Posts Tagged With: Rudolph Valentino

8 Mar 1926 – What If?

What if Rudy Valentino married Pola Negri, Winifred Hudnut hopes he will buy the bride pretty things. Lawyers’ bills prevented Winifred from having real jewels when she was Mrs. Rudy, she says, and he never mentioned his passion for a family. Pola loves Rudy, she has said at Los Angeles, but is waiting to see if her affections are the same when she returns from Europe four months hence.

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14 May 1927 – Pola Negri Marries Her “Greatest Love”

France, Pola Negri became Princess Mdlvani this afternoon at 5 o’clock in the little city hall of this small french town when she was married to Prince Serge Mdivani, a brother-in-law of Mae Murray.  Pola’s husband, she announced several days ago on arriving, is her ‘‘greatest love,” greater even than Rudolph Valentino. Charlie Chaplin or her first husband, who was a Count. Pola and Serge were childhood sweethearts, she said, and the Prince was urging his love upon the film beauty even before Valentino.  We are sure that Rudy if he was still alive would wish her well.

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25 Feb 1923 – Lolling Luxuriously at The Blackstone Hotel, Chicago Valentino Announces He’s Financially Broke

According to the standards that prevail among the stars of movie-land Rodolph Valentino is broke. He admitted it to the writer while reclining on a divan in his luxurious suite at the Blackstone Hotel which suggested anything but flatness of the pocketbook. He had just finished a “turn” at the Marigold Dance Hall, where he and his new wife have been working to keep the wolf from the door. “I may be broke” where his exact words, “but I will go back to polishing golf sticks if that is what I did before I became a movie actor before I will work again for the people who want me to grind out movie pictures like sausages”. “What if you lose your suit” I asked. “I will stay out of pictures for two years until my contract expires and then come back in bigger ones than ever”.  Looking back upon an hour spent with Valentino over a cigar and some delightful prohibition beverage that suggested the flavor of old Scotch it dawns on me that most of the talk as about the star’s lawsuit against his former employers Famous Players-Lasky. How he made millions of dollars for them and how they paid him a paltry $1200 a week when Mary Miles Minter, the “synthetic Mary Pickford” was drawing down $8000 in her weekly pay envelope and Dorothy Dalton was depositing $5000 to her bank account 52 times a year.  ” I was the biggest drawing card they had and they paid me less”, he complained with that modesty so characteristic of the actor and yet it didn’t sound immodest coming from Valentino because it was the simple truth. “Why did they treat you like that”? Rodolph admitted that he had been seduced to signing a three year contract that gave the producers all the best of it but the reason he did it because they told him it was “just like Thomas Meighans contract”. So he won’t work for them and they won’t let him make pictures for anybody else. They won’t let him appear on the stage either.  The astute contract-makers, however seemed to have overlooked dance halls and the guiles Rodolph, having been stung once, hired himself a lawyer who pointed out the way for him to make a living for himself and his young bridge Winifred Hudnut Valentino until the suit was settled. So he has been appearing here this week at the biggest and newest dance hall on the south side and turning them away although the hall accommodates 8000 people.  “They were packed in so tight last night” said Valentino with enthusiasm “that they couldn’t move then hands to applaud when my wife and I finished our dance”. That sounds like a new alibi but again it was only the truth. The act may have been a divver in Detroit but it went big here.  Valentino shies at all women these days.  The lady reporter send to interview him came back with a report Valentino said over the telephone he did not have time for an interview.  He was profuse in his apologies to me later and said he did not recall having refused an interview to a newspaper person “it must have been my manager who answered the telephone but usually it was no one he knew.  Once I heard him say “Mrs. Vernon Castle? But my dear lady I happen to know she is playing in Los Angeles? They use all kinds of names that think will attract my attention” said Valentino.  “It’s any wonder if sometimes I should refuse to see a real newspaper woman by mistake?.  George Melford, the director dropped by to say hello to Valentino on his way to the coast. It so happened we both reached for the door at the same time.  “Here is the man who directed me in “The Sheik” Valentino explained to me by way of introduction. “But I have forgiven him for it and it was a great money maker thee million dollars but oh, what a picture”.  Valentino made it plain that the kind of character his portrayal of “The Sheik” fastened on him was another source of his grudge against Famous Players. I It created the impression that I was an oriental sort of person who smoked perfumed cigarettes and reveled in the society of women, where as a matter of fact I smoke any kind of cigarette I can get and I like the society of men.  While Valentino was lambasting “The Sheik” so vociferously the man who directed him only grinned.  “You are looking fine Rudy”, George interrupted at last.  “Feeling pretty fit”? “Never felt better”, Rudy with his most charming smile, and weigh 135.  “He gives the impression in pictures of being larger”.  “What is my ambition? To make better and better pictures giving a different characterization to each. Next, I would like to play Don Ceaser de Bazen. There is a part that has been played on the stage by all the great actors in recent times, Booth, Barrett, Salvini, Mansfield actors I know couldn’t touch by a hundred miles but I would like to do my best.”
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27 Apr 1930 – Life Secrets of Valentino Revealed

Valentino was never given credit for the real art he had. His unusual abilities were neglected to emphasize the grosser side – sex appeal, women, night life, flirtations – anything that would create a wider shop girl public and a few thousand more fans.  This forced him into a role he hated to play, a role in which he was unhappy.  But Hollywood gossip accomplished its aim.  Rudy was too young to realize how stupid public criticism is. He was too young for the fame that came to him. In his forties or fifties, perhaps, he might have stood up against that tidal wave of adulation and flattery, but in his twenties it wasn’t human not to be broken by it. The accumulation of it all warped his entire personality until, eventually it made him ashamed of the that finer side of his nature, not seen or understood.  This is the essence of his tragedy, as I shall try to make clear. People who knew him on the screen were invariable surprised when they met him in private life to discover what the real man was like.  If they expected to find the sheik they were disappointed. Recently, I met in London a well-born Englishwoman whose hero he had been for years. She said, she had dreamed of him; she was crazy over him. This woman said to me “when I met Valentino himself, I was amazed to find not my romantic hero, but just a boy quite frank sincere. Why, he is only a child. At first, I was disillusioned, but in another way I liked him the more”.  There were two distinct Valentinos the artist and the man. The one was swashbuckling cavalier who flashed across the screen into the hearts of millions. The other was a simple boy with a childish sensitiveness often mistaken for weakness by the undiscerning and the prejudiced American men, particular, had no use for him. They looked down on him and criticized which hurt terribly, for he was pitifully anxious to be liked and respected. Had they taken the pains to know him, they would have given both; he couldn’t talk business, politics or the stock exchange.  He had no mentality for such things. They lay beyond his grasp because he had utterly no interest in them. If I, myself tried to talk business I couldn’t get his attention. He would be thinking how handsome his horse would look in his new silver trappings from Mexico, or how much speed he could get from his new motor car.  He had a mania for motors.  He would rather lie under an automobile in a pair of greasy overalls, tinkering with the engine, than go dancing at a night club with the most attractive woman in the world.  Cultured, cosmopolitan men liked his finer side and the self-styled hundred percent American with his lack of culture and his one-track mind wrote him down as a weakling and looked to find nothing good in him.  All the romance and attraction association with his name, and which men of this type so resented, lay only in his acting.  In reality they resented it because it was a charm they so sadly lacked.  The trouble with Rudy was, he lived a few hundred years too late.  He should have been born in the middle ages, where men wore armor and fought duels and won their spurs by riding a horse into battle to fight for a principle. There was nothing in the coward in the physical sense of the word.  Yes, there were two sides but he had a sense of fun, but no humor. He couldn’t stand flippant criticism of his acting.  He welcomed the serious constructive kind, but the mash notes how he despised them. I have seen him pitch them all into the fire swearing vociferously the while. Later, when they came in tons, his secretaries took charge of them and showed only the intelligent ones which he answered personally. When he was making a picture nothing else existed.  He didn’t act the part he lived it.  The character he was portraying was a personality with which he identified himself, until he became its living entity. It was as though he made that character a shell into which he stepped, with all its mental workings and physical habits. This transfiguration began when he started studying the script and continued until the last camera shot was finished.  Then he discarded the shell and became Rudolph Valentino again.  When in “Blood and Sand” he was playing the role of Gallardo the toreador of the peasant class, he discarded all his fine manners to assume those of a peasant. He ate like a peasant and walked like none.  While doing the early part of the picture where Gallardo is a young boy Rudy was impish and prankish about the house.  He laughed and mental reactions were those of a boy of 13. He was not a great actor in the sense of Sara Bernhardt or Edwin Booth.  Sarah Bernhardt intelligently studied a role until her brain dictated the emotions.  Rudy couldn’t get anything in his brain until he had first felt it emotionally.  He had no initiative quality but startling dramatic ability that absorbed everything about a role to the most detailed mannerisms.  In his movie “Monsieur Beaucaire” he would take a pinch of snuff he intuitively knew these things. I felt Rudy was psychic as we both discovered and his extreme sensitiveness enabled him to tune in on a personality of phase of life and so interpret it faultlessly. Herein lay his genius.
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7 May 1922 -Valentino’s Hair Dressed Every Day for New Picture

It’s a tough life they lead—these men motion picture stars. But up until now they haven’t had to worry over the feminine problem of elaborate coiffures—and hairdressers. Rudolph Valentino, however, is having even this added to his list of troubles. For in ‘‘Blood and Sand,” his next Paramount picture, he plays the part of a Spanish full-fighter and all bull-fighters wear a “pigtail” that is at once the pride and bane of their existence. So every morning at the Lasky studio finds Valentino submitting to the ministrations of Hattie, the hairdresser who has been responsible for the coiffures of such noted screen beauties as Gloria Swanson, Betty Compson, Bebe Daniels, Agnes Ayres, et. al. Of course, the star had to let his hair grow very long in order to make the braid possible. Also, bullfighters have long, luxuriant sideburns and more proving that it’s a great life —this being a motion picture star.

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7 May 1970

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2 Apr 1922 – F. C. Parker to Invite Gloria Swanson and R. Valentino to Come Here

In a bid to advertise his movie theater and the latest movie starring Rudolph Valentino and Gloria Swanson F.C. Parker will visit the Lasky Studios in Hollywood, where he will conduct an interview with Rudolph Valentino and Gloria Swanson in an endeavor to have them visit Stockton personally while the film in which they costar, ‘‘Beyond the Rocks,” is playing at the Lyric theater, Frank C. Parker, manager of the house, departed for the south yesterday. Mr. Parker plans to he in the vicinity of Los Angeles for a week at least. During his absence Mark Hatch will manage the Lyric Theater.

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1925 – Miss Hattie Wilson Tabourne, Hollywood Hairdresser

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Blog readers are asking themselves who is Miss Hattie Wilson Tabourne? Simple, she was a famous Hollywood African American hairdresser whose artistic hairdressing skill was a major contribution to the movie industry and the careers of many Silent Film Stars in early twentieth century, Hollywood.

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Miss Hattie came from a very humble background in Nebraska.  As a young child, her family discovered she had a gift for hair dressing, and it was that talent that eventually led her to being discovered while working at a downtown Los Angeles Hairdressing establishment.  Miss Hattie’s discovery led to a long-term contract working as a hairdresser for Famous Players-Lasky Studio and the rest is true Hollywood history.  During her time, in Hollywood she styled the hair of Agnes Ayres, Dorothy Dalton, Nita Naldi, Cecil B. DeMille, Leatrice Joy, Lillian Rich, Pola Negri, Gloria Swanson, Rudolph Valentino during his movie “Blood and Sand”.

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On 21 Mar 1923, Miss Hattie’s name was in the major papers as the creator of Gloria Swanson’s hairstyle called ‘Gloria’s Bob’.  While working at Famous Players-Lasky Studios, she had the additional responsibility of training future hairdressers.  On 23 Mar 1925, Miss Hattie died on an operating room table from complications as a result from a surgical procedure.  At the time of her death, she was survived by a son.  Miss Hattie is  buried next to her mother at Evergreen Cemetery, Los Angeles. CA.

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29 Apr 1922

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28 Apr 1946 – Jail Psuedo Valentino Widow

HOLLYWOOD—Mrs. Marion Wilson, 37. self-declared widow of Rudolph Valentino, was jailed today for failure to appear in court on a drunk charge

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13 Feb 1927 – Sign of Envy

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What makes a love affair that is talked about from one end of the country to another?  The principals must of course be prominent.  The man is handsome and the woman beautiful, why that helps.  But when I think back over the love affairs that have had the most public attention, that have seemed to be the most envied.  Winifred Hudnut and Rudolph Valentino were the sort of couple who ought to fall in love with each other and they did madly.  The Rudolph Valentino fans breathed a heavy sigh of envy and within a few months they martially separated, and Rudolph was explaining in public that his wife wanted a career, whereas he wanted a home and children. In a word, what I remember is these famous love affairs is that they all ended unhappily. That is the type of great love? Does the romantic thing consider the real thing die in few months?  Is it true that a passion makes a poor beginning for a marriage? I am sure that the answer is No.  I am so sure that a mutual passion is the best beginning for a marriage.  I am sure the basis of the marriages I mentioned was a powerful attraction which passed because it failed to develop into the real thing. We all make a distinction, though we do not all use the same words for it, between the physical and spiritual between love and passion it should prefer to make the distinction between passion and tenderness.  Love requires both to be complete.  Everyone has felt the physical attraction which is the basis of passion and the most usual beginning of love. But when you stop to analyze it, you will see a physical attraction is a comparatively impersonal thing. If you are at all aware of your wisdom of marrying a person of about our own age, of similar background, taste and ambition rather than sone who is much older or younger, or from a very different social environment, or with a different attitude toward life.  But physical attraction is no respecter of wisdom.  Perhaps that hidden part of ourselves, the primitive part which we all conceal even from our own minds is obedient to what civilization expects of us, every man is physically attracted to every woman and vice versa.  We do not permit ourselves in recognizing it unless it has some suitability.  Passion is almost impersonal in its beginning such as the case of Rudolph Valentino and Natacha Rambova. That we force it to be personal. We control it, stamp it out, unless the person for whom we feel passion, or the possibility of passion meets some of our other demands.  What happens to a physical attraction is marriage? The same thing that happens to any other physical desire, it dies of its own gratification until its renewed.  There are happy and loving marriages in which there are no children. But I doubt if there is any happier surgery for a marriage, any better any promise, this is not a passing fancy but the real thing, then the actual desire for children or purely rational grounds it may be argued that there are already plenty of people in the world.  Adding to the number is taking on a responsibility for which nobody is every likely to thank you. It is perfectly true it is difficult to experience and trying to the nerves to have children. Nevertheless, people who love want children. People who love usually to do have children. Love which result in children are at least three times as likely to become big loves as those that do not.

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23 Apr 1922 – Late Movie News

Paramount and Rudolph Valentino have no corner on the sheik market, if they did make the tribe popular. John Davidson has a role of the sheik in Pricilla Dean’s “Under Two Flags”. He is one of the players in “Fools Paradise”.

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22 Apr 1982

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20 Apr 1938 – Incidents about Film Stars Recalled

Memories that bless and burn:  When an Eastern Society Woman Introduced herself to Rudolph Valentino at the Coconut Grove and offered him $5,000 to teach her to tango.

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Apr 1923 – Valentino Charm Wins Elmira New York Fans

Advertising a beauty clay, rather than the latest kind of Vaseline Rudolph Valentino “The Perfect Lover” charmed a goodly crowd of his feminine admirers at the Armory Thursday evening.  Charmed is the word for the youthful Sheik of the movies, sleep and well-mannered, radiant with the fire of youth handsome in the extreme, and attired in the costume in which he first came into fame was a real Prince Charming as he danced with the beautiful Winifred Hudnut, now Mrs. Valentino No.2 on the raised platform in the center of the Armory Floor.  Rudy’s following is feminine there is no denying that, for how else would he acquire the title “The Perfect Lover” and is that not sufficient to line up the menfolk as his mortal enemies? It is safe to say that many of the male gender present Thursday night under protest maybe and who went to scoff were won to the ranks of Valentino fans. For Rudy certainly made a good impression though rather stingy in his dancing act.  “It was a long wait for the advent of the Sheik, but the womenfolk thought it worthwhile, and loudly and convincingly did they voice their welcome when Rudolph and his wife made their appearance at 9:30 pm.  Preceded by their own Argentine Orchestra, the noted pair, attired in the costume so well remembered in “The Four Horsemen” danced the Argentine Tango, a replica of the scene from the famous Ingram picture. With Sombrero, sash, velvet and gold boots and spurs, Valentino appeared as he did in his first big picture, and the scene in the darkened Armory with the spotlight playing on the raised platform, was unique and delightful. Valentino began as a tango dancer and Thursday nights exhibition showed he lost none of his nimbleness.  So appealing was the applause that Valentino and his wife consented to an encore, after which the hero of the screen proved his versatility by making a speech.  Perfectly at ease, with an Italian accent Valentino took the occasion to denounce what he termed the “picture trust” which he declared was responsible for the fact he was not now appearing in movies.  “It was not a case salary with me but rather one of self-respect for I was not willing to appear in the sort of pictures, which the trust insisted I should make.  Pictures such as the “Sheik, Young Rajah, and others of this caliber are not the sort in which I care to appear.  Valentino himself, he was voted every bit as handsome off the screen as on, and even the men declared him a ‘regular fellow’. Showing evidence of education and culture minus the egoism attributed to him, the former tango dancer, who rose to the exalted position of “worlds most romantic figure” as the program termed him, the young lothario bids fair to hold his present popularity. For whom else would the women fold wait for two hours. Because of the crowd in front of the Armory Valentinos party entered by a side door only to be met with shrieks of delight as he stepped out into the hall.  He certainly gave em a big thrill.  Running Valentino to a close second for honors was the orchestra which he brought with him and Mrs. Valentino a chilly third.  Billed as an Argentines orchestra and attired in gypsy costume, they made a picturesque appearance. Their music proved a delight, especially when they played for the local dancers and they were roundly applauded.  The hall was decorated in American and Italian flags.  The crowd, no so large as anticipated appeared to have enjoyed its evening.

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15 Apr 1924 – Movie Star Taxes

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1919

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Although Rudolph Valentino did not appear in this film. D.W. Griffith did give him a screen test. I think he would of been a perfect fit in this film.

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“Children ARE romance. They are the beginning and the end. They are romance, before their bright wings are clipped, before ever they have trailed in the dry dust of disillusion”.. – Rudolph Valentino, 1926

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1927 – Speaking of Divorce Interview with Miss Natacha Rambova

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This newsarticle interview featuring Natacha Rambova, dancer, designer, and former wife of the late Rudolph Valentino.  Miss Rambova feels her opinion on the subject of divorce can bring clarity and help women who read this article is reason for participating.  Miss Rambova starts the discussion by saying “I would hate to suggest anything that would make this supposed democracy less free and equal than it is already. Nevertheless, I would like to see marriage made difficult and expensive and divorce easy and cheap to obtain”.  A most beautiful lady says this a lady you all know and many of you have seen: a tall slender leady in a golden robe with great splashes of purple and a ruby turban bound closely about a pair of wondrous eyes and a brow like cream satin.  A lady of experience she is, and of deep learning, with a flair for the mysteries of the East and an unquestionable conviction that we can communicate with the so-called dead, who live in a world of their own, a world of spirit, yet amongst our very selves. Natacha Rambova alias Winifred Hudnut once the wife of the most loved of all move screen stars Rudolph Valentino. Rudy to her, a Rudy still loved and still adored and still a friend, invisible but articulate.  Miss Rambova typing manuscript at a table in a sun-flooded room high up above the Park, rises and comes forward looking like a being from a Tennyson poem or an Ibsen play, a sort of “Lady of the Sea” with slim cool hands and a quiet manner.  It is a good thing Chi-Chi also present with his chop bone and a few Pekingese sniffles to remind us we are in the everyday world.  For we are going to talk of a rather everyday thing divorce, why it is and what’s it all about.  We asked Natacha Rambova to go on and say some more.  How would she make marriage harder and divorce easier? Wouldn’t drastic laws tend to make people disregard them? Would that be better or worse than what we have now? Can human nature be “prohibited” by this statute or not? What of property and children? “It does seem”, she says from the corner of a deep black velvet sofa, “rather presumptuous to talk of legislating people into happy marriages, and my mind isn’t legal enough to work out a plan”. “But there should be some way to compel people to know more about each other before they marry. You’ll think me hopelessly unoriginal to advocate trial marriage. But if marriage were difficult to enter and could then only be contracted for a term of say, five years at a time, I believe men and women would try harder to remain attractive, kind and companionable so that they would be wanted for another five-year term.  As it is too many people, once given the marital life sentence, cease making an effort to love and be loved.  He’s taken me says the wife now let him work for me and make me happy. While the husband says I’ve married her and gave her a home now I can go my own way without having to pay attention to her all the time. There are many things about marriage besides its permanence says Miss Rambova. For instance, I don’t think a girl and a man of different races or nationalities ought to marry, unless they know each other’s background thoroughly and sympathetically”.  Our mind flashed back to the Italian Rudy and his presumably Old World ideals of women, wives and marriage, and our glance traveled from his portrait in a silver frame on the piano to the beautiful living woman on the divan who legally freed herself from him less than a year before his death. Before we could frame the personal question, Miss Rambova went on “during courtship differences of opinion are diverting and rather ‘cute’. After marriage, they become tragic. They can never be smoothed over, because what has been implanted in the mind of youth, with centuries of heredity behind it, cannot be allowed.  Arguments only make it worse.  During courtship the arguments may end in laughter for your life is not actually affected by these differences of opinion. After marriage it is, and so the arguments end in tears and anger.  “Another reason marriage goes wrong is that man and wife are either too much together or not enough. There is no life-balance living closely in small homes, as we do these days, leads to boredom or outright disgust.  Being apart for long periods of time, as happens in the theatrical world and often when the wife is a business or professional woman gives each the bachelor habit and mutual interest dies.  “Possibly the worst of all marriage wreckers is interference from outsiders.  Husbands and wives are often not allowed to work out their lives in their own way.  Relatives won’t leave them alone.  Mothers, mothers-in-law and friends, relatives mixed in and cause hopeless situations. Sometimes the exigencies of public life rob a couple of happiness. There is no such thing as complete freedom of action. Everything we try to do is hampered more or less by what we owe others.  Because of these and a hundred other things that make one American marriage in four a failure, we certainly ought to make it easy to get divorced. When you’re through your through, that’s all and should have divorce for the asking and without having to give any reason at all”. We asked the lovely Natacha, what she’d do in case only one party to the marriage wanted divorce and he other wanted to go on loving and trotting the double harness. “Grant it, anyhow she said. It’s one of the chances you take when you marry, and you should be ready for it.  It’s all the more reason why everything from health certificate to a bank balance should be required before marriage, and then only a short-term contract be given on approval. To be renewed if mutually desired or cancelled, and one more chance given to make a permanent choice”  “Oh just one more chance given”? “Well the divorced wife of Rudolph Valentino spread both slender hands wide, with eyes to match said otherwise it would be just a series of on approvals a sort of legalized free love and that would certainly not be constructive”.  Miss Rambova doesn’t like the “Interlocutory decree” feature of divorce. She thinks once you’re through your through and a six month wait before a second marriage can take place leads to hardship and temptation”. But I couldn’t help but wonder why she would say that when she did the very thing with her former husband. Her and Rudolph Valentino married before the decree was up and there were charges of bigamy making them front page news. During the interview, Miss Rambova speaks of Rudolph Valentino with tenderness and understanding. One senses that proficient actor as he was, was in some ways quite a child and that the beautiful young woman with the magenta turban loved him with just a touch of the maternal. “No one, she says simply was ever more devoted to Rudy than I was and still am.  Which makes me add from deep, deep feeling of its truth that no marriage can be a true marriage without spiritual love, for other love vanishes, is often destroyed by persons and by circumstances.  But love that is of the spirit lives on”.  There you have it readers Miss Rambova’s opinion on divorce.

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1927

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2 Apr 1922 – Valentino Misses Again

Mrs. Edward Franklin White, Deputy Attorney General of Indiana, in an informal opinion expressed the belief that the latest marriage ceremony of Rudolph Valentino and Winifred Hudnut at Crown Point, Indiana last week was illegal. The Indiana law, according to Mrs. White, provides that the woman be a resident of the county in which the marriage license be granted.

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30 Mar – Sheik Spurs Wedding Ceremony offer in Louisiana

Rudolph Valentino and his dancing partner during the Mineralava Tour kindly spurred an offer of Louisiana officials to marry there. The Sheik and his dancing partner left New Orleans for Montgomery, Alabama ignoring the elaborate wedding plans prepared for them by interested parties. Dominick Tortorich, who stage-managed their appearance here at the concert hall last night was said to have arranged for a clergyman and witnesses. Attorney General Coco informed promoters of the project that if the marriage was performed it would be “legal beyond doubt”. But the Sheik and his soon to be again wife sped out of town in their specially appointed Pullman Car and matrimonial plight still unresolved.

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Jun 1923 – Nashville, TN

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Movie set of “A Sainted Devil”

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1950 – Did Valentino Prefer Tile to Tango On?

In 1950, Gloria Swanson, a former costar of Rudolph Valentino starred in the academy award nominated movie titled Sunset Boulevard about a faded silent film legend named Norma Desmond.  Throughout the movie there are several scenes that refer to Valentino. The first is her 1929 Italian luxury automobile an Isotta-Fraschini 8A, for $28,000.  This car symbolized luxury and elegance in the Silent Film world and Norma (Gloria) said this was the same type of car Valentino owned.  The car used in Sunset Boulevard is now displayed in Museo Nazionale dell ‘Automobile in Turin.

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The second is Norma and Joe (William Holden) dance the tango together.  To shoot the tango, cinematographer John Seitz used a device called a Dance Dolly, which amounted to a sort of moveable platform on wheels. Nothing special there. But when you learn that Seitz first introduced the technique to shoot Valentino dancing the tango in The Four Horsemen of the Apocalypse, you might be more than a little impressed.

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“Valentino said there’s nothing like tile for a tango!” — Norma Desmond to Joe Gillis in Sunset Boulevard (1950)…

Research shows there is nothing that truly says Valentino preferred tile to tango. In 1922, Gloria Swanson and Rudolph Valentino did dance the tango together in the silent film “Beyond the Rocks”.  So I would like to believe Valentino did prefer tile to tango on.

 

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1921 & 1924 Rudolph Valentino L.A. City Directory

In 1921, Rudolph Valentino was listed in the L.A. City Directory Hollywood Blvd. Los Angeles, CA. phone number h7139.

In 1924 Rudolph Valentino was listed in the L.A. City Directory as a photo player, Wedgewood Place, Los Angeles, Ca. Phone number h6776.

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22 Apr 1982 – Valentino Shirt Sells in London for $673.00

A cream-colored silk shirt worn by screen idol Rudolph Valentino in his last movie, “Son of the Sheik,” was sold for $673 at Christie’s auction house in London on Tuesday. The trimmed shirt was among the memorabilia in a sale of clothing and relics belonging to stars of stage and screen. The shirt was bought by Ray Jackson, manager of a British magician known as “Zee” who intends to use it in his act. “He is doing a Valentino number and particularly wanted the shirt. He told me to pay up to 5,000 pounds ($8,850) so I didn’t do too badly,” Jackson told reporters. A Valentino ribbed silk sash also worn in “Son of the Sheik” was sold to an unidentified Englishwoman for $974 The film was made in 1926, the year of the actor’s death at age 31.  The woman also purchased a black velvet casket belonging to Valentino and five letters written by the cult figure to Maria Elliot, British founder of the Rudolph Valentino Association. The 65 lots, originally owned by Miss Elliot, were bequeathed after her death to an Italian countess who in turn left them to the seller, an unidentified Englishman.

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1918 & 1922 – Hotel del Coronado

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In February 1888, the Hotel del Coronado, brought luxury on a scale that could only be appreciated in Southern California with its warm and sunny climate.  This Victorian style all wood material hotel and a ocean backdrop, held many firsts with the introduction of electricity and the first outdoor Christmas Tree.  This hotel had 399 rooms, with tennis courts, yacht club, Olympic sized saltwater swimming pool. The hotel played host to the very rich and famous Lillie Langtry, Prince of Wales, Douglas Fairbanks, Charlie Chaplain, Mae Murray, Tom Mix, Gloria Swanson, Rudolph Valentino and many others past and present.  The hotel was becoming famous as a film location in many silent films: Princess Virtue (1917), Married Virgin (1918), Beyond the Rocks (1922), My Husband’s Wives (1924), Flying Fleet (1929) and many others.

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In 1918, Rudolph Valentino, Kathleen Kirkham, Edward Jobson starred in an independently produced movie directed by obscure neophyte Joel Maxwell. In 1920, this movie was in limited release by Fidelity Pictures with the title “Frivolous Wives”.   During his time filming at the Hotel del Coronado, Valentino was deemed the hotels most popular guest. A favorite past time for single and married ladies was to lookout for where their movie star hero might be located on the hotel’s property. During each day, from the hotel’s ocean front veranda ladies were his most enthusiastic and appreciative audience. This was shown by a continued and hearty applause whenever they could grab a glimpse of their idol. During his time on set, Valentino took his acting role seriously. by isolating himself in order to prepare for the next day’s filming.  Due to his immense popularity, there were many times he was called upon to dine with other famous guests or persons of influence.  Although he would love to decline the many invitations he received it was understood as a rising film star, he could not afford to offend his fans and the various movie producers so he took it all in stride. However, truth be told Valentino did enjoy his hotel stay, whether it was fine dining in luxurious surroundings, motoring over scenic roads, a game of tennis, or enjoying a cold swim. Valentino truly loved his time at the hotel, that he came back a couple of years later to make another memorable film in 1922 Beyond the Rocks with Gloria Swanson. The hotel became famous as a vacation playground where Hollywood’s elite would come down for vacation stays.

Here is a YouTube 6.41 clip of Rudolph Valentino near the Hotel del Coronado.

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1915-1962 The Barbara Worth Hotel, El Centro, CA

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On 8 May 1915, the 4 story Barbara Worth hotel was open and located on the corner of seventh and main street in El Centro, CA.  This hotel was built at a cost at a cost of $300,000. In 1917, it was expanded at an additional cost of $125,000 adding 42 luxury suites in a Spanish style design keeping with the current architecture.  A patio and a fountain designed by Felix Peano were added from a quote in the novel “the desert waited, silent hot, and fierce in its desolation.  Holding its treasures under the seal of death against the coming of the strong ones”.

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This hotel was named after a fictional character in a novel titled “The Winning of Barbara Worth” by writer Harold Bell Wright. The author dedicated the book to his friend W.P. Holt who returned the compliment and built the hotel. In 1926, Samuel Goldwin made a movie based on the novel that starred Ronald Coleman and Vilma Banky. The hotel has a spacious lobby and an artistic dining room with 4-star quality cuisine. Sixty feet below the oceans level in the heart of El Centro the building is a gem of old Spain that keeps alive the traditional hospitality.

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Over the years, this hotel has suffered from allot of negative press. For example, 23 Jun 1915, the hotel collapsed in complete ruins from an earthquake. On 9 May 1916, the hotel’s manager shot and killed himself. His suicide note read “life became too lonely for him to live longer”.  Some of the more famous guests were Natacha Rambova and Rudolph Valentino. In May 1922, while enroute, to Mexicali, Mexico to get married, both famous movie stars and other members of their first wedding party stayed there for two days enroute to Mexicali, Mexico.   In 1962, the hotel burned down by a fire.

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24 Jun 1973- Valentino not Dolls for this former child star

The memories for a former silent film movie child star are strong and one in particular is Rudolph Valentino was a frequent dinner guest.  The uncle of Thelma Daniels was atage actor and when he got into movies he would take a six year old Thelma along for dancing and singing lessons.  She started out in small minor rolls and grew from there. A semi-regular in the “Our Gang” reel comedies she played the snooty rich girl.  Also, she starred in several Marx Brothers movies where she played the blonde that Harpo would always chase. Rudy would always come over to her uncles around dinner time on the pretense of teaching her to dance. He was very continental and charming to a little girl who idolized him.  When he died it was a sad moment that I have never forgotten.

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1926 – Typical Movie Set Day

Director George Melford, Rudolph Valentino, Agnes Ayres breakfasted with the rest of the company in the largest tent and then the director looked over his movie script planning the day’s work while the two principals Rudolph Valentino and Agnes Ayres put on their make-up and colorful costumes.  Everything went like clock-work the first day of shooting.  On the first day of work, it was discovered a box of stirrups which had been made up for the horsemen were too weak and many of them were broken. To avoid any hold-up technical director Rudolph Bylek and property maker F.S. Madigan, labored all night, in a blacksmith shop in a nearby village making stirrups of iron framework. After breakfast if the fog still obscured the sun and there was a little light time to waste, there was a rush for the mailbox.  Those who were fortunate enough to receive mail, read the news to all who were anxious to hear a word from home and studio.  Some wrote letters, others amused themselves in a hundred various ways about the camp.  Of course, there was always camp sprites and in this case, two little extra girls, clad in overalls when not in costumes, who kept up a continual round of mischief and practical jokes received admonitions from the director every day to no avail.  Evelyn Francisco and Buddy Weller were the mischievous ones in camp, but their mischief was highly enjoyed by all and when things began to look dull they would see all the more opportunity to liven the situation with innocent fun.  The lunch mess-bell meant another break for camp. If scenes were being taken out on the sand several hundred yards from the camp, “Uncle” George called lunch and the Arab horsemen made the best charge of the day as they broke in disordered confusion in a rapid sprint in the camp.  The samegood appetites prevailed as at breakfast.  There was always a “clean house” in the mess tent after two rounds of lunches had been consumed.  Those among the party who were talented in a musical way, generally got in at the first call, and while the second mess was being served, gathered around in a circle with their instruments and rendered a few selections. Billy Marshall, the cameraman had learned to blow a saxophone with the same perfection with which he operates a camera. Of course, “Speed” Hansen, the minstrel of the Melford Troupe was there was his guitar or banjo and when not playing Arab he was playing one of those instruments.  Others had brought violins, mandolins, and other stringed pieces and everyone with an instrument and the talent to play it, joint the off=stage orchestra.  This is all a typical day on a movie set but untypical it truly is.

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1923 – Thomas Meighan Recipe

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Thomas Meighan was a silent film actor, patriotic Irishman, and a extraordinary cook loved sharing recipes with others as well as enjoying home cooked meals versus dining out like other movie stars of the day did.  In March 1923, Douglas Gerrard, in need of help bailing his friend and fellow actor Rudolph Valentino out of jail for bigamy, called up a fellow Irishman named Dan O’Brien who happened to be with Meighan at the time. Meighan barely knew Valentino, but put up a large chunk of the bail money with the help of June Mathis and George Melford, Rudolph Valentino was eventually freed on bail. Valentino never forgot the kind gesture of those who came to his defense when no one else would help in his time of need.  They remained friends for the rest of Valentino’s life.

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13 Feb 1923 – New Hopes

Having finally despaired of getting Griffith to direct “Ben Hur” the Goldwyn Company has given the big job to Marshall Neilan.  They hope to have Valentino to appear as Ben Hur.

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1922 – There is still hope..

You know that every extra comprising that large mob hopes some day to attract the attention of the director and as in a fairy tale, win fame and wealth as a Valentino or in the case of many older men a Theodore Roberts.  So, it goes, once in a while, as in the instance of Valentino himself, one of them does step out from the ranks.  And that isolated instance feeds the hopes in the thousands of starved breasts. Extras seem to us symbolic of the human race, so hopeful, so brave in their individual ways, so utterly futile generally so full of dreams of the day their opportunity will come.

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1923 – Valentino Literary Hero

Valentino is more than the idol of the hour.  He is a thinker who has the courage of his own convictions.  He has recently written for the Rookman, a literary feat heretofore, unachieved by a cinema artist.

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