramount Picture is the first in which Miss Swanson and Valentino appear together, and, it is predicted, will be one of the greatest film successes of the year.
“In the beginning, all of the fuss sadden me. But later I realized they were snatching not at me but at their dreams”. Rudolph Valentino at the NYC Premiere of his movie “The Eagle”…
In 1864, Anaheim Landing was founded. Located in Orange County, California it was the first port and Los Angeles areas first beach. In 1921, it was here that famous Silent Film Star Rudolph Valentiono graced the wharves of Anaheim Landing for the shooting of his silent film “The Moran of the Lady Letty”…..
“The best way to forget your troubles is to be constantly on the go. Keep on the crest of the wave all the time and never give yourself the time to think when things are bothering you”..Mae Murray, 1926
11 Apr 1923 – Rudy gives Trianon a financial success
Andrew Karzas, manager of Trianon, world’s biggest dancing palace, which is a financial success under his guidance, is after Irene Castle and Florence Walton for appearances at the dancing center, where Rudolph Valentino had his first successful appearance In this line of endeavor. The business at Trianon has been ranging from $10,000 to $15,000 a week. It hit $33,000 with Valentino, which set
Karzas after other dancing names.
7 Jul 1926 – Sheik Injured
Valentino was injured during this evening’s limited run of the “Son of Sheik Premiere” at the Million Dollar Theater in downtown Los Angeles. A large vase falls on the head of the star of the film.










































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