Posts Tagged With: Rudolph Valentino

Apr 1922 – Hollywood Boulevardier Chat

Alittle bit of gossip I picked up from friends say Rudolph Valentino’s new house with no bride apparent on Whitley Heights, Hollywood is the most sensatoinal and exotic piece of property in the movie colony.  Nobody knows what he is going to do with it.  Presumbly he bought it in a fit of exuberance on discovering he would not be paying alimony in connection from his divorce from Jean Acker

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9 Dec 1913 – Youthful Dreams Sails

In 1913, on this day, an 18-year-old, Rudolph Valentino, with youthful dreams and ambitions leaves familiarity behind for an unknown.  A passenger on the S.S. Cleveland, the ship will take him, and others like him to a better life in America. The S.S. Cleveland was a steam powered ship, operated by the Hamburg America Line, transporting both cargo and passenger.  In the end, he was a survivor and achieved the American Dream.

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12 Oct 1923 – Sheik Swamped by Demand for a Hair Lock

Rudolph Valentino holidaying in London, has been inundated with requests from English flappers for locks of his hair.  He would probably have been balder than Bob Fitzsimmons he had complied with every request.

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16 May 1924 – Valentino in Miami Asks Chance to Rest

It must be different if Rudolph Valentino is in it, for he said so himself to the Miami News representative Friday when interviewed Friday. “Stop right there” pleaded the Sheik “only say I have been in Florida or Miami but please don’t tell where my cottage is.  The interviewer tried to console the star with assurances the Florida Keys for which he sailed almost at dawn Saturday morning are an excellent place to get lost if he really wants to escape the maddening crowd.  Still he said he did not want his name in the paper as he is here strictly to rest. But worse, than that he had an enormous police dog and a stern physical director at his cottage and both, less than one-half hour earlier, refused to let the reporter see Mr. Valentino. “Yes, we have no publicity today”. Was the sum and substance of the P.D.’s conversation after he called off the dog.  The dog, which looks every inch a sheik of canines, however, refused to function in breaking up the interview when Valentino was caught sauntering around the old Lake Placid school grounds during the shooting of some scene’s for Betty Compton.  In fact, the interviewer found much more satisfaction to pat said dog’s strong head than to twiddle a pencil with proverbial nervousness in the presence of a celebrity. It is only one week off, which Mr. Valentino claims between the completion of Monsieur Beaucaire and the start of his next picture to be set in South America. But this brings back a starting point, for Rudolph Valentino must have things different or not at all.  At the first mention of sheiking, up went his finger and his quick, soft but positive voice was saying “Ah only once, why repeat”? Ask Mr. Valentino about the trend of modern movie pictures in theme, in setting, in cost, in acting and every time he says “it must be different” so Valentino fans need not expect to see him over and over again playing a type of role “they love to see him in.” Producers, said Mr. Valentino, are all watching for successes and then are repeating them.  “The Sheik” was a success, bad as it was, and they copied it admits the star, “and if Beaucaire is a success they will all be wearing powdered wigs. Rex Beach put a revolution into the story of Valentino’s next picture and out it had to come, and now the star says the public can look forward to something different  there in setting, theme, and action. In fact, he says  his own part is to be “very heavy” which is one alibi for the present rest, which began on his arrival Thursday and he has now taken off fishing.  When it comes to pleasing the public with something new Valentino is all for Douglas Fairbanks . There he says, is a man who can make a picture, and he calls Fairbanks instinct and ability as a director even more than his ability as an actor, the explanation of his success and Valentino’s eyes shine as he smiles with anticipation of what the public will think of the “Thief of Bagdad” as a fairytale for adults to enjoy. The question is will Valentino make a movie in Miami? Well, the next picture is of South America. The star says the interiors will be made in New York and he does not think the exteriors will be on the southern continent. Imagination at work on the statement says the exteriors will be artificial or on the islands or the only, real live groves of coconuts and royal palms in the United States will get into the movies again.  Asked if he likes Miami? Mr. Valentino’s response was “oh, very much”.  A bright yellow coat and bell-shaped trousers were the first impression that many received of the celebrity in their midst when he first appeared on the streets in  – well, in Dade County. Yet his eyes do shine. His side whiskers> Well he does not look like his imitators. Maybe the powdered wig caused it, but those famous moments are trimmed quite a peak.  He wears horn-rimmed glasses, Harold Lloyd might envy. No Mrs. Valentino was not with him. When she finishes with cutting the Beaucaire film in New York, maybe.
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17 Apr 1927 – Why Europe’s High Society Smashes Beauty’s Perfect Romance

An envied position as “Broadway Darling” a fiery romance with a brilliant young musician, contacts with continental diplomatic society and then the disillusionment of old world standards for a new world wife.  These things brought silent film star Consuelo Flowerton, beauty, violinist, artist’s model, back to America from her adopted home in Europe back to more trials and tribulations and the harsh necessity of finding again the place she had surrendered such a light heart only a few months before.  Europe, claim the gossips “high hatted”  pretty Consuelo. Europe failed to take into consideration her remarkable gifts. Europe expected her this American girl accustomed to American modes of living to become continental over night; expected her to ‘learn the language’ and become one of them without preparation or acclimation. When she was unable to meet those foreignstandards he left her husband, the brilliant young orchestra conductor Dirk Foch, already a celebrity abroad as conductor of the Vienna Concert Society, and came back home, determined to resume her lofty position among the reigning beauties of A merican stage and screen.  When Consuelo Flowerton left America she was celebrated beauty, a favourite along Broadway and those tributary rialtos in a half score cities in other parts of the country.  Her name in Electric lights above the box office brought the crowds tumbling in. Money came easy then and fame was her middle name. These she put behind her, never dreaming her romance would come to naught and that sometime the fickle public might again, be asked to applaud her before the footlights.  The plaudits Consuelo Flowerton received in the days before her marriage had not been confined to the auditorium of a theatre. A brilliant art model at a top-notch salary and a Ziegfeld follies girl. But it was the famous Navy Girl poster painted by the celebrated artist, Howard Chandler Christy, which made her face familiar to many thousands. She was on her way to the top to the place she had occupied before she fell in love with Dirk Foch.  But let Consuelo tell of her collapse of her “perfect romance” as the marriage of this brilliant young star and her talented husband had been called.  Let her give the strange reasons for their separation and the heart rending decision of the Dutch Courts, which makes it necessary for her to give up her baby for six months of each year to her husband, who has remained in Europe.  “I met Dirk Foch at a symphony concert he conducted here in New York she explains. “During the concert, I admired his work. I considered him a genius. When the concert was over and I was introduced by a mutual friend it was love at first sight and in two months we were married. Then followed a honeymoon in Java. Dirk’s father was Governor General of the Dutch East Indies and we certainly had a wonderful time.  We had wined, dined and feted in royal style with a future that seemed very rosy”. Then we started for our home in Europe.  The prospect of living in Europe thrilled me beyond words.  We traveled abroad from place to place, entertained and were entertained. Then Dirk obtained a conductor position of the Vienna Concert Society, one of the most celebrated of European musical organizations. It was a rare for so young a conductor to be selected.  It was in Vienna that our marital troubles began.  The principal cause was our lack of a home.  We had to move from place to place. Always we were unsettled and generally broke.  We had a positon to maintain that was out of proportion to Dirk’s income. Because of Dirk’s fathers position, people we associated with naturally assumed we had plenty of money.  In reality we had very little.  In spite of this we had to keep up the pretense, dining at expensive places associating with rich people like Fritz Kreisler the violinist, Maria Jeritz the blonde soprano. They entertained lavishly and we were naturally expected to do the same.  When Winter came it found us high and dry financially. We moved from furnished flat to furnished flat and in desperation I decided to try house-keeping. That was terrible. Never had I done a thing of that kind. I was willing to learn, and certainly tried hard enough but it was impossible.  I might have learned over here, but in Vienna Never.  No woman who hasn’t kept house in Vienna can understand the difficulties had encountered.  “I couldn’t speak German, and it was a disadvantage. It became known among other shopkeepers and others I was an American and when I went shopping they took advantage of my ignorance and vented their spleen against America by charging me double prices and giving me inferior goods.  I would ask for one thing and got another.  My neighbour hampered instead of helping me, and it became unbearable. The apartments were very old and rickety.  It almost seemed as if they’d fall down on us.  We did not ride in the elevators in crowds and we didn’t dare send our trunks up on the elevators. We had to have them carried up. The lifts would have collapsed if we had put that much weight on them.  Furthermore, there was no delivery stem. If I had shopping I had to carry my own packages. When the servant shopped it seemed it cost so much more than it should I couldn’t trust her. Once in carrying packages my fingers were nearly frost bitten, and this condition remained until two months ago.  All of this might seem trivial, but when these little irritations keep piling up they seem monstrous and ultimately sent this marriage on the rocks. My husband was a genius. I cared for him deeply and still do. But he is the type of man, that should never marry or at least, he should married a woman his own age.  He needed a mother to take care of him and I couldn’t do it, because I couldn’t even take care of myself. It was during this time my little daughter Nina was born. My health was delicate and Dirk, I knew was unhappy under the yoke of this marriage. I do not say that he ever was anything but kind and considerable toward me but money problems, household worries got on his nerves and mine. Each year, for the three and a half years we were married, I decided I’d try it out a while longer.  But finally, the strain became too great and divorced in Holland. Immediately after the divorce, I came to New York and tried to get work.  I had decided to give up musical comedy and enter straight drama. After three months of walking from agency to agency, I finally landed a part in The Desperate Pilot. I was very happy, but lasted only one week.  I’m not discouraged though.  I’m going to keep right on trying. I’m happier than I’ve been in years. I feel free for the first time.  I don’t think, I’ll ever marry again. A woman should try marriage once, I think, but if she’s not successful at it, she ought to take up a career”.  She can only be happy when she’s free and independent.  Just how Consuelo Flowerton will carry on with her independence here now that she found the producers guard their doors a bit more closely than in days gone by, what with beauty contest winners and the like lurking behind every pillar and post and her own reputation has been dissipated by the unkind years, time only can tell.  Perhaps she will again turn to the movies for a contract.  She starred in one picture with no less a cinema deity than with the late Rudolph Valentino who was fascinated by her charms.
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26 Nov 1925- Townsville Daily Bulletin London Rudolph Valentino Returns

Rudolph Valentino, the famous cinema actor who just arrived from America, was the centre of an extraordinary scenes at a West End Cinema theatre, where he personally attended the occasion of the screening of one of his films. He was surrounded by a seething crowd, mostly women. The police forced them back and the doors had to be locked after the performance. Valentino rather than face the crowd which remained in the street, had to escape over the roof of the theatre.

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16 Nov 1925 -The Eagle Movie Review

In the guise of a dandy Cossack Lieutenant, who becomes an artful, gallant and very  lucky bandit, Rudolph Valentino’s shadow yesterday afternoon at the Mark Strand renewed its acquaintance with admiring throngs in a production entitled “The Eagle,” which is based on Alexander Pushkin’s novel “Dubrovsky.” Following the first presentation of the film Mr. Valentino himself took the stage and thanked the audience for its reception of the picture, adding that he felt sure that by it he would regain that popularity he enjoyed a few years ago. While he admitted that his preceding photoplay, “The Sainted Devil,” was a poor picture, he refrained from referring to the picturization of Martin Brown’s play “Cobra,” which he finished before starting work on the present offering, and which has not yet been released. The Mark Strand was packed, the police were kept busy at the theatre entrance holding back the crowd, and an enthusiastic collection of people after the first show pressed around the stage entrance, watching eagerly for the screen star’s appearance on the street. Through the introduction of Catherine of Russia, or a modern conception of that lady, the initial chapters of “The Eagle” are reminiscent of the picturization of “The Czarina,” which in film form was heralded as “Forbidden Paradise.” Although these sequences in the Valentino photoplay are undeniably entertaining, they by no means reach the artistic heights achieved by Ernst Lubitsch and Pola Negri in “Forbidden Paradise.” Mr. Valentino is indeed fortunate in having obtained the services of Vilma Banky from Samuel Goldwyn, for Miss Banky is so lovely to look upon that her beauty makes the hero’s gallantry all the more convincing. In this production, which might suit several male screen celebrities, including the agile Douglas Fairbanks. Mr. Valentino acquits himself with distinction. He appears, to have benefited by Clarence Brown’s direction and to have appreciated that Miss Banky was a valuable asset to his picture. It was an excellent idea also to have Hans Kraely, Mr. Lubitsch’s clever scenarist, handle the script for “The Eagle.” Mr. Valentino first is seen in the graceful costume of a Cossack officer, his astrachan headgear often placed at a most acute angle. Subsequently he rides to romantic fame as the Black Eagle, a bandit, whose chief exploits are bowing to the fair. His lieutenants kidnap Mascha Troekouroff, impersonated by Miss Banky, only to be told by their irate chief that he does not war with women. It happens that Mascha’s cowardly father is kept on tenterhooks by the Black Eagle, who binds and gags a French tutor being sent to the Troekouroff Castle to instruct Mascha, and then impersonates the tutor, coolly reporting to the girl’s parents, who had incidentally offered 5,000 rubies reward for the Black Eagle, dead or alive. One has the satisfaction of seeing the Black Eagle massaging old Kyrilla Troekouroff with amazing energy, and then seeing the hero turn his attention to Mascha in caressing fashion. Kyrilla receives notes from the Black Eagle under his plate, and his mind is always uneasy. He is a cruel old fool; who has a chained bear in his wine cellar, and he looks upon it as a pretty jest when he sends a victim down to get a bottle of the best wine. This happens to the Black Eagle, who kills the “jest” with a bullet. Before he took up the calling of bandit, the then respectable Lieutenant Vladimir Dubrovsky had been told in private audience by the Czarina: “You are the first Russian to see his Czarina weep.” Dubrovsky had been commanded to appear in the royal presence at 6 o’clock, and it is explained that 6 o’clock meant supper and not Siberia. The young lieutenant, always so courageous, had abandoned the Czarina when she was about to mount her favorite horse, because he observed two frightened horses dashing away with a vehicle in which sat an aunt, a Pekinese and the glorious Mascha. This is a satisfying picture in which Mr. Brown introduces some interesting touches. It is well equipped with scenery and the costumes of the players are capably designed. Mascha, at a banquet, adorns herself with a wealth of pearls, and the Czarina, played by Louise Dresser, arrays herself as Commander-in-Chief of the military forces.
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1924 – Superstitious Movie Folk

Agnes Ayres does not like to have anybody sing in her dressing room.  But her chief faith in luck is bound up in a wonderful Columbia Clock which has been in her family for years.  It is a marvelous mechanism, being made entirely of wood and although of a great age is still running.  Miss Ayres firmly believes that her success depends upon the possession of this clock, and so carefully, does she guard the treasure she will not even allow it to be photographed.  Her movie colleague, Rudolph Valentino has declared to friends he has no superstitions.  But one might wonder why he waited until 14 March to be married to the delightful Natacha Rambova when he could of done so on the 13th as well.  Perhaps the fascinating Mrs. Valentino objects to the fatal number.  Who knows might be because his first wedding ceremony took place on 13 May. Douglas Fairbanks, Sr. has no faith in crystals or superstitions. Gloria Swanson loves black cats and so tender was her care of the original two pets of the Lasky Studio they sent for all their friends, in-laws, and descendants until 327 cats now live on the lot.  This is lucky for the butcher and the cats.  Theodore Kostloff treasures a pre-war ten rouble gold piece, now worth $2 million in paper money.  Bebe Daniels grandmother has a wonderful collection of dolls and few people know this is a direct result of Bebes belief that good luck follows the purchase of a new doll.  Lila Lee is very superstitious about the beginning day of a new film.  If she leaves her home in the morning, forgetting something important, she will not turn back herself, but send a messenger after she reaches the studio.

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31 Aug 1930 – Two Valentino’s

 When I first met Valentino I was amazed to find not the romantic hero, but just a boy, quite frank and sincere. Why, he is only a child! At first, I was disillusioned, but in another way I liked him the more.  There were two distinct Valentino’s – Rudy the artistand Rudy the man.  The one was swashbuckling cavalier who flashed across the screen into the hearts of millions. The other was a simple boy with a childish sensitiveness often mistaken for weakness by the un-discerning and the prejudiced. American men, particularly had no use for him. They looked down on him, criticized him, which hurt him for he was anxious to be liked; he wanted friendship and respect. Had they taken pains to know him, they would have given him both; but he couldn’t talk business, politics, or the stock exchange. He had no mentality for such things. They lay beyond his grasp because he had utterly no interest in them.
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Nov 1925 – Monsieur Beaucaire Rudolph Valentino Coming

Full of color and romance is “Monsieur Beaucaire” which will be screened at Wests on Saturday, with Rudolph Valentino and Bebe Daniels in the leading roles. It is an elaborate screen version of the popular play, which has been adhered to with remarkable fidelity. There is plenty of suspense in the picture, and an exciting combat between Valentino and six opponents. The Court of Louis, XV, forms a brilliant background for the action, and abounds in colorful scenes, depicting the mad, merry life in that famous court. Ordered to marry the Princess Bourboun-Conti, the Duc de Chartres, played by the star reuses. His efforts to resist the Kings guards provide some of the most thrilling moments that have graced the screen. Hugh sets were constructed for the picture, and the costuming and mounting throughout are on a lavish scale.

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21 Nov 1924 – Valentino In Dramatic Role

Dayton patrons of the Colonial Theater ought to feel very proud to know they have been the first in the middle west to see ‘Rudolph Valentino’ newest photoplay, “A Sainted Devil”. Even New York City has not had a chance to see this photoplay, which, by the way, is one of the most interesting this idol of the screen has yet made.  This is a South American picture of contrasts the hacienda life of the Argentine contrasted with the smart social set of Buenos Aires, the Paris of the South Americas. This picture has fire and dash with the added charm of Valentino.
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31Oct 1939 – Marian Adored Valentino

“My girl Marian was nuts about Rudolph Valentino, judge” and as simple an
explanation, as that got Benjamin Platt, 29, slim and bespectacled, out of jail and
 earned him the promise of a wedding present.  Of course, Marian remained in a hospital under treatment for painful burns but otherwise, Benjamins explanation seemed to liquidate a jam which Marians admiration for the late film star got him into.  It began one night, when Benjamin and Marian went to a movie and saw portions of Valentino in a news reel.  Marian has a collection of souvenirs of Valentino.  “Benjamin” Marian sighed “I’d dearly love to own that film”. Thus spurred Benjamin into action. He pried his way into the theatre projection booth and confiscated the film.  He sped to his love, who awaited him in the basement of his home. There they trimmed the Valentino sequence and hurled the remainder of the coiling into the furnace. Flames leaped from the furnace door. The precious strip of film which portrayed the star of “The Sheik” went up in flames and Marian fell screaming. Marian was taken to the hospital and Benjamin was taken to jail. He earnestly told his story to Judge Gibson Gorman, in felony court.  When he finished the judge smiled and placed him on probation.  Up stepped the complainant, Thomas Murray, theater manager.  “For your wedding present, I will give you a copy of the Rudolph Valentino film. I hope it will bring you happiness.
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1922 – What the Fans Say

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25 Nov 1922 – Film Face Worth $26,000 a year

O.A. Atkinson, the London “Dully Express” cinema correspondent, writes: Variety of occupation in this spice of existence. there is a certain parallel between the career of the average screen actor and the Odyssses of the restless souls who in the great days of the militia desperately clutched the Queen’s shilling and “listed for a soldier”. It is given to few of us to follow in-turn such diverse professions an landscape gardener, waiter. tango dancer and film actor, hut this has been the destiny of Mr. Rudolph Valentino, the dashing young man who swanks his way to glory In “The Four Horsemen of the Apocalypse.” It is not easy to understand just how and why Rudolph acquired his considerable reputation as a screen lady-killer. He is a keen-looking young fellow who uses best-quality hair oil
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7 Feb 1948 – Souvenir

Manhattan restauranteur Sam Slavin still holds an IOU from Rudolph Valentino for $10.00. He lent Rudy money when the great silent film star worked in Slavin’s place for $12.00 a week. Valentino many times tried to buy it back, but Slavin always refused to sell. And its still there, framed, on the wall of the restaurant.

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Hot Well Springs Hotel, San Antonio, TX

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In centuries past, the rich and famous most were hypochondriac’s spent their time visiting fashionable health resorts. These resorts all lavishly appointed featuring the latest in modern health cures. These spas were a guaranteed successful money making venture as long as they remained au current amongst those who could afford to visit.  In 1892, a sulfur artesian spring, was founded on a lot owned by the Southwestern Lunatic Asylum, located on the San Antonio River.  The newly discovered water was unusually warm. containing high levels of sulfur and other undefined minerals. In 1893, prosperous businessman and developer McClellan Shacklett, bought a 10 acre area near the well water site to build his luxury spa.  The inspiration came from a resort at Hot Springs, Arkansas. Working with renowned architects and builders who could bring his vision a reality, he could see a tree lined entrance to the property featured a circular drive with a large 4 tiered fountain in the front an artificial lake with pleasant walkways with the idea of being enclosed in a therapeutic nirvana. There would be streetcars available for the hotel guests to ferry to and from the train station.  Before the dream could become a reality, a major marketing campaign was on the horizon.  Advertisements were placed in local and international newspapers praising the therapeutic benefits of the water and the luxurious peaceful surroundings.  In 1894, the hotel’s grand opening was a monumental success. Later in the year, there were two fires on the property causing substantial loss. In 1895, McClellen Shacklett sold the hotel to the Texas Hot Sulphur Water Sanitarium Co. The new owners expanded the hotel to over 80 rooms with the latest in modern amenities hot and cold water, electric and gas lighting and telephones.  There were 3 swimming pools one for ladies, gentlemen and their families. Hotel activities included tennis, croquet, bowling, horseback riding, concerts, social dances, lectures, garden teas, dominoes, and gambling.  The hotel’s luxury was a magnet for the rich and famous of their day, railroad tycoon E.H. Harriman had a rail spur built to the hotel’s grounds for his own private train cars.  Silent film stars Rudolph Valentino stayed at the hotel more than once, Tom Mix, Mary Pickford, Douglas Fairbanks, Sr, Gloria Swanson, Charlie Chaplain, film director Cecil B. DeMille, Sarah Bernhardt, Will Rogers, future president Theodore Roosevelt and his Rough Riders all visited the hotel during its heyday.
There is no archived copies of the hotel’s guest books in existence. The San Antonio Express Newspaper is the only known source to determine what famous hotel guests stayed on the property.
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28 Jun 1931 – The Case of Why Rich Women Prefer to Divorce in Paris

This writer is going to use the divorce case of Winifred Hudnut/Natacha Rambova versus Rudolph Valentino as an example of why women prefer to divorce in Paris. So we know that Winifred/Natacha was granted a divorce in Paris simply on the fact Valentino wrote a letter to her that he definitely and purposely left her and decided to cease all relations with her. Thus she was “grossly insulted”. But lets not forget Winifred got her knickers in a twist when she was no longer Valentino’s de facto manager and barred from movie studios. Hudnut and Valentino journeyed to Paris and it was no secret they were planning to divorce. The ruling of the Seine trial was Hudnut was entitled to all of the rights of as an American because her marriage was in Crowne Point, Indiana and “gross insult” was grounds for divorce. Most French writers contend there are three grounds for divorce under French Civil Code. Grounds for divorce are innumerable: Article 229 A husband may divorce his wife on the basis of her infidelity.Article 230 A wife may divorce her husband on the basis of his infidelity. Article 231 Both spouses may reciprocally divorce each other on the basis for violence, cruelty, or gross insults.Article 232 The condemnation of one of the spouses to a corporal punishment shall be another cause for divorce. Although no local difference is suppose to exist, so as far as husband and wife are concerned French authorities contend that in the case of an indiscretion the courts always seem to look with more indulgence upon the false step of the husband than of the wife.

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21 Nov 1924 Valentino In Dramatic Role

Dayton patrons of the Colonial Theater ought to feel very proud to know they
have been the first in the middle west to see ‘Rudolph Valentino’ newest
photoplay, “A Sainted Devil”. Even New York City has not had a chance to see
this photoplay, which, by the way, is one of the most interesting this idol
of the screen has yet made.  This is a South American picture of contrasts the
hacienda life of the Argentine contrasted with the smart social set of
Buenos Aires, the Paris of the South Americas. This picture has fire and dash with
the added charm of Valentino.
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29 Sep 1921 – Girls Had you heard? Camille has bobbed her hair

“Camille” brought up to date as the advertisements read, opened at the
Ziegfeld yesterday. It is a modern bobbed haired version of Dumas’ story,
and in my opinion in the shearing and remodeling  project has not proven
successful. You know, I don’t think you can ever make over stories like
“Camille”. You  can’t bring them up to date. You can’t transpose the coach
and four indelibly engraved upon a memory into a modern six cylinder motor car
on an black and white taxi, and get away with it. We’re not so bloody up to
date that we’re going to have our Juliet’s served to us in knickerbockers or our
Romeo’s in ‘pinch black’ coats and russet oxford. At least, I don’t believe
we are , no matter what beautiful photography or expensive settings do their
best to enhance to so-called versions of famous favorites.  Nazimova’s “Camille”
is not sincere. She does some fine acting but she is always acting. The ear you
long to shed for Dumas’ heroine of sin and sacrifice stays right in the
corner where it was before you start to view the picture.  Rudolph Valentino as
“Armand” is by all means the best bet in the film. After having witnessed
his work in “The Four Horsemen” however, it is difficult to enthuse over him as
the lover of “the lady of the Camille’s”. The production is the most
magnificent staged.  I shall be vulgar and say that producers certainly blew
themselves on the settings. They are sumptuous and exotic.  Nazimova’s
get-up is bizarre and striking.
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13 Nov 1923

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6 Sep 1925 – Rudolph Valentino Injured by Horse

Rudolph Valentino silent film actor, was scratched and bruised at Lankershim near
here today, when he was dragged some distance by a galloping horse.  The scene
in which Valentino was making for the screen required him to halt a running horse.
He grabbed the animal by the bridle, but the horse entering into the spirit of the act,
kept going bumping the actor along the road but doing no serious damage.
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“I think that it would fascinate me to live in such a place, I have very steady nerves or even an imagination that needs such stimulation, but I have always felt strongly akin and at home in places of this kind. I am not afraid of the dead or of ghosts, the whole store and lore of grizzly fears that have shaken the human race at thought, or apprehension of meeting with the dead, is quite foreign to me, I am not afraid of anything pertaining to the life beyond.” And it isn’t because I don’t believe in it it is because I do, I BELIEVE IN THE SUPERNATURAL I don’t believe there is anything I would or could be afraid of. It seems to me we have more cause to be afraid of the living than of those that have gone on shaking off as they go, the lusts and cruelties of the body. What the average man calls death I believe to be merely the beginning of life itself we simply live beyond the shell. We emerge from out of its narrow confines like a chrysalis. Why call it death or, if we give it the name death why surround it with dark fears and sick imaginings?”

My Private Diary’ by Rudolph Valentino 1929

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1960

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“Before leaving London Valentino went into the Wykham Studio in Victoria Street to have a passport photograph taken when he gave his name, the assistant exclaimed, ‘Oh! My God’, to which remark Valentino replied ‘No not a God, only a mortal’–Rudolph Valentino

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22 Aug 1925 – Rudolph Valentino Changes Sports to Keep Up Interest

Rudolph Valentino gets up at five o’clock and his himself to the beach for a swim before going to work in “The Eagle” which Clarence Brown is directing. When he was making “Cobra” he used to get up at the same hour and box or ride horseback.  Rudy changes his sports and hobbies regularly and thus keeps a fresh interest.

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1 Jul 1921 Screen Scribbles

Speaking of screen premiers in Los Angeles, the opening performance of the “Four Horsemen of the Apocalypse” was an affair of importance. All the principal players from the cast were there, including Rudolph Valentino, Alice Terry, Derek Ghent and Virginia Warwick. The tango was to have been danced by Rudolph Valentino and Beatriz Dominguez who played the Argentinian dancer in the picture, but she, poor girl, passed away following an operation for appendicitis a few days before the picture was shown. The presentation was somewhat marred by the introductory remarks of a gentleman from Brazil, who although an American, had a limited vocabulary, and a distressing originality of pronunciation. “My friends” he began, “we are about to witness the great dramatically spectacular “The Four Horsemen of the Apocalypse” the –“business of consulting the program) the Apoc-al-ypse–..A titter from the audience checked him and he tried it again. After the roar of laughter had subsided he let the matter of pronunciation go hang, and contented himself with referring to the feature as the greatest “dramatically spectacular”.

 

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5 Jul 1938 – Beulah Livingstone

According to Beulah Livingstone, who writes publicity for a company sponsoring the revival of “Son of the Sheik” the name of Rudolph Valentino will remain a magic one as long as romance flourishes on the movie screen.  “It was the late Valentino”, declares Miss Livingstone “who set the hears of the nation thumping wildly with his forthright technique of love-making, and his rugged he-man characterizations set another precedent in screen acting. Those who remember and love him for his screen contributions, as well as the newer generation who have never had the opportunity to see the great idol of filmdom, will be happy to learn that his last and greatest picture has been booked for local presentation.  We have known Beulah Livingstone since back in the good old silent days, when we were young and innocent and the brain-storms that flowed so profusely from her sturdy typewriter were eagerly accepted and passed on without blue penciling to our readers. But a lot of water has shot over the Chaudière since “Son of the Sheik” was produced and released to a clamoring public, and we confess that Beulah’s effusive if well-turned, phrases anent the current revival of Rudolph Valentino productions from the dimly-passed silent days leaves us as cold as one early morning last winter when the radiator on the old bus froze stiff and we bravely ventured forth to walk the two miles to our office. For the information of those who might be interested, and just to keep the record clear, we might add that the rejuvenated “Son of the Sheik” contains sound effects and a newly arranged musical score. Acting, directing, technical effects, and camera work have come a long way, however, from the days when every other girl of teen-age sent in a quarter for her idol’s photograph and mounted it on the boudoir table.

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1949

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11 Mar 1978 – Former Hearst Personal Projectionist

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W. Young Louis was William Randolph Hearst’s projectionist at San Simon. At the age of 84 he runs the Freemont Theater in downtown San Luis Obispo six nights a week. He recalls becoming acquainted with Hearst and was asked to be his personal projectionist for private showings at the castle. After San Simeon was built, I was on call for Hearst. He’d call me at all hours of the night sometimes 2 or 3 a.m. A taxi would pick me up and drive me to San Simeon a good one-hour’s drive away he said.  “Sometimes I’d stay a week and my wife would come along. I loved it”.  I showed just old movies starring Marion Davies. “We had a basement full of Miss Davies films, and she’d come down and help me choose which ones to show”.  Some people would say she was aloof, but she wasn’t.  Hearst’s guests included Presidents, writers, singers, actors, actresses, movie producers all famous people of the day.  Louis met them all there was: Mary Pickford, Charlie Chaplin, Gloria Swanson, Mae West, Shirley Temple, Clark Gable, Maurice Chevalier, John Barrymore, Will Rogers, Rudolph Valentino, Loretta Young, President Hoover and Calvin Coolidge. “Oh that Rudolph Valentino was a very congenial slender dapper man” Louis said.  Autographed pictures, souvenirs of their visits still fill every available space on the walls of the Freemont Theater. One of the stars who visited the castle turned out to be a relative.  “I met Anna Mae Wong, a silent screen actress and we talked for a long time. We found out we were related 16th cousins.  Louis has stayed put in the Freemont projection room since those days in the early 1940’s. He helped design the place and it fits him to a T. It’s equipped with a small wooden desk and padded vinyl chair so Louis can read and write letters while the reels roll.  No, he doesn’t always watch them. “Some of them, I …he started to say and then shrugged”.

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20 Jul 1951 – Valentino Film Libelous says Alice Terry

Alice Terry, former Silent Film blond beauty became the first woman in Rudolph Valentino’s life Thursday to announce he was no Romeo to her.  The ex-actress filed a $750,000 libel suit charing the recent movie “Valentino” pictures her having a clandestine love affair with the slick haired sheik.  But she says, when Rudy was her leading man back in the days of the flickers and quivering piano she never gave him a second thought. “Valentino? Why he was a good-looking man and a very nice fellow but that’s all” she shrugged. “I never had any interest in him”. He didnt look like a great lover at all, and it never occured to us that worked with him that he’d be known as that.  “No body thought about him in those days as a great lover.  In fact, it wasn’t until after he died that he got that reputation”.  Miss Terry was the star of Valentino’s first movie, “The Four Horsemen of the Apocalypse” directed by her husband Rex Ingram.  Rex Ingram died last year.

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27 Jun 23 – Attach Valentino’s Money

An attachment against the property of Rodolph Valentino was ordered last week in the Supreme Court in a suit brought by his former attorney, Arthur B. Graham, for a balance of  $48,295 alleged to be due for services and disbursements. The attachment was granted on the ground that Valentino is a resident of Hollywood.  In his affidavit, Mr. Graham alleges that he conducted all of the actors litigation with the Famous-Players Lasky Corporation, excepting the writing of the brief on the appeal to the Appellate Division; that he represented Valentino in supplementary proceedings brought by his creditors; went to other cities, talked to newspaper men and thus prevented adverse criticism.  Mr. Graham values his services at $ 65,000 and says that he has received but $ 20,000. A copy of the attachment was delivered to the uptown branch of the National City Bank where Valentino is said to have a good sized deposit, a copy was also served on The Mineralava Company, which is said to be interested in Valentinos present dancing tour.  Other law suits in which Valentino is involved includes an action started last week by he and his wife, Winfred Hudnut through their attorney, Max Stauer, who applied for an attachment against Scotts Preparations, Inc., claiming $ 7,000 for the termination of a series of beauty contests and dancing exhibitions in which they and one of the Scott products were featured. This tour terminated in Chicago two weeks ago , after the president of the company, asked the director of the tour about reports of a $ 2,500 guarantee for each nightly dancing exhibition given by the Valentinos. They were engaged for seven weeks, they explained, in asking for the attachment, at a salary of $ 6,000 a week and $ 7,000 at the end of the tour.  The $ 7,000 is the reason for the application for the attachment. The Valentinos had hardly applied for this attachment when Arthur Butler Graham, of 25 West Forty-fifth street, had served a writ of attachment on Pokres for one weeks salary of the Valentinos.  Mr. Graham, who represented Mr Valentino last year in the litigation with Famous Players-Lasky Corporation, I started an action to recover $ 40, 000 from Valentino, which he claims for expenses in that case

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15 Feb 1931 – Séance Audience Hears Spirit of Rudolph Valentino

The spirit of Rudolph Valentino returned to earth a few days ago during a séance in a New York office building and announced to a gaping audience that he died not die a natural death, the United Press has been informed.  Valentino said, however, that he wasn’t going to tell on anybody that he didn’t want to cause any suffering. The séance was arranged by Major R.T.M. Scott, Chairman of the American Society of Psychical Research. George Wehner described by Major Scott as a reliable medium served as the personal medium for Ruth Roland, former film star and friend of Valentino was one of the guests.  Major Scott took an attractive stenographer with him to the séance although he admits she caused him considerable worry. He was afraid the girl would become nervous upon hearing the dead actor’s voice.  But it turned out that she wasn’t afraid at all. Twelve questions were put to Valentino and he answered all of them. He was asked “How did you die” “Was there any justification in the rumors of shooting or poisoning”? The spirit of Valentino answered “That is very difficult for me to answer while speaking through the medium, “because it involves many people. I will say that I did not die a natural death. I am not going to divulge any names, I have no desire for revenge, contrary to the opinion of most people have about Italians. I do not wish to have any suffering come to them more than will come to them through natural causes. We cannot do wrong without suffering the consequences.  I think I would relieve them if I could”. He was asked if he saw Lon Chaney around anywhere and if any other from people were with him. The spirit answered “he is hobnobbing with Barbara LaMarr and Olive Thomas, I have seen Milton Sills, I have seen my dear June Mathis and her mother Jennie. Valentino said, according to Major Scott that he goes back to Falcon Lair in Hollywood occasionally but not to “haunt it”. He returns to walk around the place and live again the old days in memory.  He asked for his opinion for film stars. He answered he does not think anyone has reached Charlie Chaplin’s place in comedy, Gloria Swanson is a great artist and Greta Garbo’s voice is wonderful for expressing emotion. The spirit remarked that if he were alive today, he would go into the talkies. “I had a good voice”, he said or “so people said” Valentino, according to Major Scott said that he is not settled in this present sphere, but he doesn’t know whether he is going to be moved around or not.  He believes, however, he will eventually progress to “higher planes”.

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26 Jul 1938

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2017 – Rudolph Valentino Gifted Bracelet

 

In 2017, Antiques Roadshow, was in Harrisburg, PA and during the taping someone brought in a Rudolph Valentino gifted bracelet.  This sterling silver bracelet was addressed to someone named “Rudy” and they did not know who this was. The appraiser valued this bracelet at $2,000$3,000.
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24 Jul 1925 – Women Resented Him

No one would attempt to deny that Rudolph has had a severe setback.  One of the very big directors told me it was his opinion t hat Rudy had been all but assassinated professionally by the too open attempts to advertise him as a lady-charmer.  According to the opinion of this director, that has been Rudolph’s trouble.  He was touted so heavily as “the great lover of the movie screen” that has aroused the resentment not so much of men as of women.  Valentino and other famous silent stars of the time.  In every one of these famous stage careers there is a core of tragedy, of futility, and failure.

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23 Mar 1943 – Noted Restaurateur Died

Jacques Bustanoby, 62 who could and did produce dinners at a $100 a plate, who introduced New York City to the novelty of restaurant dancing and established the first bar for women, died yesterday.  Once he employed the late Rudolph Valentino at $10 a week to dance with customers.

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12 Oct 1952 – Rudolph Valentino Stand-in

Cerutti’s bartender, Nick Morgen, had a glamourous past for awhile when he worked as a stand-in for Rudolph Valentino when the great lover was the heart throb of the nation.

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10 Mar 1980 – I worked with Rudolph Valentino

For a time in New York, I worked with Rudolph Guglielmi at the afternoon tea dances in Churchills Café. We’d sit at a table with a hostess until there would be a sign from a woman that she wanted a dance.  So, we would go over and dance and we received $2 for an afternoon.  George Raft said although I could dance those times were more demanding than when he became famous.  Rudolph Guglielmi had a carisma that cannot be denied.  He was a popular dancer and made the most ackward looking woman glide like a swan while dancing.

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2 Apr 1965 – My Housekeeper Knew Someone who Knew Someone who Knew Valentino

 

My housekeeper is an expert on the Great Lovers, she used to work for a woman who was a close friend of Rudolph Valentino. “He was very quiet”, says my housekeeper. “He hardly had a thing to say. He used to take off his shoes the minute he came in the door and sit around all evening in his socks. He was absolutely nothing”. Naturally when word got out a few years ago, that the late Aly Khan was coming to dinner across the hall, she went straight to the neighbors cook “Rudolph Valentino was nothing, but I hear this one is the greatest. For goodness sake, just let me get a good look at him. The man she saw sitting at the Vasco Garans dinner party was no matinee idol. He was of medium height and almost on the plump side. He looked tired and middle aged, with a sallow skin and dark circles, and was losing his hairline. Again, he was absolutely nothing says my housekeeper”.

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14 Jul 1926 Muscle Admiring Brooklyn Girl Clashes with Boyfriend

Monday or Tuesday will prove whether Rudolph Valentino challenge to fight an editorial writer is bona fide or not.  “Rudy had wonderful muscles and I’ve seen him in pictures stripped to the waist, and you can’t fake a picture like that” said an indignant Brooklyn girl last night.  Men are jealous, that’s what’s the matter. I’d like to see a picture of the fellow who wrote that article. Most editors, I’ve seen are little and wizened and wear glasses.  I don’t think they are so very masculine as a bunch, by any means.  Rudy does wear allot of jewelry. He’s an Italian and gladiators wore rings and bracelets, you may remember.  Most American men would look ridiculous in a slave bracelet.  Rudy does not its suits his type.  He is almost oriental looking”.  But the man with the Brooklyn girl took decided issue.  Valentino’s muscles may look good to his women admirers but any trained athlete can see the fellow is soft.  He is a soft fop and the fellow who wrote the article is right. I think this challenge to fight is merely a publicity stunt.  I bet he never goes near the office of the Chicago Tribute when he gets to the city. Valentino’s second will be guess who? His press agent of course.
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9 Mar 1937 – Rudolph Valentino Former Co-Star Clara Kimball Young

Twenty years ago, Clara Kimball Young had an annual income of $200,000, but the hand of ill fortune has swept away her wealth.  Miss Young began her career on the stage when she was three.  When pictures rose above the nickelodeon class, dramatic actresses were in demand and Miss Young rose to great heights in the higher type films. Her first picture “Cardinal Woolsey” made by Vitagraph in 1912, her Camille shocked the folk of yesteryear, but they sat up and took notice just the same. Her outstanding beauty, especially her magnificent dark eyes and her hands were the toast of the world.  She received as many as 10,000 fan letters in one day. Perhaps the fan letter fad is passing, for today no star receives as much mail as that.  Miss Young lives in Hollywood with her father, Edward Kimball, who is a favorite with the old-timers of the film colony. She has accepted the changes in her life philosophically.

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12 Oct 1923 – Sheik Swamped By Demand for Hair Locks

Rudolph Valentino Silent Film Actor is on holiday in London, has been inundated with requests from English flappers with continuous requests for locks of his hair.  He would probably have been balder than Bob Fitzsimmons, if he had complied with each request.

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12 May 1929 – I own it now

On the little finger of his left hand, Joe Herman wears the sapphire ring that belonged to Rudolph Valentino. He wouldn’t sell it nor the Valentino slave bracelet which is also his.  At 72nd Bowery under the L opposite the arch of Manhattan Bridge.  There within one great room are 62 dealers behind glass showcases arranged in tiers.  This location is how Valentino’s jewels got to the exchange.

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1922 Hudnut Summer Home, Foxlair, North Creek, NY

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Richard Hudnut, entrepreneur and New York City businessman, often visited the Adirondacks with his family. In 1890, he discovered the Oregon valley in the Town of Johnsburg in Warren County, and by the turn of the century had purchased 1,200 acres of land there. Although it took him 10 years to acquire the estate it was the ultimate summer home. Foxlair was located near North Creek, NY in the Adirondack’s. The main house was 270 foot long and was three stories high with a huge double staircase and a veranda across the front.  Foxlair was fashioned in a French Chateau style that was favored by Richard Hudnut and was furnished with European furniture.  One of Richard Hudnuts trusted employees Thomas Thornloe was superintendent for the estate as well as over 40 servants on staff, a 9-hole golf course along the valley and a host of barns for carriages and animals. The estate also had a Japanese Teahouse and a nature house built near the river.  There was also a large aviary to grace the porch. Every summer during the afternoons, dancing pigeons put on a show for the famous guests who came from around the world to enjoy the great outdoors and the legendary Hudnut hospitality. In 1922, his adopted daughter Natacha Rambova went to Foxlair in seclusion during her future husband’s ongoing legal battle over his movie contract with Famous Players-Lasky.

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This was a family residence until 1938. After Richard Hudnuts death the estate was endowed to the Police Athletic League of NYC as a summer camp for boys. In 1970’s, Foxlair was burned to the ground IAW the Adirondack Park Agencies Master Land Use and Development Plan which required all state land to be kept in a natural state. There are still remnants of the stone foundation to be found and overgrown stone stairways.

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1 Jul 1921 – Screen Scribbles

Speaking of screen premiers in Los Angeles, the opening performance of the “Four Horsemen of the Apocalypse” was an affair of importance. All the principal players from the cast were there, including Rudolph Valentino, Alice Terry, Derek Ghent and Virginia Warwick. The tango was to have been danced by Rudolph Valentino and Beatriz Dominguez who played the Argentinian dancer in the picture, but she, poor girl, passed away following an operation for appendicitis a few days before the picture was shown. The presentation was somewhat marred by the introductory remarks of a gentleman from Brazil, who although an American, had a limited vocabulary, and a distressing originality of pronunciation. “My friends” he began, “we are about to witness the great dramatically spectacular “The Four Horsemen of the Apocalypse the –“business of consulting the program) the Apoc-al-ypse–..A titter from the audience checked him and he tried it again. After the roar of laughter had subsided he let the matter of pronunciation go hang, and contented himself with referring to the feature as the greatest “dramatically spectacular”.
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31Oct 1939 – Marian Adored Valentino

“My girl Marian was nuts about Rudolph Valentino, judge” and as simple an explanation, as that got Benjamin Platt, 29, slim and bespectacled, out of jail and earned him the promise of a wedding present.  Of course, Marian remained in a hospital under treatment for painful burns but otherwise, Benjamins explanation seemed to liquidate a jam which Marians admiration for the late film star got him into.  It began one night, when Benjamin and Marian went to a movie and saw portions of Valentino in a news reel.  Marian has a collection of souvenirs of Valentino.  “Benjamin” Marian sighed “I’d dearly love to own that film”. Thus spurred Benjamin into action. He pried his way into the theatre projection booth and confiscated the film.  He sped to his love, who awaited him in the basement of his home. There they trimmed the Valentino sequence and hurled the remainder of the coiling into the furnace.  Flames leaped from the furnace door. The precious strip of film which portrayed the star of “The Sheik” went up in flames and Marian fell screaming.  Marian was taken to the hospital and Benjamin was taken to jail. He earnestly told his story to Judge Gibson Gorman, in felony court.  When he finished the judge smiled and placed him on probation.  Up stepped the complainant, Thomas Murray, theater manager.  “For your wedding present, I will give you a copy of the Rudolph Valentino film. I hope it will bring you happiness
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17 Jun 1928 – Never Heard of Him

A garden has been opened on the roof of the Italian Hospital in London celebration of the birthday of Rudolph Valentino.  The garden has been provided by the Valentino Association. The matron of the hospital had not heard of Valentino until recently.

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Jun 1923 – Rudy Won’t Dance for Hollywood

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2 May 1923

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Aug 1926 – A fond memory of Rudolph Valentino

Helen Smith, Des Moines was an ordinary girl that had an experience she will never forget. For the first time she traveled to New York City, on the same railroad as Rudolph Valentino in Aug 1926.  Her first introduction was when he first seen her, he replied with an Italian accent “little Irish girl, what is your name”?  She relied O’Shaughnessy.  With that he smiled and replied, ‘I like the name that was my former wife name before she was adopted by the Hudnuts”.   During our conversation “he spoke rather endearingly of his former wife. I’ll always believe he was in love with her”.   She recalls only once during the entire trip did, he eat on the diner and no once did he go to the observation car.  He hated the eyes of the staring public.  “When a curious crowd would look at him with much the same look that a little boy gazed in on a caged animal. Valentino would remark ‘in this work your soul is not your own, neither is your life”.

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23 Nov 1940

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