19 Sep 1952 – Director Now Actor

George Melford who directed Rudolph Valentino in three of his greatest hits,
including “The Sheik” is playing the part of Richard Greene’s servant in
“The Bandits of Corsica”. He started his movie work in 1906 and is now 76
years old. Edward Small, who is producing the picture was Melford’s agent in
the old days.
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13 Nov 1923

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1926 – Suicides due to Valentino Death

In 1926, Rudolph Valentino’s death triggered a string of women committing
suicides. The first one was Agatha Hearn, NY who could not stand the thought
that the Sheik was gone forever. Waiting outside Campbell’s funeral parlor
in NY was enough catharsis to many mourners, but Mrs. Hearn believed her
grief was too great for that; so she shot herself. When her body was found,
a sheaf of Valentino photographs was clutched in her hand.  The second one
was “A Bronx housewife attempted suicide of ‘my love for him’ but failed.
The third one “In London, Peggy Scott, 26 year old dancer, made away with
herself and left behind a note:
It is heart breaking to live in the past when the future is hopeless please
look after Rudolph’s pictures.
The fourth one “In Japan, two girls clasped hands and leapt into a fiery volcano”. The fifth “In Rome, where the death was regarded by some as a greater calamity than Caruso. Mussolini exhorted women to become mothers not suicides. “What can best be described as grief riots were staged by women in many parts of the world.
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8 Sep 1926 – Late Valentino Commentary

It was with boiling indignation that I read the letter of “Disgusted”. It was full of disrespect to the late Rudolph Valentino, yet your correspondent stated, “Far be it from me to say anything disrespectful of one who has passed through the great divide.” We women know what was at the bottom of the letter – pure jealousy. then he states that the flapper must save some excitement. Let me tell him that if his life has been as clean as was that of Valentino then he has something to be proud of.
Marie Crossett, Adelaide.
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6 Sep 1925 – Rudolph Valentino Injured by Horse

Rudolph Valentino silent film actor, was scratched and bruised at Lankershim near
here today, when he was dragged some distance by a galloping horse.  The scene
in which Valentino was making for the screen required him to halt a running horse.
He grabbed the animal by the bridle, but the horse entering into the spirit of the act,
kept going bumping the actor along the road but doing no serious damage.
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1926 – Memories

With $350 in cash in her pocket and a $1500 wardrobe Ruth Waterbury goes to Hollywood what changes a girl has without experience or influence to break into the movies.  She tries out several studios and is disappointed to learn there are no openings for her. Her last change is the First National Studios.  She goes there and fortunately obtains employment in a picture that Charles Brabin is directing.  She gets a bit part in another picture with Colleen More and is told to report on the set again after dinner; there is to be overtime work. When she finishes her work at midnight she is given a ride home in a Ford by a former star wo is now rated as a has-been. It is Sunday, and Miss Waterbury moves into a hotel to find nothing but lonesomeness in Hollywood. Another part falls to her lot on Monday; she is to work on a picture with Harry Langdon.  Then comes a bit in a picture in which Alice White, a new screen find is appearing.  Next day, when she is told she is a very good type, she becomes a street sweeper in a picture and works with Natalie Kingston on a set and her efforts draw the approval of Milton Sills.  The big thrill comes when she goes through a part with Milton Sills the star.  It was the day, Rudolph Valentino was being buried from the Good Church of the Shepard in Hollywood.  I learned that morning my  it with Milton Sills did not count. Dan Kelly, casting man, heard of it and put me down a foreign type. Furthermore, he called me to be an Italian on location with Doris Kenyon and Lewis Stone.  I didn’t attempt to figure out my sudden foreign look. To myself, I appear about as European as griddle cakes, but the camera sees strange things. It was discovered, for instance Gilda Gray and Gloria Swanson both in person look totally unalike but have Polish ancestry, screen so nearly identically it takes much maneuvering of the lights, to destroy that photographic resemblance. So possibly the camera saw back to the bones of my venerable Dutch forebears. The company had already gone to the beach, so the automobile to transport me and two other girls to the location arrived at my hotel. The location was breath-taking in its beauty.  Some 49 miles from Hollywood, it was one other stretches of bare wild beach that are so characteristic of California.  There were no real homes in sight, but the mountains, great brown masses of power, ran straight to the blue waves of the Pacific Ocean.  Our costumes were delightful their colors were blue, scarlet, yellow, green, orange, with embroidery. At a distance, tiny huts had been erected on the sides of a hill, for the scene was supposed to be a Sicilian fishing village and there were shrines here and there with little plaster virgins and over it all the blue cloudless sky. It there was a murmuring in the crowd, something unexpressed but alive.  The extras were almost without exception Italian born.  Doris Kenyon had a difficult scene to play.  Extras love Doris, for she is as charming as beautiful. So the extras stood at their posts quietly, respectfully, while she worked.  I had to do a bit where I ran furiously down a hill shouting other extras did bits but the strange silence continued.  For the purpose of the scene Doris Kenyon, had evidently misunderstood Lewis Stone, who was present but just outside camera range.  She was apparently seeing him disappear into the distance and discovering true feelings about him, as heroines do so often about reel 5. She looked at him and became angry, looked again and reconsidered looked once more and knew she was in love. She had to play without gestures, without a movement, with the only changing expressions of her eyes to tell the story.  “Bravo” said Lewis Stone it was perfect. The extras were released for a moment.  I knew then what they had been waiting for.  It was the hour of the high mass at the Church of the Good Shepard. Around the shrine on the other side of the hill those Italian extras gathered. They had secured a priest from a nearby village and his fine voice began speaking. They began praying for him who gave so much pleasure for the world and so much pride of his own work. Rudy had been an extra like myself and given access to stardom.  He knew fame and wealth, fleeting happiness, and heartbreak.  We knelt and I with the rest of them found tears in my eyes as I whispered my prayers.
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4 Sep 1933 – What Rudolph Valentino Items are Worth

A Rudolph Valentino autograph recently was sold for $75.00.  A mechanics weekly salary will buy Rudolph Valentino’s $18,000 Isotta Town Car, now dusting on a used automobile lot. Nina Wilcox Putnam has a Voisin formerly owned by Valentino.

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1 Sep 1930 – Two Valentino’s

When I first met Valentino I was amazed to find not the romantic hero, but
just a boy, quite frank and sincere. Why, he is only a child! At first, I
was disillusioned, but in another way I liked him the more.  There were two
distinct Valentino’s – Rudy the artist and Rudy the man.  The one was
swashbuckling cavalier who flashed across the screen into the hearts of
millions. The other was a simple boy with a childish sensitiveness often
mistaken for weakness by the undiscerning and the prejudiced. American men,
particularly had no use for him. They looked down on him, criticized him,
which hurt him for he was anxious to be liked; he wanted friendship and
respect. Had they taken pains to know him, they would have given him both;
but he couldn’t talk business, politics, or the stock exchange. He had no
mentality for such things. They lay beyond his grasp because he had utterly
no interest in them.
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2 Sep 1926 – Valentino Car Starts

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“I think that it would fascinate me to live in such a place, I have very steady nerves or even an imagination that needs such stimulation, but I have always felt strongly akin and at home in places of this kind. I am not afraid of the dead or of ghosts, the whole store and lore of grizzly fears that have shaken the human race at thought, or apprehension of meeting with the dead, is quite foreign to me, I am not afraid of anything pertaining to the life beyond.” And it isn’t because I don’t believe in it it is because I do, I BELIEVE IN THE SUPERNATURAL I don’t believe there is anything I would or could be afraid of. It seems to me we have more cause to be afraid of the living than of those that have gone on shaking off as they go, the lusts and cruelties of the body. What the average man calls death I believe to be merely the beginning of life itself we simply live beyond the shell. We emerge from out of its narrow confines like a chrysalis. Why call it death or, if we give it the name death why surround it with dark fears and sick imaginings?”

My Private Diary’ by Rudolph Valentino 1929

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27 Aug 1926 – Readers Complain

Several readers have complained because the newspapers devoted more space to the death of Rudolph Valentino.  An editor is not a historian who seeks to put happenings into their proper perspective. If the great preoccupation of the public with Valentino is a thing to evaporate in a short time, that is more reason why it becomes news today.  It is well to remember also that the story of Valentino’s death is not concerned alone with the individual in question but with the reaction of the public to this event.  When thousands stand in the rain for hours seeking a chance to pass the dead man’s bier, that is news beyond any question.  It does not matter that many of the people in line were morbid curiosity seekers. The precise extend of morbidity is also a proper subject of journalistic concern. I rather think that some reports have been too severe in judging the motives of the crowd.  I saw long lines at a distance in the dripping rain, and it is my belief that if it had been possible for a reporter to investigate the hearts of all who waiting there he would have found in many who trudged the slow march through the doors a profound emotion. Valentino had become that priceless thing – a symbol. It was not so much a motion picture actor who lay dead as Pan of Apollo whom they are to bury from Campbell’s funeral parlor. He was to the thousands the romance which they never knew.  He was Prince Charming and came from the other side of the moon.  And if a symbol of romance in the lives of many millions fades, that is a not undignified matter of newspaper interest.  It is a long sleep to which Valentino has gone, and soon the thousands will have another symbol to take his place. It seems to me a little cruel to deny a dead actor his last full measure of press clippings.

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92nd Annual Rudolph Valentino Memorial Service

This year’s memorial service a tribute to a great silent film star that brings the Valentino Community under one roof both physically and virtually.

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The 92nd Valentino Memorial Service featured a salute to the 100th Anniversary of “Eyes of Youth”. and remembering Jean Acker.  From the music selections, to the readers, and guest speakers the audienced was moved and in awe by it all.  The time past quickly and it seemed to come and go.  My trip was making new memories and enjoying moments with special friends.  Another year gone by and as always I am eagerly awaiting the 93rd. Special thank you to Tracy Terhune, Karie Bible, Donald Gardner,  and everyone else who tirelessly labored to provide an event worthy.

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1926 – America in Mourning

Rudolph Valentino died on Monday. Not since the death of the three American Presidents Roosevelt, Wilson and Harding has there been in the present generation such country-wide public manifestations of grief over the demise of any person as that of Valentino. Newspapers through out the nation in headlines, in many cases six inches high state “United States Mourns Valentino”. Many journals devote half their contents to pictures of the cinema star from baby-hood to man-hood and long accounts of his life career even stressing that he was not and American and his residence in this country was brief, having arrived penniless and for many years earned his living at the most menial tasks.  He was unquestionably the most popular state figure in America. One writer declares Valentino was more popular the world over than any King who ever lived.  Hundreds of thousands of people literally blocked the street around the hospital for 24 hours before his death. An appeal was broadcast over the radio for helpful thought when his condition became serious. Thousands of messages a day poured in from people, while floral contributions filed the corridors of the hospital. His death cast a gloom on the bright lights of Broadway the famous NY theatre district.
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17 Aug 1927 – Hysteria and Home Truths — An Interesting Comparison— Of Extreme English and American Opinion

England Opinion: In a golden casket one London woman is preserving as her greatest treasure – a shirt of the late Rudolph Valentino. Other erratic female specimens have erected shrines in their boudoirs, others again grow flowers under his portrait. There is no limit to their sentimental extravagance. It is therefore of interest to read two opinions, one English and one American, on the all important topic of Rudy. At Shepherd’s Bush Pavilion, London, the last week of July, many British women thronged to the Pavilion as a tribute to the memory of their departed idol. Many of them carried banners. The demonstration was arranged by the Valentino Memorial Guild and the service was subsidized by the International Memorial Fund, a fund that in the first feminine frenzy after the ex-waiters death was collected among susceptible women from all different parts of Britain. Pictures of the star’s home life at Hollywood were screened and wept over, extracts from his poems were read, and a bronze plaque was erected to his memory. And for several hours hundreds of infatuated women wept and slobbered and lamented. As time goes on, the Guild will, unless it decides to squander the money in some other way, reissue the Valentino films and a children’s hospital which will be in memory of Rudy.
American Opinion: Rudolph Valentino,’ said an American Writer just before the stat’s death, ‘is one of those half breed Italians, of whom both halves are bad. He came to a stony-broke waiter. For a time the. Heavens were just and he stayed a waiter. ‘Then he tried dancing. All his brains were in his feet and his pockets soon began to fill. ‘Full pockets meant high spots for Valentino, booze and women, both pretty bad, and thus excellent company for an imported an entity whom no One but the jail governors should have keen glad to welcome. ‘In a weak moment someone let him in the movies some giggling flapper saw Mm and decided this greasy, ill-washed continental butt was thrilling. She told her friends and convinced them to think so too. ‘When they tried him in a Sheik stuff the flapper thrilled again. ‘In no tithe TBIS WOP WAITER became better known than the president. With the morals of a sewer rat and the scarred face of a Cairo boatman Valentino vamped himself a place in the best movie society and began to love and leave th6 women & bit higher up the social ladder. ‘American women who shudder at the scum that slinks off the immigrant ships into Ellis Island gaped in thrilled awe at the dago’s » bear-hugging and thought the greatest joy in life would be to have their spinal cord crack in elegant embraces that wouldn’t, be permitted in a rough-run ?wrest- ling joint. ‘Generally the men of Hollywood bated him. His debts of which were never paid because he had a lot of debts and no honor this text Men hated him because a half-baked satyr is never popular. He was a poor sport, a miserable mugger of detent women and he should never have been allowed to wander into any civilized country.
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22 Aug 1983 – Harmony Treasure Stolen

Tommorrow is the 57th anniversary of film idol Rudolph Valentino’s death a doubly sad day for the town of Harmony, population 28 located hear San Simeon.  For years, an unusual monument to Valentino there was accompanied by a sign that read “In the early 1900’s and in the company of W.R. Hearst and Pola Negri, Rudolph Valentino had a call of nature”.  Guilda Williams, who lived here, was kind enough to let him use her bathroom.  When the little house was remodeled, the potty was converted into an outdoor planter that disappeared earlier this year.  “We heard it had been found by police in Clovis” said Jim Lawrence, who owns the town.  But when I called the ID didn’t seem to match up.

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21 May 1928- MOURNED BY GIRLS MASS FOR VALENTINO

Three hundred women and girls, In deep mourning, attended a special Man at St. Orrvals Church to-day. In memory of Rudolph Valentino. Scores of girls waited outside the Late Rudolph Valentino church. The Mass was arranged by a mysterious woman, reputed to be im mensely wealthy, who Is frequently seen al Uie church. She does not reveal her name, but often goes to the church to request a Mass for the repose of the soul of Valentino

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1922-1929 – The friendship and love between Kabar and Rudolph Valentino

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Each year, during the months of August and September, the Valentino community comes together mourning the life of Rudolph Valentino.  When Rudolph Valentino died everyone was grieving for him. While back at Falcon Lair, Rudolph Valentino’s personal home where all of his horses and dogs lived were daily waiting the return of their beloved owner and friend. Who gave any thought or consideration to the horses and dogs left behind. The answer to these questions is no one gave thought or consideration or reassurance of their feelings of grief or they would be okay and taken care of not to be sold but remain in a familiar place remembered where they were loved and treasured.   The animals mourned the loss but one felt that more than the rest Kabar a Doberman Pincher, Valentino’s favorite and constant companion.   Kabar was born in Alsace, France on 20 June 1922, given to Valentino during a trip to Europe. Kabar was only a few months old, when he was sent to the French estate of the Hudnut family to be specially trained there.  Over time, he was seen constantly at Valentino’s side to even sleeping in his chamber at night.  Natacha Rambova often accused Valentino of favoring Kabar and hating on her Pekinese dogs. Not so said Valentino”shes the one I hate”.  On 23 Aug 1926, when his best friend died Kabar instinctively knew something was wrong and started howling so loudly that all of the other pets picked up the signal and started howling as well and could not be appeased.  Beatrice Lillie was so frightened of what she was hearing that she ran her car off the mountain road and fainted when on her way home from a party nearby at John Gilbert’s house.  When Alberto Valentino arrived back at the estate the dog’s grief somewhat subsided but he was constantly sick since Valentino’s death.  On 3 Feb 1929, Kabar passed away from a broken heart.  Senator Vest of Missouri immortalized Kabar in one of his speeches. The death of Kabar, brought up the question what to do with his remains.  Because this was newsworthy he was the first famous pet to be buried in a pet cemetery.   Alberto Valentino buried Kabar with a marker that read “Kabar My Faithful Dog” Valentino. To this day, the Valentino community talks about the love and friendship between Kabar and his best friend.

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23 Aug 2019 – 92nd Annual Valentino Memorial Service

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In less than 12 days, generations of fans of the great silent film legend Rudolph Valentino will come from parts all over to the Cathedral Mausoleum, Hollywood Forever Cemetery to celebrate and mourn the life of a talent that lives on in our minds, hearts and celluloid.

rudolphvalentino-burial2.jpg The memorial service comes to serve us all as a reminder to pause and remember that he has never been forgotten. The purpose of this blog has always been to give the viewer a glimpse into a yester-year. A bygone era of photos, newspaper headlines, articles that give us something new and different to savor and perhaps bring us all a little closer as a community should. But its important to know there are dedicated and humble people who work behind the scenes each year to ensure the Annual Rudolph Valentino Memorial Service is done in a fitting and respectful manner in tribute to one we all come together and celebrate and mourn the passing of a wonderful silent star whose light will never dim. To Mr. Tracy Terhune, Ms. Stella Grace and others, I wanted to take a moment to thank you for the hard work all that you have done and continue to do. On 23 Aug, 1315 PST, Los Angeles California, Hollywood Forever Cemetery 92nd Memorial Service physically and virtually the Valentino Community will once again come together.

The 92nd Valentino Memorial Service 

August 23, 2019
Hollywood Forever Cemetery
Hollywood
12:10pm
Admission is Free
Free Parking
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1949 – Rudy Remembered

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“Before leaving London Valentino went into the Wykham Studio in Victoria Street to have a passport photograph taken when he gave his name, the assistant exclaimed, ‘Oh! My God’, to which remark Valentino replied ‘No not a God, only a mortal’–Rudolph Valentino

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22 Aug 1925 – Rudolph Valentino Changes Sports to Keep Up Interest

Rudolph Valentino gets up at five o’clock and his himself to the beach for a swim before going to work in “The Eagle” which Clarence Brown is directing. When he was making “Cobra” he used to get up at the same hour and box or ride horseback.  Rudy changes his sports and hobbies regularly and thus keeps a fresh interest.

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1 Jul 1921 Screen Scribbles

Speaking of screen premiers in Los Angeles, the opening performance of the “Four Horsemen of the Apocalypse” was an affair of importance. All the principal players from the cast were there, including Rudolph Valentino, Alice Terry, Derek Ghent and Virginia Warwick. The tango was to have been danced by Rudolph Valentino and Beatriz Dominguez who played the Argentinian dancer in the picture, but she, poor girl, passed away following an operation for appendicitis a few days before the picture was shown. The presentation was somewhat marred by the introductory remarks of a gentleman from Brazil, who although an American, had a limited vocabulary, and a distressing originality of pronunciation. “My friends” he began, “we are about to witness the great dramatically spectacular “The Four Horsemen of the Apocalypse” the –“business of consulting the program) the Apoc-al-ypse–..A titter from the audience checked him and he tried it again. After the roar of laughter had subsided he let the matter of pronunciation go hang, and contented himself with referring to the feature as the greatest “dramatically spectacular”.

 

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5 Jul 1938 – Beulah Livingstone

According to Beulah Livingstone, who writes publicity for a company sponsoring the revival of “Son of the Sheik” the name of Rudolph Valentino will remain a magic one as long as romance flourishes on the movie screen.  “It was the late Valentino”, declares Miss Livingstone “who set the hears of the nation thumping wildly with his forthright technique of love-making, and his rugged he-man characterizations set another precedent in screen acting. Those who remember and love him for his screen contributions, as well as the newer generation who have never had the opportunity to see the great idol of filmdom, will be happy to learn that his last and greatest picture has been booked for local presentation.  We have known Beulah Livingstone since back in the good old silent days, when we were young and innocent and the brain-storms that flowed so profusely from her sturdy typewriter were eagerly accepted and passed on without blue penciling to our readers. But a lot of water has shot over the Chaudière since “Son of the Sheik” was produced and released to a clamoring public, and we confess that Beulah’s effusive if well-turned, phrases anent the current revival of Rudolph Valentino productions from the dimly-passed silent days leaves us as cold as one early morning last winter when the radiator on the old bus froze stiff and we bravely ventured forth to walk the two miles to our office. For the information of those who might be interested, and just to keep the record clear, we might add that the rejuvenated “Son of the Sheik” contains sound effects and a newly arranged musical score. Acting, directing, technical effects, and camera work have come a long way, however, from the days when every other girl of teen-age sent in a quarter for her idol’s photograph and mounted it on the boudoir table.

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1949

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11 Mar 1978 – Former Hearst Personal Projectionist

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W. Young Louis was William Randolph Hearst’s projectionist at San Simon. At the age of 84 he runs the Freemont Theater in downtown San Luis Obispo six nights a week. He recalls becoming acquainted with Hearst and was asked to be his personal projectionist for private showings at the castle. After San Simeon was built, I was on call for Hearst. He’d call me at all hours of the night sometimes 2 or 3 a.m. A taxi would pick me up and drive me to San Simeon a good one-hour’s drive away he said.  “Sometimes I’d stay a week and my wife would come along. I loved it”.  I showed just old movies starring Marion Davies. “We had a basement full of Miss Davies films, and she’d come down and help me choose which ones to show”.  Some people would say she was aloof, but she wasn’t.  Hearst’s guests included Presidents, writers, singers, actors, actresses, movie producers all famous people of the day.  Louis met them all there was: Mary Pickford, Charlie Chaplin, Gloria Swanson, Mae West, Shirley Temple, Clark Gable, Maurice Chevalier, John Barrymore, Will Rogers, Rudolph Valentino, Loretta Young, President Hoover and Calvin Coolidge. “Oh that Rudolph Valentino was a very congenial slender dapper man” Louis said.  Autographed pictures, souvenirs of their visits still fill every available space on the walls of the Freemont Theater. One of the stars who visited the castle turned out to be a relative.  “I met Anna Mae Wong, a silent screen actress and we talked for a long time. We found out we were related 16th cousins.  Louis has stayed put in the Freemont projection room since those days in the early 1940’s. He helped design the place and it fits him to a T. It’s equipped with a small wooden desk and padded vinyl chair so Louis can read and write letters while the reels roll.  No, he doesn’t always watch them. “Some of them, I …he started to say and then shrugged”.

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20 Jul 1951 – Valentino Film Libelous says Alice Terry

Alice Terry, former Silent Film blond beauty became the first woman in Rudolph Valentino’s life Thursday to announce he was no Romeo to her.  The ex-actress filed a $750,000 libel suit charing the recent movie “Valentino” pictures her having a clandestine love affair with the slick haired sheik.  But she says, when Rudy was her leading man back in the days of the flickers and quivering piano she never gave him a second thought. “Valentino? Why he was a good-looking man and a very nice fellow but that’s all” she shrugged. “I never had any interest in him”. He didnt look like a great lover at all, and it never occured to us that worked with him that he’d be known as that.  “No body thought about him in those days as a great lover.  In fact, it wasn’t until after he died that he got that reputation”.  Miss Terry was the star of Valentino’s first movie, “The Four Horsemen of the Apocalypse” directed by her husband Rex Ingram.  Rex Ingram died last year.

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3 Aug 1944 – What Was it Like Being Rudolph Valentino

Rudolph Valentino has been gone almost 18 years and I am still being asked: What was it like being Rudolph Valentino? Every famous person more or less the victim of his own legend and none more so that Rudolph Valentino who came to be called “The Sheik” and Rudy hated that tag, especially after it became a byword for what is known as wolfing today.  Valentino’s outstanding characteristic when away from the camera was shyness.  He hated dancing for that reason. His career with Bonnie Glass and later Joan Sawyer, doing ballroom dances, brought him too close to his audience.  He was an eternal boy but understood his capabilities. He knew he registered best in romantic roles. He was a failure when he departed from them, although he was persuaded to do so more than once.  Valentino was practically a chain smoker. He drank red wines, loved good food, ate voraciously, cooked well and liked to cook.  He appeared almost ordinary in golf or business clothes; was superb in anything approximating a costume such as riding clothes, fencing apparel, or lounging robes.  Kept a large library of books with costume plates which he studied religiously. Remainder of his library was distinguished with rare volumes mostly in foreign languages which he understood.  He hated sets of books and never bought them.  Al Jolson was instrumental in bringing Valentino to Los Angeles. Norman Kerry who was a life-long friend, helped him over tough days. Rudy was hopelessly extravagant and died broke. He bought a Mercer with his first permanent salary of $125 a week spent most of it on repairs. Later cars were Voisins and Isotta Frashchini’s. He loved machinery and had a workshop in his garage.  Once took his car apart and put it together again. Was a typical small boy in this respect. His most enduring business friendship was with Joseph Schenck of Fox Studios for whom he made “Son of the Sheik” and “The Eagle” two of his greatest successes.  Valentino attributed much of this to his ability and judgement.  Valentino danced in Gauman prologue’s before he made good in his movies.  Mae Murray gave him his first chance and they were always good friends. He was deeply interested in supernatural things during his marriage to Natacha Rambova – chiefly automatic writing. Had no small superstitions. He never permitted anyone, even his wife to see him disheveled.  He had no shabby, comfortable old clothes. Spent a fortune on his wardrobe which was always new.  Kept himself in superb physical condition result of two disappointments.  As a boy he was turned down by the Royal Naval Academy because he lacked one inch in chest expansion. Air Force turned him down in World War I because of defective vision. Physical routine included sparring with Gene Delmont and Jack Dempsey, who was a good friend. Loved horses a white Arabian Stallion Ramadan, was his favorite.  A Harlequin Great Dane, Doberman Pincher, and a Celtic Wolfhound, were all with him constantly as was a black cocker spaniel given to him by the Mayor of San Francisco at the time.  He was sincere about his trade as an actor. But he had problems trying to find what he felt was his greatest goal his own family.

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1926 – Funeral Gossip

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Feeling and not acting is what lifts a love scene from commonplace to the realms of realism and romance.  Rudolph Valentino 1923

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4 Jul 1938 – Jimmie Fiddler, Hollywood

In this morning’s mail arrived a letter and an enclosure which leaves me gasping. The note to me reads “I couldn’t find Mr. Rudolph Valentino’s address, so I am writing him in your care. Will you kindly forward it to Mr. Valentino. Thank you.” The enclosure reads “Dear Mr. Valentino, Congratulations! I saw your performance in The Son of the Sheik and thought you were grand. This is the first picture I ever saw in my life, and I hope to see every picture you make from now on. Keep up the good work!” I am still trying to decide whether there actually is someone ignorant of Valentino’s death or whether I am being ribbed.

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27 Jun 23 – Attach Valentino’s Money

An attachment against the property of Rodolph Valentino was ordered last week in the Supreme Court in a suit brought by his former attorney, Arthur B. Graham, for a balance of  $48,295 alleged to be due for services and disbursements. The attachment was granted on the ground that Valentino is a resident of Hollywood.  In his affidavit, Mr. Graham alleges that he conducted all of the actors litigation with the Famous-Players Lasky Corporation, excepting the writing of the brief on the appeal to the Appellate Division; that he represented Valentino in supplementary proceedings brought by his creditors; went to other cities, talked to newspaper men and thus prevented adverse criticism.  Mr. Graham values his services at $ 65,000 and says that he has received but $ 20,000. A copy of the attachment was delivered to the uptown branch of the National City Bank where Valentino is said to have a good sized deposit, a copy was also served on The Mineralava Company, which is said to be interested in Valentinos present dancing tour.  Other law suits in which Valentino is involved includes an action started last week by he and his wife, Winfred Hudnut through their attorney, Max Stauer, who applied for an attachment against Scotts Preparations, Inc., claiming $ 7,000 for the termination of a series of beauty contests and dancing exhibitions in which they and one of the Scott products were featured. This tour terminated in Chicago two weeks ago , after the president of the company, asked the director of the tour about reports of a $ 2,500 guarantee for each nightly dancing exhibition given by the Valentinos. They were engaged for seven weeks, they explained, in asking for the attachment, at a salary of $ 6,000 a week and $ 7,000 at the end of the tour.  The $ 7,000 is the reason for the application for the attachment. The Valentinos had hardly applied for this attachment when Arthur Butler Graham, of 25 West Forty-fifth street, had served a writ of attachment on Pokres for one weeks salary of the Valentinos.  Mr. Graham, who represented Mr Valentino last year in the litigation with Famous Players-Lasky Corporation, I started an action to recover $ 40, 000 from Valentino, which he claims for expenses in that case

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15 Feb 1931 – Séance Audience Hears Spirit of Rudolph Valentino

The spirit of Rudolph Valentino returned to earth a few days ago during a séance in a New York office building and announced to a gaping audience that he died not die a natural death, the United Press has been informed.  Valentino said, however, that he wasn’t going to tell on anybody that he didn’t want to cause any suffering. The séance was arranged by Major R.T.M. Scott, Chairman of the American Society of Psychical Research. George Wehner described by Major Scott as a reliable medium served as the personal medium for Ruth Roland, former film star and friend of Valentino was one of the guests.  Major Scott took an attractive stenographer with him to the séance although he admits she caused him considerable worry. He was afraid the girl would become nervous upon hearing the dead actor’s voice.  But it turned out that she wasn’t afraid at all. Twelve questions were put to Valentino and he answered all of them. He was asked “How did you die” “Was there any justification in the rumors of shooting or poisoning”? The spirit of Valentino answered “That is very difficult for me to answer while speaking through the medium, “because it involves many people. I will say that I did not die a natural death. I am not going to divulge any names, I have no desire for revenge, contrary to the opinion of most people have about Italians. I do not wish to have any suffering come to them more than will come to them through natural causes. We cannot do wrong without suffering the consequences.  I think I would relieve them if I could”. He was asked if he saw Lon Chaney around anywhere and if any other from people were with him. The spirit answered “he is hobnobbing with Barbara LaMarr and Olive Thomas, I have seen Milton Sills, I have seen my dear June Mathis and her mother Jennie. Valentino said, according to Major Scott that he goes back to Falcon Lair in Hollywood occasionally but not to “haunt it”. He returns to walk around the place and live again the old days in memory.  He asked for his opinion for film stars. He answered he does not think anyone has reached Charlie Chaplin’s place in comedy, Gloria Swanson is a great artist and Greta Garbo’s voice is wonderful for expressing emotion. The spirit remarked that if he were alive today, he would go into the talkies. “I had a good voice”, he said or “so people said” Valentino, according to Major Scott said that he is not settled in this present sphere, but he doesn’t know whether he is going to be moved around or not.  He believes, however, he will eventually progress to “higher planes”.

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28 Jul 1927

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26 Jul 1927 – June Mathis Dies in Theatre

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26 Jul 1938

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2017 – Rudolph Valentino Gifted Bracelet

 

In 2017, Antiques Roadshow, was in Harrisburg, PA and during the taping someone brought in a Rudolph Valentino gifted bracelet.  This sterling silver bracelet was addressed to someone named “Rudy” and they did not know who this was. The appraiser valued this bracelet at $2,000$3,000.
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24 Jul 1925 – Women Resented Him

No one would attempt to deny that Rudolph has had a severe setback.  One of the very big directors told me it was his opinion t hat Rudy had been all but assassinated professionally by the too open attempts to advertise him as a lady-charmer.  According to the opinion of this director, that has been Rudolph’s trouble.  He was touted so heavily as “the great lover of the movie screen” that has aroused the resentment not so much of men as of women.  Valentino and other famous silent stars of the time.  In every one of these famous stage careers there is a core of tragedy, of futility, and failure.

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2 Feb 1952 – Mae Murray Interview

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23 Mar 1943 – Noted Restaurateur Died

Jacques Bustanoby, 62 who could and did produce dinners at a $100 a plate, who introduced New York City to the novelty of restaurant dancing and established the first bar for women, died yesterday.  Once he employed the late Rudolph Valentino at $10 a week to dance with customers.

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12 Oct 1952 – Rudolph Valentino Stand-in

Cerutti’s bartender, Nick Morgen, had a glamourous past for awhile when he worked as a stand-in for Rudolph Valentino when the great lover was the heart throb of the nation.

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10 Mar 1980 – I worked with Rudolph Valentino

For a time in New York, I worked with Rudolph Guglielmi at the afternoon tea dances in Churchills Café. We’d sit at a table with a hostess until there would be a sign from a woman that she wanted a dance.  So, we would go over and dance and we received $2 for an afternoon.  George Raft said although I could dance those times were more demanding than when he became famous.  Rudolph Guglielmi had a carisma that cannot be denied.  He was a popular dancer and made the most ackward looking woman glide like a swan while dancing.

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2 Apr 1965 – My Housekeeper Knew Someone who Knew Someone who Knew Valentino

 

My housekeeper is an expert on the Great Lovers, she used to work for a woman who was a close friend of Rudolph Valentino. “He was very quiet”, says my housekeeper. “He hardly had a thing to say. He used to take off his shoes the minute he came in the door and sit around all evening in his socks. He was absolutely nothing”. Naturally when word got out a few years ago, that the late Aly Khan was coming to dinner across the hall, she went straight to the neighbors cook “Rudolph Valentino was nothing, but I hear this one is the greatest. For goodness sake, just let me get a good look at him. The man she saw sitting at the Vasco Garans dinner party was no matinee idol. He was of medium height and almost on the plump side. He looked tired and middle aged, with a sallow skin and dark circles, and was losing his hairline. Again, he was absolutely nothing says my housekeeper”.

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14 Jul 1926 Muscle Admiring Brooklyn Girl Clashes with Boyfriend

Monday or Tuesday will prove whether Rudolph Valentino challenge to fight an editorial writer is bona fide or not.  “Rudy had wonderful muscles and I’ve seen him in pictures stripped to the waist, and you can’t fake a picture like that” said an indignant Brooklyn girl last night.  Men are jealous, that’s what’s the matter. I’d like to see a picture of the fellow who wrote that article. Most editors, I’ve seen are little and wizened and wear glasses.  I don’t think they are so very masculine as a bunch, by any means.  Rudy does wear allot of jewelry. He’s an Italian and gladiators wore rings and bracelets, you may remember.  Most American men would look ridiculous in a slave bracelet.  Rudy does not its suits his type.  He is almost oriental looking”.  But the man with the Brooklyn girl took decided issue.  Valentino’s muscles may look good to his women admirers but any trained athlete can see the fellow is soft.  He is a soft fop and the fellow who wrote the article is right. I think this challenge to fight is merely a publicity stunt.  I bet he never goes near the office of the Chicago Tribute when he gets to the city. Valentino’s second will be guess who? His press agent of course.
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9 Mar 1937 – Rudolph Valentino Former Co-Star Clara Kimball Young

Twenty years ago, Clara Kimball Young had an annual income of $200,000, but the hand of ill fortune has swept away her wealth.  Miss Young began her career on the stage when she was three.  When pictures rose above the nickelodeon class, dramatic actresses were in demand and Miss Young rose to great heights in the higher type films. Her first picture “Cardinal Woolsey” made by Vitagraph in 1912, her Camille shocked the folk of yesteryear, but they sat up and took notice just the same. Her outstanding beauty, especially her magnificent dark eyes and her hands were the toast of the world.  She received as many as 10,000 fan letters in one day. Perhaps the fan letter fad is passing, for today no star receives as much mail as that.  Miss Young lives in Hollywood with her father, Edward Kimball, who is a favorite with the old-timers of the film colony. She has accepted the changes in her life philosophically.

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12 Oct 1923 – Sheik Swamped By Demand for Hair Locks

Rudolph Valentino Silent Film Actor is on holiday in London, has been inundated with requests from English flappers with continuous requests for locks of his hair.  He would probably have been balder than Bob Fitzsimmons, if he had complied with each request.

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12 May 1929 – I own it now

On the little finger of his left hand, Joe Herman wears the sapphire ring that belonged to Rudolph Valentino. He wouldn’t sell it nor the Valentino slave bracelet which is also his.  At 72nd Bowery under the L opposite the arch of Manhattan Bridge.  There within one great room are 62 dealers behind glass showcases arranged in tiers.  This location is how Valentino’s jewels got to the exchange.

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1996 -Interview w/Don Gallery

Don Gallery is a most interesting man who has led an amazing life.  Born on July 28, 1922, he is believed to be the natural born son of silent film superstar and world renowned beauty Barbara La Marr.  In the roaring twenties, a single parent having and raising a child was frowned upon, and the ‘Too Beautiful Girl,’ La Marr, could have found herself devoid of a Hollywood career. Determined to keep her child, Barbara arranged for her baby, Don to be housed in the famous Hope Cottage in Dallas, Texas, where she ‘adopted’ him on one of her personal appearance tours. Too beautiful Barbara named her son Marvin Carville La Marr and soon married handsome red headed cowboy and action thriller actor Jack Daugherty.  All three lived in a beautiful storybook home in the lovely Whitley Heights section of Hollywood, which was considered the first Beverly Hills of Los Angles.  Two of their famous neighbors were Rudolph Valentino and Norma Talmadge.  I have had the pleasure of visiting and touring La Marr’s delightful Whitley Heights home.  Larry Harper, who now owns the house, has kept the grounds and the place looking much as it did when the world famous vamp resided there. Little Sonny was adored by his mother, but soon tragedy entered their blissful domestic lives.  Gorgeous Barbara began having health problems, exacerbated by her alcoholism.  Sadly, foreseeing her own premature death, she arranged for little, beloved Sonny to be taken care of by her close friend and movie co-star, Mrs. Tom Gallery, who was known to the movie public as ZaSu Pitts.  Barbara La Marr, the beautiful vamp with a heart of gold gave her friend ZaSu a large sum of cold cash to endow and insure Sonny’s future.  Sadly, legendary Barbara La Marr passed away on January 30, 1926.  She left many grieving friends and fans around the world. Barbara wisely knew that the kind hearted, dependable and stable ZaSu (and her wonderful husband, Tom Gallery) would make a perfect mother for her son. Not only would Sonny have two fantastic parents, but he would also have a sister, Ann Gallery.  Sonny was legally adopted by Tom and ZaSu and was raised knowing his birth mother. Don Gallery was very happy with his newfound family.  He lived an incredible life of privilege and fame.  He grew up in the golden age of Hollywood surrounded by film superstars and their families.  ZaSu Pitts’ house at 241 North Rockingham Drive in Brentwood was known for its warmth and hospitality.  At one time or another some of Don Gallery’s famous neighbors included Great Garbo, Clark Gable, Elizabeth Taylor, Shirley Temple, Claudette Colbert, and Joan Crawford.

AN INTERVIEW WITH DON GALLERY

JB:     When and where were you born?

Don Gallery: July 28, 1922 in Dallas, Texas.  As an infant I was taken to Hope Cottage Orphanage.

JB:     Do you think that Barbara La Marr was your mother?

Don Gallery: Well, of course I don’t remember, but yes I do.  I was even born on her birthday, July 28th.  When I was small I was a spunky lad, and ZaSu Pitts, my beloved adopted mother, used to say I told other kids, ‘Your mother was stuck with you, but my mothers got to choose me!’

JB:     Do you have any memory of the beautiful Barbara La Marr?

Don Gallery: Unfortunately, no.  I was such a small child at the time of her tragic death.  Momma (ZaSu) told me that we loved each other very much and that Barbara was a wonderful mother.  Barbara La Marr’s last wishes were that I would always be taken care of by ZaSu Pitts because she was such a very good woman.

JB:     Don could you tell me a little bit about your schooling?

Don Gallery: I went to the Webb School, a very well thought of and prestigious private school.  All of my classmates were the children of movie stars, very wealthy parents or famous folks such as writers, directors, producers, and that sort of thing.  We also had classes on Catalina Island, which I loved and where I now reside. When I was real young, I thought everyone was brought up like me.  I was a lucky young man!

JB:     Don, you had a strong connection with Paul Bern.  Could you please elaborate on this relationship?

Don Gallery: Well, I won’t tell you everything because I’m saving that for the book you’re helping my dear friend Margaret Burk write about Barbara La Marr.  But he was my godfather, and he was deeply in love with Barbara La Marr.  Many said that Barbara was the great love of his life.  She didn’t feel the same about him romantically, but she was very fond of him. From Barbara’s death until the early of 1930’s, Paul Bern used to come over (to ZaSu Pitts’ house) on Sunday afternoons.  A lot of times he came with movie actor Bruce Cabot who was such a nice guy. Mr. Bern used to bring me wonderful gifts.  I especially remember a battery operated boat that was about three feet long.  I used to play with it in the swimming pool.  I loved that boat.

JB:     Could you tell me a little about Jean Harlow?

Dan Gallery: I really liked Jean Harlow.  She was so sweet and such a lovable person.  She used to smile a lot and was very, very nice to me. She really loved children.  She came over a lot with Paul Bern, and he was crazy about her, like we all were.  Everyone loved Jean.  She was very beautiful, but I was just a child and didn’t realize how glamorous she was and what a catch she was.  When I was at Webb School (located at Claremont and Catalina).  I used to see Jean about once a month for a few years.  She was a beautiful and kindhearted person.  I will always miss her.

JB:     Was there ever any movie star that you did not like?

Don Gallery: Yes, but only one, none of the kids liked her.  Her name was Gloria Swanson.  She was aloof and kind of mean.  I was scared of her, and my sister Ann and I tried to stay out of her way.  I was under the impression she didn’t have time for children, and she was very aware of her stardom and acted in a very grand manner.  She could give mean looks with her big blue eyes.  I remember watching the film Sunset Boulevard in 1950 and thinking, ‘Umm, hmm, that’s her.  She’s really like that Norma Desmond.’

JB:     Who were some of your favorite neighbors?

Don Gallery: Claudette Colbert lived next door with her husband, Dr. Joel Pressman.  She was sweet and friendly and a good neighbor.  She was energetic and pretty and always seemed happy.  Many famous people used to come and see her like Marlene Dietrich.  I also liked actor Alan Jones and his musical star wife Irene Hervey.

JB:     Could you tell me about Great Garbo?

Don Gallery: With pleasure.  When Claudette Colbert moved out, Great Garbo moved in.  She was really beautiful.  I mean really beautiful.  This may come as a surprise to some people, but she was very nice and friendly.  I liked her a lot, but her Swedish accent was so thick I had trouble understanding her.  She was very kind to my sister Ann and me. She always smiled and waved to us, and she let us use her tennis court.  Garbo used to laugh and talk to us through this metal fence that separated our yard from hers. It had cypress trees and vines growing up it, and I can still hear her voice and see her gorgeous face.  During her stay as our next door neighbor, I used to see her naked a lot by her swimming pool and lounging around sunning and swimming.  My bedroom window overlooked her swimming pool. I told people about her nudity, and it was printed in some of the movie magazines of the day, but Garbo didn’t care.  She was always nice and friendly and childlike with me and my sister Ann.

JB:     Don, I also understand Clark Gable, ‘The King,’ was a North Rockingham Drive resident.  Could you share some memories of him?

Don Gallery: Yes, indeed. Mr. Gable was a fine man and a helluva an actor.  Everyone liked him and his films. He resided across the street and was always very pleasant.  ZaSu (Momma) owned two very rare electric automobiles from 1903 and 1906.  They were very beautiful and unusual. I remember they had leather fenders.  Anyway, Mr. Gable always pestered Momma and tried to purchase them from her, but she would not sell them to Clark.  I wonder what happened to those beautiful antique cars.  They would be worth a fortune today!

JB:     Could you tell me about Shirley Temple?

Don Gallery: I have always adored Shirley and still do today.  Not only was she a great box office movie star, but she did many wonderful things for our government and our country.  She is a great lady.  Shirley was my next door neighbor (she lived on the other side – not with Claudette Colbert or Greta Garbo!). We were always close.  I loved her family, and they loved and trusted me. I used to take Shirley to movie premieres, and we used to go out and have a lot of fun at parties, the beach, skating.  We were not a romantic couple, but we had many friendly dates, and I was like ‘the boy next door’ – that rascal Shirley Temple still has my Stanford varsity jacket to this very day! Shirley is a wonderful person, and I have many fond memories of her.  By the way, she really was a talented little actress, don’t you think?

JB:     Yes, the most talented child actress ever in my opinion.  What about your memories of another child star, Elizabeth Taylor?

Don Gallery: Elizabeth Taylor was the most beautiful thing I have ever seen.  Our paths crossed very early on.  In 1937 or 1938, Mother (ZaSu was making a film in England). She stayed with Elizabeth Taylor’s family.  They all became very, very close. I was going to have a European vacation and visit Egypt and the Holy Land, and a day before I was to leave and start my journey, mother phoned from Howard and Frances and Elizabeth’s home and said to not come over.  ‘I’m coming back home to America.  A war has stared in Europe’ – well, that changed all of our lives.  Anyway, later on, the Taylors soon came over, and Mr. Taylor set up his art gallery in Beverly Hills.  The Taylors also moved into Shirley Temple’s old house next door.  So now Elizabeth Taylor was my next door neighbor.  I liked her and her brother Howard, and the Taylors were fond of me.  The Taylors also trusted me; and even though I was nine years older than Elizabeth, I used to escort her to parties and play cards with her.  I guess she had a crush on me, but we also talked a lot about movies, friends, problems, etc.  I really liked Elizabeth.  She was sweet and intelligent, and she loved animals.  I used to take Elizabeth to Surgies Tropics in Beverly Hills which was a popular hangout.  We also went to U.S.C. frat house parties, and we played bridge at many fine homes.  We used to go to Marjorie Armstrong’s and play cards or to Mr. and Mrs. McGill’s in Malibu.  McGill’s owned the Marblehead Land Company in Malibu, and they were world renowned for making beautiful tiles. Like I said before, Elizabeth Taylor at thirteen, fourteen, and fifteen was the most beautiful thing I have ever seen.  She had gorgeous, blue violet eyes fringed with dark natural lashes that many old timers used to compare to my mother, Barbara La Marr. Her face was gorgeous, and she had beautiful skin.  Like Ava Gardner she was completely lovely and had a tiny waist.  She loved to show off.  She had all her clothes specially made for her by a company called Lanz, and they consisted of peasant blouses and full skirts cinched in at the waist.  Elizabeth was a fine young lady, and I enjoyed her beautiful company very much. We did not drink or smoke, but we had a great time together.  My relationship with her – I was older than her, and I could take her places with her parent’s approval – and we would have fun.  When she moved to Beverly Hills, we would sit in her family’s kitchen and talk by the hour. Momma made a film with her in 1948, the delightful Life With Father, (Warner Bros.).

JB:     Could you tell me about a couple of other big movie stars that might be of interest to our readers.

Don Gallery: How about Barbara Stanwyck and Joan Crawford?

JB:     Wow, yes, sir – stars don’t come bigger than that!

Don Gallery: Well, when I was real young, Barbara Stanwyck and her husband Frank Fay lived down the street from me.  Barbara was very popular on screen and off.  I had a big crush on her when I was thirteen or so.  Her voice just did me in.  She had the damnedest voice, very sexy.  I remember getting up the nerve and going to her house one day and knocking on her door and asking her to come out on her porch to visit.  She was very friendly and talked to m.  I’m sure Miss Stanwyck knew I had a crush on her because Momma (ZaSu) knew, and Momma told everyone everything!  I always liked Joan Crawford very much. She was very friendly and sociable.  I knew she admired Barbara La Marr and that they were friends (as well as Paul Bern). ZaSu also made a film with her, Pretty Ladies (1925, MGM) and liked her very much.  None of us ever heard anyone say anything about child abuse and drinking and all of that.  Christina and Christopher, her adopted kids, were a lot young than me, but I knew them in the 1940’s and early 1950’s.  And I never heard anything bad about Joan Crawford in those days.  She was always kind to me, and I always liked her.  I remember her house and grounds and pool were beautiful and immaculate.

JB:     I am a great admirer of Mary Astor; I have heard you mention her before.

Don Gallery: Mary Astor was a great actress and beauty.  She was also a pianist and writer, very lovely and versatile.  I think she was wonderful. She lived somewhere in the neighborhood.  On Sundays I would go to the Up lifters Polo Field off of Sunset Boulevard in Brentwood.  She was there every Sunday watching the polo matches.  She had a box next to ours.  She was always beautiful, well dressed, and very pleasant. ZaSu always said she was very intelligent.  I had a crush on her.  So I was afraid to go up and talk to her much.  I remember she had this beautiful profile and looked regal, but she was warm and sexy.  I though Mary Astor was tops!

JB:     Don, who of interest in your age group did you hang out with?

Don Gallery: Well, I adored Shirley Temple, but she was a few years younger than me. Jackie Cooper was real nice.  So was Jane Withers.  She had a great personality and loved to have parties.  Judy Garland was there a lot. I liked Robert Stack a lot, and we used to hang out. He was a good guy and a lot of fun.  I knew some members of the Doheny family from school, and I used to go to their mansion ‘Graystone’ to parties and gatherings. That was really a wonderful place.  One of my best friends and the sweetest gal around was Leatrice Gilbert. She was – and is – a fantastic human being.  Her famous father, John Gilbert, was a huge star in silent pictures, and he made two films with Barbara La Marr, Arabian Love (Fox Studios, 1922) and St. Elmo (Fox, 1923).  Leatrice’s mother was also a film actress, Leatrice Joy, who was a marvelous and delightful woman.  Everyone loved the two Leatrices.  I also liked Harold Lloyd’s two girls, Peggy and Gloria Lloyd.  They were fun and sweet and lived in a beautiful mansion.  Peggy and Gloria’s mother was famous as Mildred Davis before she married Harold Lloyd.

 

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