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26 Nov 1925- Townsville Daily Bulletin London Rudolph Valentino Returns

Rudolph Valentino, the famous cinema actor who just arrived from America, was the centre of an extraordinary scenes at a West End Cinema theatre, where he personally attended the occasion of the screening of one of his films. He was surrounded by a seething crowd, mostly women. The police forced them back and the doors had to be locked after the performance. Valentino rather than face the crowd which remained in the street, had to escape over the roof of the theatre.

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16 Nov 1925 -The Eagle Movie Review

In the guise of a dandy Cossack Lieutenant, who becomes an artful, gallant and very  lucky bandit, Rudolph Valentino’s shadow yesterday afternoon at the Mark Strand renewed its acquaintance with admiring throngs in a production entitled “The Eagle,” which is based on Alexander Pushkin’s novel “Dubrovsky.” Following the first presentation of the film Mr. Valentino himself took the stage and thanked the audience for its reception of the picture, adding that he felt sure that by it he would regain that popularity he enjoyed a few years ago. While he admitted that his preceding photoplay, “The Sainted Devil,” was a poor picture, he refrained from referring to the picturization of Martin Brown’s play “Cobra,” which he finished before starting work on the present offering, and which has not yet been released. The Mark Strand was packed, the police were kept busy at the theatre entrance holding back the crowd, and an enthusiastic collection of people after the first show pressed around the stage entrance, watching eagerly for the screen star’s appearance on the street. Through the introduction of Catherine of Russia, or a modern conception of that lady, the initial chapters of “The Eagle” are reminiscent of the picturization of “The Czarina,” which in film form was heralded as “Forbidden Paradise.” Although these sequences in the Valentino photoplay are undeniably entertaining, they by no means reach the artistic heights achieved by Ernst Lubitsch and Pola Negri in “Forbidden Paradise.” Mr. Valentino is indeed fortunate in having obtained the services of Vilma Banky from Samuel Goldwyn, for Miss Banky is so lovely to look upon that her beauty makes the hero’s gallantry all the more convincing. In this production, which might suit several male screen celebrities, including the agile Douglas Fairbanks. Mr. Valentino acquits himself with distinction. He appears, to have benefited by Clarence Brown’s direction and to have appreciated that Miss Banky was a valuable asset to his picture. It was an excellent idea also to have Hans Kraely, Mr. Lubitsch’s clever scenarist, handle the script for “The Eagle.” Mr. Valentino first is seen in the graceful costume of a Cossack officer, his astrachan headgear often placed at a most acute angle. Subsequently he rides to romantic fame as the Black Eagle, a bandit, whose chief exploits are bowing to the fair. His lieutenants kidnap Mascha Troekouroff, impersonated by Miss Banky, only to be told by their irate chief that he does not war with women. It happens that Mascha’s cowardly father is kept on tenterhooks by the Black Eagle, who binds and gags a French tutor being sent to the Troekouroff Castle to instruct Mascha, and then impersonates the tutor, coolly reporting to the girl’s parents, who had incidentally offered 5,000 rubies reward for the Black Eagle, dead or alive. One has the satisfaction of seeing the Black Eagle massaging old Kyrilla Troekouroff with amazing energy, and then seeing the hero turn his attention to Mascha in caressing fashion. Kyrilla receives notes from the Black Eagle under his plate, and his mind is always uneasy. He is a cruel old fool; who has a chained bear in his wine cellar, and he looks upon it as a pretty jest when he sends a victim down to get a bottle of the best wine. This happens to the Black Eagle, who kills the “jest” with a bullet. Before he took up the calling of bandit, the then respectable Lieutenant Vladimir Dubrovsky had been told in private audience by the Czarina: “You are the first Russian to see his Czarina weep.” Dubrovsky had been commanded to appear in the royal presence at 6 o’clock, and it is explained that 6 o’clock meant supper and not Siberia. The young lieutenant, always so courageous, had abandoned the Czarina when she was about to mount her favorite horse, because he observed two frightened horses dashing away with a vehicle in which sat an aunt, a Pekinese and the glorious Mascha. This is a satisfying picture in which Mr. Brown introduces some interesting touches. It is well equipped with scenery and the costumes of the players are capably designed. Mascha, at a banquet, adorns herself with a wealth of pearls, and the Czarina, played by Louise Dresser, arrays herself as Commander-in-Chief of the military forces.
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1924 – Superstitious Movie Folk

Agnes Ayres does not like to have anybody sing in her dressing room.  But her chief faith in luck is bound up in a wonderful Columbia Clock which has been in her family for years.  It is a marvelous mechanism, being made entirely of wood and although of a great age is still running.  Miss Ayres firmly believes that her success depends upon the possession of this clock, and so carefully, does she guard the treasure she will not even allow it to be photographed.  Her movie colleague, Rudolph Valentino has declared to friends he has no superstitions.  But one might wonder why he waited until 14 March to be married to the delightful Natacha Rambova when he could of done so on the 13th as well.  Perhaps the fascinating Mrs. Valentino objects to the fatal number.  Who knows might be because his first wedding ceremony took place on 13 May. Douglas Fairbanks, Sr. has no faith in crystals or superstitions. Gloria Swanson loves black cats and so tender was her care of the original two pets of the Lasky Studio they sent for all their friends, in-laws, and descendants until 327 cats now live on the lot.  This is lucky for the butcher and the cats.  Theodore Kostloff treasures a pre-war ten rouble gold piece, now worth $2 million in paper money.  Bebe Daniels grandmother has a wonderful collection of dolls and few people know this is a direct result of Bebes belief that good luck follows the purchase of a new doll.  Lila Lee is very superstitious about the beginning day of a new film.  If she leaves her home in the morning, forgetting something important, she will not turn back herself, but send a messenger after she reaches the studio.

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31 Aug 1930 – Two Valentino’s

 When I first met Valentino I was amazed to find not the romantic hero, but just a boy, quite frank and sincere. Why, he is only a child! At first, I was disillusioned, but in another way I liked him the more.  There were two distinct Valentino’s – Rudy the artistand Rudy the man.  The one was swashbuckling cavalier who flashed across the screen into the hearts of millions. The other was a simple boy with a childish sensitiveness often mistaken for weakness by the un-discerning and the prejudiced. American men, particularly had no use for him. They looked down on him, criticized him, which hurt him for he was anxious to be liked; he wanted friendship and respect. Had they taken pains to know him, they would have given him both; but he couldn’t talk business, politics, or the stock exchange. He had no mentality for such things. They lay beyond his grasp because he had utterly no interest in them.
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Nov 1925 – Monsieur Beaucaire Rudolph Valentino Coming

Full of color and romance is “Monsieur Beaucaire” which will be screened at Wests on Saturday, with Rudolph Valentino and Bebe Daniels in the leading roles. It is an elaborate screen version of the popular play, which has been adhered to with remarkable fidelity. There is plenty of suspense in the picture, and an exciting combat between Valentino and six opponents. The Court of Louis, XV, forms a brilliant background for the action, and abounds in colorful scenes, depicting the mad, merry life in that famous court. Ordered to marry the Princess Bourboun-Conti, the Duc de Chartres, played by the star reuses. His efforts to resist the Kings guards provide some of the most thrilling moments that have graced the screen. Hugh sets were constructed for the picture, and the costuming and mounting throughout are on a lavish scale.

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21 Nov 1924 – Valentino In Dramatic Role

Dayton patrons of the Colonial Theater ought to feel very proud to know they have been the first in the middle west to see ‘Rudolph Valentino’ newest photoplay, “A Sainted Devil”. Even New York City has not had a chance to see this photoplay, which, by the way, is one of the most interesting this idol of the screen has yet made.  This is a South American picture of contrasts the hacienda life of the Argentine contrasted with the smart social set of Buenos Aires, the Paris of the South Americas. This picture has fire and dash with the added charm of Valentino.
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31Oct 1939 – Marian Adored Valentino

“My girl Marian was nuts about Rudolph Valentino, judge” and as simple an
explanation, as that got Benjamin Platt, 29, slim and bespectacled, out of jail and
 earned him the promise of a wedding present.  Of course, Marian remained in a hospital under treatment for painful burns but otherwise, Benjamins explanation seemed to liquidate a jam which Marians admiration for the late film star got him into.  It began one night, when Benjamin and Marian went to a movie and saw portions of Valentino in a news reel.  Marian has a collection of souvenirs of Valentino.  “Benjamin” Marian sighed “I’d dearly love to own that film”. Thus spurred Benjamin into action. He pried his way into the theatre projection booth and confiscated the film.  He sped to his love, who awaited him in the basement of his home. There they trimmed the Valentino sequence and hurled the remainder of the coiling into the furnace. Flames leaped from the furnace door. The precious strip of film which portrayed the star of “The Sheik” went up in flames and Marian fell screaming. Marian was taken to the hospital and Benjamin was taken to jail. He earnestly told his story to Judge Gibson Gorman, in felony court.  When he finished the judge smiled and placed him on probation.  Up stepped the complainant, Thomas Murray, theater manager.  “For your wedding present, I will give you a copy of the Rudolph Valentino film. I hope it will bring you happiness.
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1922 – What the Fans Say

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25 Nov 1922 – Film Face Worth $26,000 a year

O.A. Atkinson, the London “Dully Express” cinema correspondent, writes: Variety of occupation in this spice of existence. there is a certain parallel between the career of the average screen actor and the Odyssses of the restless souls who in the great days of the militia desperately clutched the Queen’s shilling and “listed for a soldier”. It is given to few of us to follow in-turn such diverse professions an landscape gardener, waiter. tango dancer and film actor, hut this has been the destiny of Mr. Rudolph Valentino, the dashing young man who swanks his way to glory In “The Four Horsemen of the Apocalypse.” It is not easy to understand just how and why Rudolph acquired his considerable reputation as a screen lady-killer. He is a keen-looking young fellow who uses best-quality hair oil
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7 Feb 1948 – Souvenir

Manhattan restauranteur Sam Slavin still holds an IOU from Rudolph Valentino for $10.00. He lent Rudy money when the great silent film star worked in Slavin’s place for $12.00 a week. Valentino many times tried to buy it back, but Slavin always refused to sell. And its still there, framed, on the wall of the restaurant.

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1926 – RV Death Triggers Suicides

In 1926, Rudolph Valentino’s death triggered a string of women committing
suicides. The first one was Agatha Hearn, NY who could not stand the thought
that the Sheik was gone forever. Waiting outside Campbell’s funeral parlor
in NY was enough catharsis to many mourners, but Mrs. Hearn believed her
grief was too great for that; so she shot herself. When her body was found,
a sheaf of Valentino photographs was clutched in her hand.  The second one
was “A Bronx housewife attempted suicide of ‘my love for him’ but failed.
The third one “In London, Peggy Scott, 26 year old dancer, made away with
herself and left behind a note:
It is heart breaking to live in the past when the future is hopeless please
look after Rudolph’s pictures. The fourth one “In Japan, two girls clasped
hands and leapt into a fiery volcano”. The fifth “In Rome, where the death
was regarded by some as a greater calamity than Caruso. Mussolini exhorted
women to become mothers not suicides. “What can best be described as grief
riots were staged by women in many parts of the world.
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24 Oct 1926 – Rudolph Valentino Protects his name

Peggy Scotts Suicide – When a verdict of “suicide while of a sound mine” was returned at the inquest on Peggy Scott, some women on behalf of friends of Rudolph Valentino pointed out to the court that is was impossible for Scott to have known Valentino who was not in Europe at the time. They alleged that it was only fair that this should be pointed out, because Valentino’s character was impugned. Some people thought nothing of discrediting film actors. The Coroner agreed.
A message of Oct 5 was as follows: A pathetic letter addressed to a girl friend by Peggy Scott, known as “the valentino girl” was read at the inquest on the latter. It read “I cannot continue anymore. It has been inevitable for a long time that I should finish things. Simply existing is heart-breaking, and living in the past, when one’s future is hopeless, has broken my heart. I am only a butter made for sunshine and happiness, and can’t stand the loneliness and shabbiness. With no one to care for me, and no babies to love, life is awful. Please preserve Rudolph’s pictures. He has helped me over lots of stiles. not only in 1922. Rudolph helped me to carry on, and I had some wonderful moments but when he died the last elastic snapped.”
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1921 – Cookin with Norm Kerry

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Hot Well Springs Hotel, San Antonio, TX

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In centuries past, the rich and famous most were hypochondriac’s spent their time visiting fashionable health resorts. These resorts all lavishly appointed featuring the latest in modern health cures. These spas were a guaranteed successful money making venture as long as they remained au current amongst those who could afford to visit.  In 1892, a sulfur artesian spring, was founded on a lot owned by the Southwestern Lunatic Asylum, located on the San Antonio River.  The newly discovered water was unusually warm. containing high levels of sulfur and other undefined minerals. In 1893, prosperous businessman and developer McClellan Shacklett, bought a 10 acre area near the well water site to build his luxury spa.  The inspiration came from a resort at Hot Springs, Arkansas. Working with renowned architects and builders who could bring his vision a reality, he could see a tree lined entrance to the property featured a circular drive with a large 4 tiered fountain in the front an artificial lake with pleasant walkways with the idea of being enclosed in a therapeutic nirvana. There would be streetcars available for the hotel guests to ferry to and from the train station.  Before the dream could become a reality, a major marketing campaign was on the horizon.  Advertisements were placed in local and international newspapers praising the therapeutic benefits of the water and the luxurious peaceful surroundings.  In 1894, the hotel’s grand opening was a monumental success. Later in the year, there were two fires on the property causing substantial loss. In 1895, McClellen Shacklett sold the hotel to the Texas Hot Sulphur Water Sanitarium Co. The new owners expanded the hotel to over 80 rooms with the latest in modern amenities hot and cold water, electric and gas lighting and telephones.  There were 3 swimming pools one for ladies, gentlemen and their families. Hotel activities included tennis, croquet, bowling, horseback riding, concerts, social dances, lectures, garden teas, dominoes, and gambling.  The hotel’s luxury was a magnet for the rich and famous of their day, railroad tycoon E.H. Harriman had a rail spur built to the hotel’s grounds for his own private train cars.  Silent film stars Rudolph Valentino stayed at the hotel more than once, Tom Mix, Mary Pickford, Douglas Fairbanks, Sr, Gloria Swanson, Charlie Chaplain, film director Cecil B. DeMille, Sarah Bernhardt, Will Rogers, future president Theodore Roosevelt and his Rough Riders all visited the hotel during its heyday.
There is no archived copies of the hotel’s guest books in existence. The San Antonio Express Newspaper is the only known source to determine what famous hotel guests stayed on the property.
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22 Nov 1932

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28 Jun 1931 – The Case of Why Rich Women Prefer to Divorce in Paris

This writer is going to use the divorce case of Winifred Hudnut/Natacha Rambova versus Rudolph Valentino as an example of why women prefer to divorce in Paris. So we know that Winifred/Natacha was granted a divorce in Paris simply on the fact Valentino wrote a letter to her that he definitely and purposely left her and decided to cease all relations with her. Thus she was “grossly insulted”. But lets not forget Winifred got her knickers in a twist when she was no longer Valentino’s de facto manager and barred from movie studios. Hudnut and Valentino journeyed to Paris and it was no secret they were planning to divorce. The ruling of the Seine trial was Hudnut was entitled to all of the rights of as an American because her marriage was in Crowne Point, Indiana and “gross insult” was grounds for divorce. Most French writers contend there are three grounds for divorce under French Civil Code. Grounds for divorce are innumerable: Article 229 A husband may divorce his wife on the basis of her infidelity.Article 230 A wife may divorce her husband on the basis of his infidelity. Article 231 Both spouses may reciprocally divorce each other on the basis for violence, cruelty, or gross insults.Article 232 The condemnation of one of the spouses to a corporal punishment shall be another cause for divorce. Although no local difference is suppose to exist, so as far as husband and wife are concerned French authorities contend that in the case of an indiscretion the courts always seem to look with more indulgence upon the false step of the husband than of the wife.

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Aug 1926 – Pearl Franks

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21 Nov 1924 Valentino In Dramatic Role

Dayton patrons of the Colonial Theater ought to feel very proud to know they
have been the first in the middle west to see ‘Rudolph Valentino’ newest
photoplay, “A Sainted Devil”. Even New York City has not had a chance to see
this photoplay, which, by the way, is one of the most interesting this idol
of the screen has yet made.  This is a South American picture of contrasts the
hacienda life of the Argentine contrasted with the smart social set of
Buenos Aires, the Paris of the South Americas. This picture has fire and dash with
the added charm of Valentino.
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29 Sep 1921 – Girls Had you heard? Camille has bobbed her hair

“Camille” brought up to date as the advertisements read, opened at the
Ziegfeld yesterday. It is a modern bobbed haired version of Dumas’ story,
and in my opinion in the shearing and remodeling  project has not proven
successful. You know, I don’t think you can ever make over stories like
“Camille”. You  can’t bring them up to date. You can’t transpose the coach
and four indelibly engraved upon a memory into a modern six cylinder motor car
on an black and white taxi, and get away with it. We’re not so bloody up to
date that we’re going to have our Juliet’s served to us in knickerbockers or our
Romeo’s in ‘pinch black’ coats and russet oxford. At least, I don’t believe
we are , no matter what beautiful photography or expensive settings do their
best to enhance to so-called versions of famous favorites.  Nazimova’s “Camille”
is not sincere. She does some fine acting but she is always acting. The ear you
long to shed for Dumas’ heroine of sin and sacrifice stays right in the
corner where it was before you start to view the picture.  Rudolph Valentino as
“Armand” is by all means the best bet in the film. After having witnessed
his work in “The Four Horsemen” however, it is difficult to enthuse over him as
the lover of “the lady of the Camille’s”. The production is the most
magnificent staged.  I shall be vulgar and say that producers certainly blew
themselves on the settings. They are sumptuous and exotic.  Nazimova’s
get-up is bizarre and striking.
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Blood & Sand Former Valentino Movie Co-Star

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19 Sep 1952 – Director Now Actor

George Melford who directed Rudolph Valentino in three of his greatest hits,
including “The Sheik” is playing the part of Richard Greene’s servant in
“The Bandits of Corsica”. He started his movie work in 1906 and is now 76
years old. Edward Small, who is producing the picture was Melford’s agent in
the old days.
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13 Nov 1923

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1926 – Suicides due to Valentino Death

In 1926, Rudolph Valentino’s death triggered a string of women committing
suicides. The first one was Agatha Hearn, NY who could not stand the thought
that the Sheik was gone forever. Waiting outside Campbell’s funeral parlor
in NY was enough catharsis to many mourners, but Mrs. Hearn believed her
grief was too great for that; so she shot herself. When her body was found,
a sheaf of Valentino photographs was clutched in her hand.  The second one
was “A Bronx housewife attempted suicide of ‘my love for him’ but failed.
The third one “In London, Peggy Scott, 26 year old dancer, made away with
herself and left behind a note:
It is heart breaking to live in the past when the future is hopeless please
look after Rudolph’s pictures.
The fourth one “In Japan, two girls clasped hands and leapt into a fiery volcano”. The fifth “In Rome, where the death was regarded by some as a greater calamity than Caruso. Mussolini exhorted women to become mothers not suicides. “What can best be described as grief riots were staged by women in many parts of the world.
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8 Sep 1926 – Late Valentino Commentary

It was with boiling indignation that I read the letter of “Disgusted”. It was full of disrespect to the late Rudolph Valentino, yet your correspondent stated, “Far be it from me to say anything disrespectful of one who has passed through the great divide.” We women know what was at the bottom of the letter – pure jealousy. then he states that the flapper must save some excitement. Let me tell him that if his life has been as clean as was that of Valentino then he has something to be proud of.
Marie Crossett, Adelaide.
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6 Sep 1925 – Rudolph Valentino Injured by Horse

Rudolph Valentino silent film actor, was scratched and bruised at Lankershim near
here today, when he was dragged some distance by a galloping horse.  The scene
in which Valentino was making for the screen required him to halt a running horse.
He grabbed the animal by the bridle, but the horse entering into the spirit of the act,
kept going bumping the actor along the road but doing no serious damage.
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1926 – Memories

With $350 in cash in her pocket and a $1500 wardrobe Ruth Waterbury goes to Hollywood what changes a girl has without experience or influence to break into the movies.  She tries out several studios and is disappointed to learn there are no openings for her. Her last change is the First National Studios.  She goes there and fortunately obtains employment in a picture that Charles Brabin is directing.  She gets a bit part in another picture with Colleen More and is told to report on the set again after dinner; there is to be overtime work. When she finishes her work at midnight she is given a ride home in a Ford by a former star wo is now rated as a has-been. It is Sunday, and Miss Waterbury moves into a hotel to find nothing but lonesomeness in Hollywood. Another part falls to her lot on Monday; she is to work on a picture with Harry Langdon.  Then comes a bit in a picture in which Alice White, a new screen find is appearing.  Next day, when she is told she is a very good type, she becomes a street sweeper in a picture and works with Natalie Kingston on a set and her efforts draw the approval of Milton Sills.  The big thrill comes when she goes through a part with Milton Sills the star.  It was the day, Rudolph Valentino was being buried from the Good Church of the Shepard in Hollywood.  I learned that morning my  it with Milton Sills did not count. Dan Kelly, casting man, heard of it and put me down a foreign type. Furthermore, he called me to be an Italian on location with Doris Kenyon and Lewis Stone.  I didn’t attempt to figure out my sudden foreign look. To myself, I appear about as European as griddle cakes, but the camera sees strange things. It was discovered, for instance Gilda Gray and Gloria Swanson both in person look totally unalike but have Polish ancestry, screen so nearly identically it takes much maneuvering of the lights, to destroy that photographic resemblance. So possibly the camera saw back to the bones of my venerable Dutch forebears. The company had already gone to the beach, so the automobile to transport me and two other girls to the location arrived at my hotel. The location was breath-taking in its beauty.  Some 49 miles from Hollywood, it was one other stretches of bare wild beach that are so characteristic of California.  There were no real homes in sight, but the mountains, great brown masses of power, ran straight to the blue waves of the Pacific Ocean.  Our costumes were delightful their colors were blue, scarlet, yellow, green, orange, with embroidery. At a distance, tiny huts had been erected on the sides of a hill, for the scene was supposed to be a Sicilian fishing village and there were shrines here and there with little plaster virgins and over it all the blue cloudless sky. It there was a murmuring in the crowd, something unexpressed but alive.  The extras were almost without exception Italian born.  Doris Kenyon had a difficult scene to play.  Extras love Doris, for she is as charming as beautiful. So the extras stood at their posts quietly, respectfully, while she worked.  I had to do a bit where I ran furiously down a hill shouting other extras did bits but the strange silence continued.  For the purpose of the scene Doris Kenyon, had evidently misunderstood Lewis Stone, who was present but just outside camera range.  She was apparently seeing him disappear into the distance and discovering true feelings about him, as heroines do so often about reel 5. She looked at him and became angry, looked again and reconsidered looked once more and knew she was in love. She had to play without gestures, without a movement, with the only changing expressions of her eyes to tell the story.  “Bravo” said Lewis Stone it was perfect. The extras were released for a moment.  I knew then what they had been waiting for.  It was the hour of the high mass at the Church of the Good Shepard. Around the shrine on the other side of the hill those Italian extras gathered. They had secured a priest from a nearby village and his fine voice began speaking. They began praying for him who gave so much pleasure for the world and so much pride of his own work. Rudy had been an extra like myself and given access to stardom.  He knew fame and wealth, fleeting happiness, and heartbreak.  We knelt and I with the rest of them found tears in my eyes as I whispered my prayers.
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4 Sep 1933 – What Rudolph Valentino Items are Worth

A Rudolph Valentino autograph recently was sold for $75.00.  A mechanics weekly salary will buy Rudolph Valentino’s $18,000 Isotta Town Car, now dusting on a used automobile lot. Nina Wilcox Putnam has a Voisin formerly owned by Valentino.

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1 Sep 1930 – Two Valentino’s

When I first met Valentino I was amazed to find not the romantic hero, but
just a boy, quite frank and sincere. Why, he is only a child! At first, I
was disillusioned, but in another way I liked him the more.  There were two
distinct Valentino’s – Rudy the artist and Rudy the man.  The one was
swashbuckling cavalier who flashed across the screen into the hearts of
millions. The other was a simple boy with a childish sensitiveness often
mistaken for weakness by the undiscerning and the prejudiced. American men,
particularly had no use for him. They looked down on him, criticized him,
which hurt him for he was anxious to be liked; he wanted friendship and
respect. Had they taken pains to know him, they would have given him both;
but he couldn’t talk business, politics, or the stock exchange. He had no
mentality for such things. They lay beyond his grasp because he had utterly
no interest in them.
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2 Sep 1926 – Valentino Car Starts

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“I think that it would fascinate me to live in such a place, I have very steady nerves or even an imagination that needs such stimulation, but I have always felt strongly akin and at home in places of this kind. I am not afraid of the dead or of ghosts, the whole store and lore of grizzly fears that have shaken the human race at thought, or apprehension of meeting with the dead, is quite foreign to me, I am not afraid of anything pertaining to the life beyond.” And it isn’t because I don’t believe in it it is because I do, I BELIEVE IN THE SUPERNATURAL I don’t believe there is anything I would or could be afraid of. It seems to me we have more cause to be afraid of the living than of those that have gone on shaking off as they go, the lusts and cruelties of the body. What the average man calls death I believe to be merely the beginning of life itself we simply live beyond the shell. We emerge from out of its narrow confines like a chrysalis. Why call it death or, if we give it the name death why surround it with dark fears and sick imaginings?”

My Private Diary’ by Rudolph Valentino 1929

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27 Aug 1926 – Readers Complain

Several readers have complained because the newspapers devoted more space to the death of Rudolph Valentino.  An editor is not a historian who seeks to put happenings into their proper perspective. If the great preoccupation of the public with Valentino is a thing to evaporate in a short time, that is more reason why it becomes news today.  It is well to remember also that the story of Valentino’s death is not concerned alone with the individual in question but with the reaction of the public to this event.  When thousands stand in the rain for hours seeking a chance to pass the dead man’s bier, that is news beyond any question.  It does not matter that many of the people in line were morbid curiosity seekers. The precise extend of morbidity is also a proper subject of journalistic concern. I rather think that some reports have been too severe in judging the motives of the crowd.  I saw long lines at a distance in the dripping rain, and it is my belief that if it had been possible for a reporter to investigate the hearts of all who waiting there he would have found in many who trudged the slow march through the doors a profound emotion. Valentino had become that priceless thing – a symbol. It was not so much a motion picture actor who lay dead as Pan of Apollo whom they are to bury from Campbell’s funeral parlor. He was to the thousands the romance which they never knew.  He was Prince Charming and came from the other side of the moon.  And if a symbol of romance in the lives of many millions fades, that is a not undignified matter of newspaper interest.  It is a long sleep to which Valentino has gone, and soon the thousands will have another symbol to take his place. It seems to me a little cruel to deny a dead actor his last full measure of press clippings.

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92nd Annual Rudolph Valentino Memorial Service

This year’s memorial service a tribute to a great silent film star that brings the Valentino Community under one roof both physically and virtually.

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The 92nd Valentino Memorial Service featured a salute to the 100th Anniversary of “Eyes of Youth”. and remembering Jean Acker.  From the music selections, to the readers, and guest speakers the audienced was moved and in awe by it all.  The time past quickly and it seemed to come and go.  My trip was making new memories and enjoying moments with special friends.  Another year gone by and as always I am eagerly awaiting the 93rd. Special thank you to Tracy Terhune, Karie Bible, Donald Gardner,  and everyone else who tirelessly labored to provide an event worthy.

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1926 – America in Mourning

Rudolph Valentino died on Monday. Not since the death of the three American Presidents Roosevelt, Wilson and Harding has there been in the present generation such country-wide public manifestations of grief over the demise of any person as that of Valentino. Newspapers through out the nation in headlines, in many cases six inches high state “United States Mourns Valentino”. Many journals devote half their contents to pictures of the cinema star from baby-hood to man-hood and long accounts of his life career even stressing that he was not and American and his residence in this country was brief, having arrived penniless and for many years earned his living at the most menial tasks.  He was unquestionably the most popular state figure in America. One writer declares Valentino was more popular the world over than any King who ever lived.  Hundreds of thousands of people literally blocked the street around the hospital for 24 hours before his death. An appeal was broadcast over the radio for helpful thought when his condition became serious. Thousands of messages a day poured in from people, while floral contributions filed the corridors of the hospital. His death cast a gloom on the bright lights of Broadway the famous NY theatre district.
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17 Aug 1927 – Hysteria and Home Truths — An Interesting Comparison— Of Extreme English and American Opinion

England Opinion: In a golden casket one London woman is preserving as her greatest treasure – a shirt of the late Rudolph Valentino. Other erratic female specimens have erected shrines in their boudoirs, others again grow flowers under his portrait. There is no limit to their sentimental extravagance. It is therefore of interest to read two opinions, one English and one American, on the all important topic of Rudy. At Shepherd’s Bush Pavilion, London, the last week of July, many British women thronged to the Pavilion as a tribute to the memory of their departed idol. Many of them carried banners. The demonstration was arranged by the Valentino Memorial Guild and the service was subsidized by the International Memorial Fund, a fund that in the first feminine frenzy after the ex-waiters death was collected among susceptible women from all different parts of Britain. Pictures of the star’s home life at Hollywood were screened and wept over, extracts from his poems were read, and a bronze plaque was erected to his memory. And for several hours hundreds of infatuated women wept and slobbered and lamented. As time goes on, the Guild will, unless it decides to squander the money in some other way, reissue the Valentino films and a children’s hospital which will be in memory of Rudy.
American Opinion: Rudolph Valentino,’ said an American Writer just before the stat’s death, ‘is one of those half breed Italians, of whom both halves are bad. He came to a stony-broke waiter. For a time the. Heavens were just and he stayed a waiter. ‘Then he tried dancing. All his brains were in his feet and his pockets soon began to fill. ‘Full pockets meant high spots for Valentino, booze and women, both pretty bad, and thus excellent company for an imported an entity whom no One but the jail governors should have keen glad to welcome. ‘In a weak moment someone let him in the movies some giggling flapper saw Mm and decided this greasy, ill-washed continental butt was thrilling. She told her friends and convinced them to think so too. ‘When they tried him in a Sheik stuff the flapper thrilled again. ‘In no tithe TBIS WOP WAITER became better known than the president. With the morals of a sewer rat and the scarred face of a Cairo boatman Valentino vamped himself a place in the best movie society and began to love and leave th6 women & bit higher up the social ladder. ‘American women who shudder at the scum that slinks off the immigrant ships into Ellis Island gaped in thrilled awe at the dago’s » bear-hugging and thought the greatest joy in life would be to have their spinal cord crack in elegant embraces that wouldn’t, be permitted in a rough-run ?wrest- ling joint. ‘Generally the men of Hollywood bated him. His debts of which were never paid because he had a lot of debts and no honor this text Men hated him because a half-baked satyr is never popular. He was a poor sport, a miserable mugger of detent women and he should never have been allowed to wander into any civilized country.
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22 Aug 1983 – Harmony Treasure Stolen

Tommorrow is the 57th anniversary of film idol Rudolph Valentino’s death a doubly sad day for the town of Harmony, population 28 located hear San Simeon.  For years, an unusual monument to Valentino there was accompanied by a sign that read “In the early 1900’s and in the company of W.R. Hearst and Pola Negri, Rudolph Valentino had a call of nature”.  Guilda Williams, who lived here, was kind enough to let him use her bathroom.  When the little house was remodeled, the potty was converted into an outdoor planter that disappeared earlier this year.  “We heard it had been found by police in Clovis” said Jim Lawrence, who owns the town.  But when I called the ID didn’t seem to match up.

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21 May 1928- MOURNED BY GIRLS MASS FOR VALENTINO

Three hundred women and girls, In deep mourning, attended a special Man at St. Orrvals Church to-day. In memory of Rudolph Valentino. Scores of girls waited outside the Late Rudolph Valentino church. The Mass was arranged by a mysterious woman, reputed to be im mensely wealthy, who Is frequently seen al Uie church. She does not reveal her name, but often goes to the church to request a Mass for the repose of the soul of Valentino

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1922-1929 – The friendship and love between Kabar and Rudolph Valentino

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Each year, during the months of August and September, the Valentino community comes together mourning the life of Rudolph Valentino.  When Rudolph Valentino died everyone was grieving for him. While back at Falcon Lair, Rudolph Valentino’s personal home where all of his horses and dogs lived were daily waiting the return of their beloved owner and friend. Who gave any thought or consideration to the horses and dogs left behind. The answer to these questions is no one gave thought or consideration or reassurance of their feelings of grief or they would be okay and taken care of not to be sold but remain in a familiar place remembered where they were loved and treasured.   The animals mourned the loss but one felt that more than the rest Kabar a Doberman Pincher, Valentino’s favorite and constant companion.   Kabar was born in Alsace, France on 20 June 1922, given to Valentino during a trip to Europe. Kabar was only a few months old, when he was sent to the French estate of the Hudnut family to be specially trained there.  Over time, he was seen constantly at Valentino’s side to even sleeping in his chamber at night.  Natacha Rambova often accused Valentino of favoring Kabar and hating on her Pekinese dogs. Not so said Valentino”shes the one I hate”.  On 23 Aug 1926, when his best friend died Kabar instinctively knew something was wrong and started howling so loudly that all of the other pets picked up the signal and started howling as well and could not be appeased.  Beatrice Lillie was so frightened of what she was hearing that she ran her car off the mountain road and fainted when on her way home from a party nearby at John Gilbert’s house.  When Alberto Valentino arrived back at the estate the dog’s grief somewhat subsided but he was constantly sick since Valentino’s death.  On 3 Feb 1929, Kabar passed away from a broken heart.  Senator Vest of Missouri immortalized Kabar in one of his speeches. The death of Kabar, brought up the question what to do with his remains.  Because this was newsworthy he was the first famous pet to be buried in a pet cemetery.   Alberto Valentino buried Kabar with a marker that read “Kabar My Faithful Dog” Valentino. To this day, the Valentino community talks about the love and friendship between Kabar and his best friend.

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23 Aug 2019 – 92nd Annual Valentino Memorial Service

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In less than 12 days, generations of fans of the great silent film legend Rudolph Valentino will come from parts all over to the Cathedral Mausoleum, Hollywood Forever Cemetery to celebrate and mourn the life of a talent that lives on in our minds, hearts and celluloid.

rudolphvalentino-burial2.jpg The memorial service comes to serve us all as a reminder to pause and remember that he has never been forgotten. The purpose of this blog has always been to give the viewer a glimpse into a yester-year. A bygone era of photos, newspaper headlines, articles that give us something new and different to savor and perhaps bring us all a little closer as a community should. But its important to know there are dedicated and humble people who work behind the scenes each year to ensure the Annual Rudolph Valentino Memorial Service is done in a fitting and respectful manner in tribute to one we all come together and celebrate and mourn the passing of a wonderful silent star whose light will never dim. To Mr. Tracy Terhune, Ms. Stella Grace and others, I wanted to take a moment to thank you for the hard work all that you have done and continue to do. On 23 Aug, 1315 PST, Los Angeles California, Hollywood Forever Cemetery 92nd Memorial Service physically and virtually the Valentino Community will once again come together.

The 92nd Valentino Memorial Service 

August 23, 2019
Hollywood Forever Cemetery
Hollywood
12:10pm
Admission is Free
Free Parking
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1949 – Rudy Remembered

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“Before leaving London Valentino went into the Wykham Studio in Victoria Street to have a passport photograph taken when he gave his name, the assistant exclaimed, ‘Oh! My God’, to which remark Valentino replied ‘No not a God, only a mortal’–Rudolph Valentino

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22 Aug 1925 – Rudolph Valentino Changes Sports to Keep Up Interest

Rudolph Valentino gets up at five o’clock and his himself to the beach for a swim before going to work in “The Eagle” which Clarence Brown is directing. When he was making “Cobra” he used to get up at the same hour and box or ride horseback.  Rudy changes his sports and hobbies regularly and thus keeps a fresh interest.

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1 Jul 1921 Screen Scribbles

Speaking of screen premiers in Los Angeles, the opening performance of the “Four Horsemen of the Apocalypse” was an affair of importance. All the principal players from the cast were there, including Rudolph Valentino, Alice Terry, Derek Ghent and Virginia Warwick. The tango was to have been danced by Rudolph Valentino and Beatriz Dominguez who played the Argentinian dancer in the picture, but she, poor girl, passed away following an operation for appendicitis a few days before the picture was shown. The presentation was somewhat marred by the introductory remarks of a gentleman from Brazil, who although an American, had a limited vocabulary, and a distressing originality of pronunciation. “My friends” he began, “we are about to witness the great dramatically spectacular “The Four Horsemen of the Apocalypse” the –“business of consulting the program) the Apoc-al-ypse–..A titter from the audience checked him and he tried it again. After the roar of laughter had subsided he let the matter of pronunciation go hang, and contented himself with referring to the feature as the greatest “dramatically spectacular”.

 

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5 Jul 1938 – Beulah Livingstone

According to Beulah Livingstone, who writes publicity for a company sponsoring the revival of “Son of the Sheik” the name of Rudolph Valentino will remain a magic one as long as romance flourishes on the movie screen.  “It was the late Valentino”, declares Miss Livingstone “who set the hears of the nation thumping wildly with his forthright technique of love-making, and his rugged he-man characterizations set another precedent in screen acting. Those who remember and love him for his screen contributions, as well as the newer generation who have never had the opportunity to see the great idol of filmdom, will be happy to learn that his last and greatest picture has been booked for local presentation.  We have known Beulah Livingstone since back in the good old silent days, when we were young and innocent and the brain-storms that flowed so profusely from her sturdy typewriter were eagerly accepted and passed on without blue penciling to our readers. But a lot of water has shot over the Chaudière since “Son of the Sheik” was produced and released to a clamoring public, and we confess that Beulah’s effusive if well-turned, phrases anent the current revival of Rudolph Valentino productions from the dimly-passed silent days leaves us as cold as one early morning last winter when the radiator on the old bus froze stiff and we bravely ventured forth to walk the two miles to our office. For the information of those who might be interested, and just to keep the record clear, we might add that the rejuvenated “Son of the Sheik” contains sound effects and a newly arranged musical score. Acting, directing, technical effects, and camera work have come a long way, however, from the days when every other girl of teen-age sent in a quarter for her idol’s photograph and mounted it on the boudoir table.

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1949

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11 Mar 1978 – Former Hearst Personal Projectionist

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W. Young Louis was William Randolph Hearst’s projectionist at San Simon. At the age of 84 he runs the Freemont Theater in downtown San Luis Obispo six nights a week. He recalls becoming acquainted with Hearst and was asked to be his personal projectionist for private showings at the castle. After San Simeon was built, I was on call for Hearst. He’d call me at all hours of the night sometimes 2 or 3 a.m. A taxi would pick me up and drive me to San Simeon a good one-hour’s drive away he said.  “Sometimes I’d stay a week and my wife would come along. I loved it”.  I showed just old movies starring Marion Davies. “We had a basement full of Miss Davies films, and she’d come down and help me choose which ones to show”.  Some people would say she was aloof, but she wasn’t.  Hearst’s guests included Presidents, writers, singers, actors, actresses, movie producers all famous people of the day.  Louis met them all there was: Mary Pickford, Charlie Chaplin, Gloria Swanson, Mae West, Shirley Temple, Clark Gable, Maurice Chevalier, John Barrymore, Will Rogers, Rudolph Valentino, Loretta Young, President Hoover and Calvin Coolidge. “Oh that Rudolph Valentino was a very congenial slender dapper man” Louis said.  Autographed pictures, souvenirs of their visits still fill every available space on the walls of the Freemont Theater. One of the stars who visited the castle turned out to be a relative.  “I met Anna Mae Wong, a silent screen actress and we talked for a long time. We found out we were related 16th cousins.  Louis has stayed put in the Freemont projection room since those days in the early 1940’s. He helped design the place and it fits him to a T. It’s equipped with a small wooden desk and padded vinyl chair so Louis can read and write letters while the reels roll.  No, he doesn’t always watch them. “Some of them, I …he started to say and then shrugged”.

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20 Jul 1951 – Valentino Film Libelous says Alice Terry

Alice Terry, former Silent Film blond beauty became the first woman in Rudolph Valentino’s life Thursday to announce he was no Romeo to her.  The ex-actress filed a $750,000 libel suit charing the recent movie “Valentino” pictures her having a clandestine love affair with the slick haired sheik.  But she says, when Rudy was her leading man back in the days of the flickers and quivering piano she never gave him a second thought. “Valentino? Why he was a good-looking man and a very nice fellow but that’s all” she shrugged. “I never had any interest in him”. He didnt look like a great lover at all, and it never occured to us that worked with him that he’d be known as that.  “No body thought about him in those days as a great lover.  In fact, it wasn’t until after he died that he got that reputation”.  Miss Terry was the star of Valentino’s first movie, “The Four Horsemen of the Apocalypse” directed by her husband Rex Ingram.  Rex Ingram died last year.

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3 Aug 1944 – What Was it Like Being Rudolph Valentino

Rudolph Valentino has been gone almost 18 years and I am still being asked: What was it like being Rudolph Valentino? Every famous person more or less the victim of his own legend and none more so that Rudolph Valentino who came to be called “The Sheik” and Rudy hated that tag, especially after it became a byword for what is known as wolfing today.  Valentino’s outstanding characteristic when away from the camera was shyness.  He hated dancing for that reason. His career with Bonnie Glass and later Joan Sawyer, doing ballroom dances, brought him too close to his audience.  He was an eternal boy but understood his capabilities. He knew he registered best in romantic roles. He was a failure when he departed from them, although he was persuaded to do so more than once.  Valentino was practically a chain smoker. He drank red wines, loved good food, ate voraciously, cooked well and liked to cook.  He appeared almost ordinary in golf or business clothes; was superb in anything approximating a costume such as riding clothes, fencing apparel, or lounging robes.  Kept a large library of books with costume plates which he studied religiously. Remainder of his library was distinguished with rare volumes mostly in foreign languages which he understood.  He hated sets of books and never bought them.  Al Jolson was instrumental in bringing Valentino to Los Angeles. Norman Kerry who was a life-long friend, helped him over tough days. Rudy was hopelessly extravagant and died broke. He bought a Mercer with his first permanent salary of $125 a week spent most of it on repairs. Later cars were Voisins and Isotta Frashchini’s. He loved machinery and had a workshop in his garage.  Once took his car apart and put it together again. Was a typical small boy in this respect. His most enduring business friendship was with Joseph Schenck of Fox Studios for whom he made “Son of the Sheik” and “The Eagle” two of his greatest successes.  Valentino attributed much of this to his ability and judgement.  Valentino danced in Gauman prologue’s before he made good in his movies.  Mae Murray gave him his first chance and they were always good friends. He was deeply interested in supernatural things during his marriage to Natacha Rambova – chiefly automatic writing. Had no small superstitions. He never permitted anyone, even his wife to see him disheveled.  He had no shabby, comfortable old clothes. Spent a fortune on his wardrobe which was always new.  Kept himself in superb physical condition result of two disappointments.  As a boy he was turned down by the Royal Naval Academy because he lacked one inch in chest expansion. Air Force turned him down in World War I because of defective vision. Physical routine included sparring with Gene Delmont and Jack Dempsey, who was a good friend. Loved horses a white Arabian Stallion Ramadan, was his favorite.  A Harlequin Great Dane, Doberman Pincher, and a Celtic Wolfhound, were all with him constantly as was a black cocker spaniel given to him by the Mayor of San Francisco at the time.  He was sincere about his trade as an actor. But he had problems trying to find what he felt was his greatest goal his own family.

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1926 – Funeral Gossip

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