Posts Tagged With: Rudolph Valentino

An attachment against the property of Rodolph Valentino was ordered last week in the Supreme Court in a suit brought by his former attorney, Arthur B. Graham, for a balance of  $48,295 alleged to be due for services and disbursements. The attachment was granted on the ground that Valentino is a resident of Hollywood.  In his affidavit, Mr. Graham alleges that he conducted all of the actors litigation with the Famous-Players Lasky Corporation, excepting the writing of the brief on the appeal to the Appellate Division; that he represented Valentino in supplementary proceedings brought by his creditors; went to other cities, talked to newspaper men and thus prevented adverse criticism.  Mr. Graham values his services at $ 65,000 and says that he has received but $ 20,000. A copy of the attachment was delivered to the uptown branch of the National City Bank where Valentino is said to have a good sized deposit, a copy was also served on The Mineralava Company, which is said to be interested in Valentinos present dancing tour.  Other law suits in which Valentino is involved includes an action started last week by he and his wife, Winfred Hudnut through their attorney, Max Stauer, who applied for an attachment against Scotts Preparations, Inc., claiming $ 7,000 for the termination of a series of beauty contests and dancing exhibitions in which they and one of the Scott products were featured. This tour terminated in Chicago two weeks ago , after the president of the company, asked the director of the tour about reports of a $ 2,500 guarantee for each nightly dancing exhibition given by the Valentinos. They were engaged for seven weeks, they explained, in asking for the attachment, at a salary of $ 6,000 a week and $ 7,000 at the end of the tour.  The $ 7,000 is the reason for the application for the attachment. The Valentinos had hardly applied for this attachment when Arthur Butler Graham, of 25 West Forty-fifth street, had served a writ of attachment on Pokres for one weeks salary of the Valentinos.  Mr. Graham, who represented Mr Valentino last year in the litigation with Famous Players-Lasky Corporation, I started an action to recover $ 40, 000 from Valentino, which he claims for expenses in that case

The spirit of Rudolph Valentino returned to earth a few days ago during a séance in a New York office building and announced to a gaping audience that he died not die a natural death, the United Press has been informed.  Valentino said, however, that he wasn’t going to tell on anybody that he didn’t want to cause any suffering. The séance was arranged by Major R.T.M. Scott, Chairman of the American Society of Psychical Research. George Wehner described by Major Scott as a reliable medium served as the personal medium for Ruth Roland, former film star and friend of Valentino was one of the guests.  Major Scott took an attractive stenographer with him to the séance although he admits she caused him considerable worry. He was afraid the girl would become nervous upon hearing the dead actor’s voice.  But it turned out that she wasn’t afraid at all. Twelve questions were put to Valentino and he answered all of them. He was asked “How did you die” “Was there any justification in the rumors of shooting or poisoning”? The spirit of Valentino answered “That is very difficult for me to answer while speaking through the medium, “because it involves many people. I will say that I did not die a natural death. I am not going to divulge any names, I have no desire for revenge, contrary to the opinion of most people have about Italians. I do not wish to have any suffering come to them more than will come to them through natural causes. We cannot do wrong without suffering the consequences.  I think I would relieve them if I could”. He was asked if he saw Lon Chaney around anywhere and if any other from people were with him. The spirit answered “he is hobnobbing with Barbara LaMarr and Olive Thomas, I have seen Milton Sills, I have seen my dear June Mathis and her mother Jennie. Valentino said, according to Major Scott that he goes back to Falcon Lair in Hollywood occasionally but not to “haunt it”. He returns to walk around the place and live again the old days in memory.  He asked for his opinion for film stars. He answered he does not think anyone has reached Charlie Chaplin’s place in comedy, Gloria Swanson is a great artist and Greta Garbo’s voice is wonderful for expressing emotion. The spirit remarked that if he were alive today, he would go into the talkies. “I had a good voice”, he said or “so people said” Valentino, according to Major Scott said that he is not settled in this present sphere, but he doesn’t know whether he is going to be moved around or not.  He believes, however, he will eventually progress to “higher planes”.

No one would attempt to deny that Rudolph has had a severe setback.  One of the very big directors told me it was his opinion t hat Rudy had been all but assassinated professionally by the too open attempts to advertise him as a lady-charmer.  According to the opinion of this director, that has been Rudolph’s trouble.  He was touted so heavily as “the great lover of the movie screen” that has aroused the resentment not so much of men as of women.  Valentino and other famous silent stars of the time.  In every one of these famous stage careers there is a core of tragedy, of futility, and failure.

Jacques Bustanoby, 62 who could and did produce dinners at a $100 a plate, who introduced New York City to the novelty of restaurant dancing and established the first bar for women, died yesterday.  Once he employed the late Rudolph Valentino at $10 a week to dance with customers.

Cerutti’s bartender, Nick Morgen, had a glamourous past for awhile when he worked as a stand-in for Rudolph Valentino when the great lover was the heart throb of the nation.

My housekeeper is an expert on the Great Lovers, she used to work for a woman who was a close friend of Rudolph Valentino. “He was very quiet”, says my housekeeper. “He hardly had a thing to say. He used to take off his shoes the minute he came in the door and sit around all evening in his socks. He was absolutely nothing”. Naturally when word got out a few years ago, that the late Aly Khan was coming to dinner across the hall, she went straight to the neighbors cook “Rudolph Valentino was nothing, but I hear this one is the greatest. For goodness sake, just let me get a good look at him. The man she saw sitting at the Vasco Garans dinner party was no matinee idol. He was of medium height and almost on the plump side. He looked tired and middle aged, with a sallow skin and dark circles, and was losing his hairline. Again, he was absolutely nothing says my housekeeper”.

Rudolph Valentino Silent Film Actor is on holiday in London, has been inundated with requests from English flappers with continuous requests for locks of his hair.  He would probably have been balder than Bob Fitzsimmons, if he had complied with each request.

On the little finger of his left hand, Joe Herman wears the sapphire ring that belonged to Rudolph Valentino. He wouldn’t sell it nor the Valentino slave bracelet which is also his.  At 72^nd Bowery under the L opposite the arch of Manhattan Bridge.  There within one great room are 62 dealers behind glass showcases arranged in tiers.  This location is how Valentino’s jewels got to the exchange.

Helen Smith, Des Moines was an ordinary girl that had an experience she will never forget. For the first time she traveled to New York City, on the same railroad as Rudolph Valentino in Aug 1926.  Her first introduction was when he first seen her, he replied with an Italian accent “little Irish girl, what is your name”?  She relied O’Shaughnessy.  With that he smiled and replied, ‘I like the name that was my former wife name before she was adopted by the Hudnuts”.   During our conversation “he spoke rather endearingly of his former wife. I’ll always believe he was in love with her”.   She recalls only once during the entire trip did, he eat on the diner and no once did he go to the observation car.  He hated the eyes of the staring public.  “When a curious crowd would look at him with much the same look that a little boy gazed in on a caged animal. Valentino would remark ‘in this work your soul is not your own, neither is your life”.

When Rudolph Valentino, the Universal player drove his car to victory in the road race between Naples and Rome in 1905, he saw an amateur motion picture photographer grinding an ungainly looking camera at the finish line. The camera was set low to the road Valentino said, and as I swept by I thought for an instant that it was a hand organ and wondered if the monkey would get under my car. After the race, I examined the contrivance, and laughed in a superior sort of way when the fellow assured me that he had a splendid moving picture of me as I passed him at seventy miles an hour. A week later, the photographer sought admittance to the Valentino estate at Taranto and showed his film to the astonished young man. That evening the drawing room of the palatial home was turned into a motion picture theatre. With a crude projecting machine that jumped and flickered dismally, the photographer exhibited his film of the race. Little did Valentino think on that summer’s evening that he would one day be a celebrity of the screen and that he should have the distinction of supporting Dorothy Phillips as one of her leading men in her greatest Universal success “Once to Every Woman”.

“I have a future. I don’t want any woman hampering my career”. Ninety percent of marriages are proposed when the man is lonely or intoxicated. The only way to escape loneliness is by marrying – Rudolph Valentino, during an interview with Herbert Howe”

Valentino learned about “women from her” a lesson that he carried to the boulevards of Paris. There he learned love in its casual phase the love that is based on the bubble of the hour, that has now for its patron saint the francs of the stranger, now the art of the artist, and then the heart offering of the poet.  Also, he saw the other side of the picture. The sincere love of the poor native or stranger, who, in the midst of infidelity, of pretense and thoughtless pleasure, clung to a man, and the man to her, with the same simple   love lonely in the midst of a crowd that might have been found in the peasant remoteness of the Midi.  Such formed the basis of the Valentino school.  To him loving is an art a game of finesse. It must not be played with speed or crudeness. There is no place for the quick canvasser or the man who has to catch a train.  It is his doctrine that he would never care to kiss a woman who made it possible at the first, second, or third encounter.  It must be nursed he insists.  Love cannot be forced, deduces this youthful safe of affection from his world study.  It is worthless unless it is given freely and happily, and there can be no joy in what is taken by force or with reluctance.  The bliss of a kiss, he opines, lies in the receiving end of the vibratory combination, and blessed he is who can gradually reaches a state where two souls and two hearts drift in concentric circles toward each other and then whirl into one mad embrace as two floating chins approaching the vortex of a whirlpool might circle and circle and circle closer and closer with each moment, and then take the plunge into that mad torrent side by side.  That is the Valentino theory of love.  His notion of the American is a man who forms instant desire to kiss a woman the first time he sees her; who is too hurried to wait, too crude to conceal from his telltale eyes the purpose that lurks in the mind.  But a kiss is something that tells a story.  When four lips are to join in the greatest of human sentiment that ever comes to a world that was supposedly born in sin and misery then it is the women who gives the kiss!  And the kiss that is given is worth all of the stolen fruit, all of the captured lip trophies that have been recorded in the world from the time of the Queen of Sheba first, felt the magic of Solomon’s touch down to the latest osculatory treasure that marked a belated goodnight at the vestibule of a New York flag. It’s all a game. There you have the rudiments compiled by a master.

Rudolph Valentino may turn his hands to other lines of endeavor, judging by articles of incorporation of Rudolph Valentino Productions filed yesterday, at the County Clerk’s office. Besides motion pictures and their appurtenances, the company is empowered to deal in “musical compositions” and “general photographic and music reproduction”. The corporation has $25,000 of capital stock of which $300 has been subscribed for by the directors. These are George Ullman, Beatrice Ullman, and Rudolph Valentino. The articles were filed with the Secretary of State at Sacramento sometime ago. Raymoney Stewart is the attorney

Rudolph Valentino, the famous cinema actor who just arrived from America, was the centre of an extraordinary scenes at a West End Cinema theatre, where he personally attended the occasion of the screening of one of his films. He was surrounded by a seething crowd, mostly women. The police forced them back and the doors had to be locked after the performance. Valentino rather than face the crowd which remained in the street, had to escape over the roof of the theatre.

An income tax lien of $6,490 said to be the amount due to the federal government on Rudolph Valentino’s income for 1924 was filed here yesterday against the estate of Rudolph Valentino, silent film star who died recently.